RRS Charles Darwin Cruise 126, 11 Mar-20 Mar 2001. Piston coring of debris flows and turbidites west and south of the Canary Islands

The major cruise objective was to obtain sediment cores at various locations to the west and southwest of the Canary Islands with the aims of :· Sampling debris flow sediments in the Canary and Saharan debris flows· Obtaining dateable sediments immediately above and below the debris flow sediments· Sampling turbidite sediments associated with the debris flows· Sampling sediments on either flank of a sediment wave west of La PalmaIn addition, it was planned to:· obtain seabed video footage, using the SHRIMP towed camera station, at several localities where downslope sediment transport was believed to be active at the present day, and undertake some test deployments of the SOC Scatterometer syste

RRS James Cook Cruise 36, 19 Jul-28 Jul 2009. The Geobiology of Whittard Submarine Canyon

The biological and geological research programme for James Cook cruise 36 was built around a series of ROV video transects to determine variations in species and community structure and composition in different geological and topographic settings down the canyon. ROV transects were planned to undertake detailed studies of recognised biological hotspots on both hard and soft substrates, to collect specimens for taxonomic studies, including molecular genetics, and to carry out biological experiments, including the use of in situ incubation chambers and tracer feeding experiments to study the physiology of deep-water fauna. Additional coring, CTD and water column particulate sampling programmes were planned to investigate the recent geological history of the canyon, and, in particular, to investigate whether significant sediment is currently accumulating in any part of the canyon, to sample macro- and meiofauna in areas of soft substrate, and to investigate the fate of organic carbon in the canyon. JC36 was highly successful. The cruise built on the successful mapping of the canyon, using swath bathymetry and 30 kHz sidescan sonar, undertaken during JC35. The main achievements of JC36 included the completion of 26 ROV dives, totalling 340 hr. Seafloor video and photographs along 12 transects from the eastern and western canyon branches between 500 and 3600 m waterdepth were collected. A collection of over 240 biological specimens was collected to verify species identification from the video transects. Pushcores for sedimentology, organic geochemistry, biology and microbiology were also collected. Ultra high-resolution swath bathymetry of the canyon floor using the multibeam system mounted on the ROV was collected on 8 dives. A total of 10 dives were dedicated to placing, initiating and recovering a variety of biological experiments on the seafloor, mainly to examine respiration rates of individual animals or animal communities. The coring programme completed 19 successful piston core stations and 29 successful megacore stations. Most of the latter were processed for macrofauna and meiofauna but some were subsampled for sedimentology and geochemistry. A preliminary assessment suggests that most of the sediment recovered is late glacial in age, and that little Holocene sediment has been deposited in the canyon. 6 CTD profiles and 5 SAPS (stand-alone pump) stations were completed to characterise the suspended particulate matter above the canyon floor. A total of 30 pushcores and megacores also sampled for organic geochemistry

The growth exponent for planar loop-erased random walk

We give a new proof of a result of Kenyon that the growth exponent for loop-erased random walks in two dimensions is 5/4. The proof uses the convergence of LERW to Schramm-Loewner evolution with parameter 2, and is valid for irreducible bounded symmetric random walks on any two-dimensional discrete lattice.Comment: 62 pages, 7 figures; fixed typos, added reference

Rahner\u27s Primordial Words and Bernstein\u27s Metaphorical Leaps: The Affinity of Art with Religion and Theology

Karl Rahner\u27s notion of primordial words and Leonard Bernstein\u27s conception of music as intrinsically metaphorical are engaged to suggest that there is a fundamental affinity between artistic and religious imagination. The affinity is grounded, in part at least, in metaphoric process—an elemental cognitive act in which the human spirit is stretched so that its expressions can address what lies beyond them