A Seasonable, Legall, and Historicall Vindication and Chronologicall Collection of the Good, Old, Fundamentall, Liberties, Franchises, Rights, Laws of All English Freemen

https://openworks.wooster.edu/notestein/1050/thumbnail.jp

A True and Ful Relation of the Officers and Armies Forcible Seising of Divers Eminent Members of the Commons House, Decemb. 6 & 7. 1648. as Also, a True Copy of a Letter Lately Written by an Agent for the ARMY in Paris, Dated 28 of Novemb. 1648, to a Member of the Said House ... Clearly Discovering, That Their Late Remonstrance and Proceedings Do Drive on and Promote the Jesuits and Papists Designes, to the Subversion of Religion, Parliament, Monarchy, and the Fundamental Laws and Government of the Kingdom

https://openworks.wooster.edu/notestein/1031/thumbnail.jp

Mucedorus: the last ludic playbook, the first stage Arcadia

This article argues that two seemingly contradictory factors contributed to and sustained the success of the anonymous Elizabethan play Mucedorus (c. 1590; pub. 1598). First, that both the initial composition of Mucedorus and its Jacobean revival were driven in part by the popularity of its source, Philip Sidney's Arcadia. Second, the playbook's invitation to amateur playing allowed its romance narrative to be adopted and repurposed by diverse social groups. These two factors combined to create something of a paradox, suggesting that Mucedorus was both open to all yet iconographically connected to an elite author's popular text. This study will argue that Mucedorus pioneered the fashion for “continuations” or adaptations of the famously unfinished Arcadia, and one element of its success in print was its presentation as an affordable and performable version of Sidney's elite work. The Jacobean revival of Mucedorus by the King's Men is thus evidence of a strategy of engagement with the Arcadia designed to please the new Stuart monarchs. This association with the monarchy in part determined the cultural functions of the Arcadia and Mucedorus through the Interregnum to the close of the seventeenth century

Comparing Notes: Recording and Criticism

This chapter charts the ways in which recording has changed the nature of music criticism. It both provides an overview of the history of recording and music criticism, from the advent of Edison’s Phonograph to the present day, and examines the issues arising from this new technology and the consequent transformation of critical thought and practice

Wider Still and Wider: British Music Criticism since the Second World War

This chapter provides the first historical examination of music criticism in Britain since the Second World War. In the process, it also challenges the simplistic prevailing view of this being a period of decline from a golden age in music criticism

Gvilhelmi Prynn Angli Armigeri Aulæ Lincolniensis : Fvlcimentum Gladii Christianorum Regum, Principum, & Magistratuum: Quo ipsorum Hæreticos, Idololatras, Schismaticos, Sectarum Authores, & Blasphemos, pro criminis grauitate puniendi Avthoritas, Ivs, Ac Potestas Testimoniis Veteris & Noui Testamenti: Edictis & Praxi Christianorum Imperatorum, Regum, Statuum & Magistratuum: Sanctionibus item & Statutis Regni Angliæ: Consensu denique optimorum tàm Veteris, quàm recentioris Ecclesiæ Doctorum, & Politicorum : Contra hodiernos Ecclesiæ Anglicanæ Turbatores, veterum Donatistarum, & Monasteriensium Anabaptistarum æmulos, solidißimè vindicatur

Latio donatum à Wolgango Meyero, S. Th. D. Verbi Diuini in Ecclesia Basil. Ministro senioreErscheinungsort nach VD17 und Thomason catalogueIn part a reply to: Dell, William. Right reformationBesitzerstempel auf Titelblatt: Museum Rem. Fæsch Base