Cracks in the Bathroom Stall: A Discourse Analysis on Transgender Bathroom Usage at Garden Spot High School

In recent years, high schools across the country have seen the concern around transgender students using gendered facilities, such as bathrooms and locker rooms, come to the forefront. Often, dissenters raise worries of privacy and of “catering to a minority,” no matter what decision is reached. At Garden Spot High School in New Holland, Pennsylvania, the site of this research, one such concern has led to a district-wide decision to eliminate gendered facilities and move to single-use facilities, in the name of preserving student privacy. Through the examination of historical precedent and discourse analysis, this paper examines how transgender surveillance serves as a source of anxiety for transgender students and for the cisgender members of society around them as these debates are taken up. By positioning trans students as suspicious and in need of hyper-regulation, undue surveillance disrupts any chance of privacy for all students

Comparing Notes: Recording and Criticism

This chapter charts the ways in which recording has changed the nature of music criticism. It both provides an overview of the history of recording and music criticism, from the advent of Edison’s Phonograph to the present day, and examines the issues arising from this new technology and the consequent transformation of critical thought and practice

Wider Still and Wider: British Music Criticism since the Second World War

This chapter provides the first historical examination of music criticism in Britain since the Second World War. In the process, it also challenges the simplistic prevailing view of this being a period of decline from a golden age in music criticism

A Context for Mozart's French Ariettes: The Wendling Family and Friedrich Schiller's Kabale und Liebe

This essay examines Mozart's relationship to the Wendling family and the French ariettes he wrote during his visit to Mannheim. Through documen-tary evidence we glimpse the underside of court life, involving an affair between Elisabeth Augusta Wendling and Elector Palatine Carl Theodor. Six years after Mozart's visit, Friedrich Schiller's Kabale und Liebe was performed at the Mannheim National Theater in 1784. The goal of the essay is first to draw connections between Mozart and the Wendlings, and second to consider Schiller's fictional Luisa Miller, her father, and mother-a family possibly modeled on the Wendlings