Direct Simulation of Low-Pressure Supersonic Gas Expansions and its Experimental Verification

The use of gas expansions to generate atomic or molecular beams has become a standard technique in nuclear and hadron physics for the production of polarized ion beams and gas targets. A direct simulation Monte Carlo method was used to understand the processes occurring in an expansion of highly dissociated hydrogen or deuterium gas at low densities. The results were verified in several measurements including time-of-flight and beam-profile determinations which showed that the supersonic gas expansions can properly be described by the Monte Carlo calculations. Additionally a new method of beam formation, the hollow carrier jet, was tested under the conditions of the atomic beam source operation

Konak yahut Şeyh Şamil’in Kafkasya muharebesinde bir hikâye-i garibe

Adolf Muçelburg'ün Tercüman-ı Hakikat'te yayımlanan Konak yahut Şeyh Şamil’in Kafkasya Muharebesinde Bir Hikâye-i Garibe adlı romanının ilk ve son tefrikalarıTefrikada yazarın adı belirtilmemiştir.Tefrika daha sonra Kafkas adıyla kitaplaştırılmıştır

Tiefengeothermie Sachsen

In drei Gebieten Sachsens wurde durch einen Forschungsverbund unter Leitung des LfULG die Nutzung der petrothermalen Geothermie zur Strom- und Wärmegewinnung untersucht. In der Elbezone im Raum Dresden, in Freiberg und Aue-Schneeberg wurden geologische, petrophysikalische und thermische Daten aufgearbeitet und dreidimensionale Modelle bewertet. Die Ergebnisse zeigen, dass eine Stromerzeugung durch Tiefenaufschlüsse bis 5 km Tiefe in allen drei Untersuchungsgebieten möglich ist. Die Temperaturmodelle weisen in 5 km Tiefe Werte zwischen 105 und 190 °C auf. Dabei verfügt das Untersuchungsgebiet Aue-Schneeberg über die besten Voraussetzungen für die Errichtung eines Geothermiekraftwerkes

Spinor Bose-Einstein condensates

An overview on the physics of spinor and dipolar Bose-Einstein condensates (BECs) is given. Mean-field ground states, Bogoliubov spectra, and many-body ground and excited states of spinor BECs are discussed. Properties of spin-polarized dipolar BECs and those of spinor-dipolar BECs are reviewed. Some of the unique features of the vortices in spinor BECs such as fractional vortices and non-Abelian vortices are delineated. The symmetry of the order parameter is classified using group theory, and various topological excitations are investigated based on homotopy theory. Some of the more recent developments in a spinor BEC are discussed.Comment: To appear in Physics Reports. The PDF file with high resolution figures is available from the following website: http://cat.phys.s.u-tokyo.ac.jp/publication/review_of_spinorBEC.pd

Prolonged Influenza Virus Shedding and Emergence of Antiviral Resistance in Immunocompromised Patients and Ferrets

Immunocompromised individuals tend to suffer from influenza longer with more serious complications than otherwise healthy patients. Little is known about the impact of prolonged infection and the efficacy of antiviral therapy in these patients. Among all 189 influenza A virus infected immunocompromised patients admitted to ErasmusMC, 71 were hospitalized, since the start of the 2009 H1N1 pandemic. We identified 11 (15%) cases with prolonged 2009 pandemic virus replication (longer than 14 days), despite antiviral therapy. In 5 out of these 11 (45%) cases oseltamivir resistant H275Y viruses emerged. Given the inherent difficulties in studying antiviral efficacy in immunocompromised patients, we have infected immunocompromised ferrets with either wild-type, or oseltamivir-resistant (H275Y) 2009 pandemic virus. All ferrets showed prolonged virus shedding. In wild-type virus infected animals treated with oseltamivir, H275Y resistant variants emerged within a week after infection. Unexpectedly, oseltamivir therapy still proved to be partially protective in animals infected with resistant virus. Immunocompromised ferrets offer an attractive alternative to study efficacy of novel antiviral therapies

Opera and Hypnosis: Victor Maurel’s Experiments with Verdi’s Otello

One day in his private home on the avenue Bugeaud, in Paris’s sixteenth arrondissement, the famous baritone Victor Maurel hosted a meeting which combined music with hypnotism of a young woman

Vocal Culture in the Age of Laryngoscopy

For several months beginning in 1884, readers of Life, Science, Health, the Atlantic Monthly and similar magazines would have encountered half-page advertisements for a newly patented medical device called the ‘ammoniaphone’ (Figure 2.1). Invented and promoted by a Scottish doctor named Carter Moffat and endorsed by the soprano Adelina Patti, British Prime Minister William Gladstone and the Princess of Wales, the ammoniaphone promised a miraculous transformation in the voices of its users. It was recommended for ‘vocalists, clergymen, public speakers, parliamentary men, readers, reciters, lecturers, leaders of psalmody, schoolmasters, amateurs, church choirs, barristers, and all persons who have to use their voices professionally, or who desire to greatly improve their speaking or singing tones’. Some estimates indicated that Moffat sold upwards of 30,000 units, yet the ammoniaphone was a flash in the pan as far as such things go, fading from public view after 1886

Unsound Seeds

With this image of a curtain hiding and at the same time heightening some terrible secret, Max Kalbeck began his review of the first Viennese performance of Richard Strauss’s Salome. Theodor W. Adorno picked up the image of the curtain in the context of Strauss’s fabled skill at composing non-musical events, when he identified the opening flourish of Strauss’s Salome as the swooshing sound of the rising curtain. If this is so, the succès de scandale of the opera was achieved, in more than one sense, as soon as the curtain rose at Dresden’s Semperoper on 10 December 1905. Critics of the premiere noted that the opera set ‘boundless wildness and degeneration to music’; it brought ‘high decadence’ onto the operatic stage; a ‘composition of hysteria’, reflecting the ‘disease of our time’, Salome is ‘hardly music any more’.The outrage did not end there