30 research outputs found

    Phylomemetics—Evolutionary Analysis beyond the Gene

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    Genes are propagated by error-prone copying, and the resulting variation provides the basis for phylogenetic reconstruction of evolutionary relationships. Horizontal gene transfer may be superimposed on a tree-like evolutionary pattern, with some relationships better depicted as networks. The copying of manuscripts by scribes is very similar to the replication of genes, and phylogenetic inference programs can be used directly for reconstructing the copying history of different versions of a manuscript text. Phylogenetic methods have also been used for some time to analyse the evolution of languages and the development of physical cultural artefacts. These studies can help to answer a range of anthropological questions. We propose the adoption of the term “phylomemetics” for phylogenetic analysis of reproducing non-genetic elements

    Christianity as Public Religion::A Justification for using a Christian Sociological Approach for Studying the Social Scientific Aspects of Sport

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    The vast majority of social scientific studies of sport have been secular in nature and/or have tended to ignore the importance of studying the religious aspects of sport. In light of this, Shilling and Mellor (2014) have sought to encourage sociologists of sport not to divorce the ‘religious’ and the ‘sacred’ from their studies. In response to this call, the goal of the current essay is to explore how the conception of Christianity as ‘public religion’ can be utilised to help justify the use of a Christian sociological approach for studying the social scientific aspects of sport. After making a case for Christianity as public religion, we conclude that many of the sociological issues inherent in modern sport are an indirect result of its increasing secularisation and argue that this justifies the need for a Christian sociological approach. We encourage researchers to use the Bible, the tools of Christian theology and sociological concepts together, so to inform analyses of modern sport from a Christian perspective

    Multiple novel prostate cancer susceptibility signals identified by fine-mapping of known risk loci among Europeans

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    Genome-wide association studies (GWAS) have identified numerous common prostate cancer (PrCa) susceptibility loci. We have fine-mapped 64 GWAS regions known at the conclusion of the iCOGS study using large-scale genotyping and imputation in 25 723 PrCa cases and 26 274 controls of European ancestry. We detected evidence for multiple independent signals at 16 regions, 12 of which contained additional newly identified significant associations. A single signal comprising a spectrum of correlated variation was observed at 39 regions; 35 of which are now described by a novel more significantly associated lead SNP, while the originally reported variant remained as the lead SNP only in 4 regions. We also confirmed two association signals in Europeans that had been previously reported only in East-Asian GWAS. Based on statistical evidence and linkage disequilibrium (LD) structure, we have curated and narrowed down the list of the most likely candidate causal variants for each region. Functional annotation using data from ENCODE filtered for PrCa cell lines and eQTL analysis demonstrated significant enrichment for overlap with bio-features within this set. By incorporating the novel risk variants identified here alongside the refined data for existing association signals, we estimate that these loci now explain ∼38.9% of the familial relative risk of PrCa, an 8.9% improvement over the previously reported GWAS tag SNPs. This suggests that a significant fraction of the heritability of PrCa may have been hidden during the discovery phase of GWAS, in particular due to the presence of multiple independent signals within the same regio

    <i>Performative reading in the late Byzantine</i> theatron

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    Prevalence, associated factors and outcomes of pressure injuries in adult intensive care unit patients: the DecubICUs study

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    Funder: European Society of Intensive Care Medicine; doi: http://dx.doi.org/10.13039/501100013347Funder: Flemish Society for Critical Care NursesAbstract: Purpose: Intensive care unit (ICU) patients are particularly susceptible to developing pressure injuries. Epidemiologic data is however unavailable. We aimed to provide an international picture of the extent of pressure injuries and factors associated with ICU-acquired pressure injuries in adult ICU patients. Methods: International 1-day point-prevalence study; follow-up for outcome assessment until hospital discharge (maximum 12 weeks). Factors associated with ICU-acquired pressure injury and hospital mortality were assessed by generalised linear mixed-effects regression analysis. Results: Data from 13,254 patients in 1117 ICUs (90 countries) revealed 6747 pressure injuries; 3997 (59.2%) were ICU-acquired. Overall prevalence was 26.6% (95% confidence interval [CI] 25.9–27.3). ICU-acquired prevalence was 16.2% (95% CI 15.6–16.8). Sacrum (37%) and heels (19.5%) were most affected. Factors independently associated with ICU-acquired pressure injuries were older age, male sex, being underweight, emergency surgery, higher Simplified Acute Physiology Score II, Braden score 3 days, comorbidities (chronic obstructive pulmonary disease, immunodeficiency), organ support (renal replacement, mechanical ventilation on ICU admission), and being in a low or lower-middle income-economy. Gradually increasing associations with mortality were identified for increasing severity of pressure injury: stage I (odds ratio [OR] 1.5; 95% CI 1.2–1.8), stage II (OR 1.6; 95% CI 1.4–1.9), and stage III or worse (OR 2.8; 95% CI 2.3–3.3). Conclusion: Pressure injuries are common in adult ICU patients. ICU-acquired pressure injuries are associated with mainly intrinsic factors and mortality. Optimal care standards, increased awareness, appropriate resource allocation, and further research into optimal prevention are pivotal to tackle this important patient safety threat

    Purloined Portraits

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    Between 1853 and 1874 Hannah Cullwick, an English domestic servant, kept a diary and had photographs taken of herself, a practice which continued until shortly after her secret marriage to her employer. The documents survive as a valuable source for feminist historians. Dawkins' essay is a careful account of the socio-economic factors which produced these artifacts as well as a portrait in itself of an unusual strong and self-possessed female member of the Victorian working class. 9 bibl. ref

    Artists and After-Lives

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    Dans sa notice nécrologique sur Delacroix, Baudelaire se réfère à celui-ci comme à l’incarnation même du génie romantique, passionné et original. Dans cet essai, Heather Dawkins examine comment Baudelaire, en 1863, définit la créativité de Delacroix et en compare les caractérisations à celles de Degas, artiste dont la vie et l’oeuvre se sont révélées incompatibles avec le paradigme du génie romantique. Le mythe de Degas nie certains aspects du génie romantique et se construit au contraire autour d’un paradigme scientifique moderne de recherche pure. Malgré leurs différences, les mythologies de ces deux artistes intensifient la complexité technique de la gestation de l’image et subsument une autre culture dans l’identité créatrice de l’artiste. Le mythe de Delacroix le situe dans un rapport particulier aux cultures exotiques ou archaïques; le mythe de Degas le situe dans un rapport particulier à la féminité. Heather Dawkins montre que cette compréhension de la féminité est « dé-historicisée » et que l’on peut la considérer comme une abstraction si l’on accorde suffisamment d’attention à l’article d’Alice Michel, « Degas et son modèle », écrit en 1919. Cet article est intéressant pour sa caractérisation de Degas et pour la façon dont il exprime le rapport de la pratique artistique de Degas à la féminité. L’artiste y est dépeint comme autoritaire et exigent. Son rapport à la féminité s’exprime avant tout dans le conflit et la colère. « Degas et son modèle » se démarque des mythes bourgeois de l’artiste – romantique ou scientifique – et présente au contraire Degas, sa pratique artistique et son atelier du point de vue d’une femme de la classe ouvrière
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