A Generation at War: The Civil War Era in a Northern Community

A Fresh Analysis of a Society in Wartime In recent years growing numbers of scholars studying the Civil War have turned to social history, giving us fascinating portraits of people during wartime, whether soldiers, women, children, or workers-even women workers in munitions factories. Ye...

Prelude to Power

Otiginally published in 1976. This investigation focuses on the ideology of the radical press during the French Revolution. Events, individuals, and institutions were important, but they were reported in such a manner as to make them subordinate to ideas. In their descriptions of the people and institutions of the Revolution, radicals drew heavily on the stereotypes provided by their ideology. The author analyzes the radicals of 1789 to 1791 with respect to collective interests and concerns. For these radicals, ideology governed from 1789 through 1791. And, insofar as events had any impact on the radicals, occurrences of 1790 were important because they coincided with radical shifts in opinion. Subsequent and more famous events came too late to have much impact on radical views. The author reveals that Jacobin thought of 1792 and 1793 had definite origins dating from 1789. The similarity between radical thought and the ideology of Robespierre proves that Jacobinism was not a hasty doctrine of the moment but the direct product of positions assumed since 1789

Comparing Notes: Recording and Criticism

This chapter charts the ways in which recording has changed the nature of music criticism. It both provides an overview of the history of recording and music criticism, from the advent of Edison’s Phonograph to the present day, and examines the issues arising from this new technology and the consequent transformation of critical thought and practice

Wider Still and Wider: British Music Criticism since the Second World War

This chapter provides the first historical examination of music criticism in Britain since the Second World War. In the process, it also challenges the simplistic prevailing view of this being a period of decline from a golden age in music criticism