Flamingo Vol. IV N 1

Anonymous. Cover. 0. W. Va. Workman. Untitled. Prose. 1. E.S. Untitled. Picture. 5. C.K. They say that the army is getting to be all bunk. Picture. 6. Chef, A. Eight Ball. Prose. 7. Bannister. Untitled. Picture. 8. W.A.V. JANE AND ME. Poem. 9. H.M.K. Environments. Poem. 9. Anonymous. Untitled. Picture. 9. C.H.L. Life. Poem. 9. Anonymous. Untitled. Picture. 9. C.K. MY BIG SISTER, SHE. Poem. 9. C.K. INHERITANCE. Poem. 9. Anonymous. D\u27JA KNOW THIS? Prose. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Davis, Dick. Officer of the Guard— If anything moves, you shoot. Sentry — Yes suh, Capting, suh, an\u27 if anything shoots, Ah moves! Picture. 10. Anonymous. Untitled. Prose. 10. E.T. Rhymes of the Campaign. Poem. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Anonymous. Military Note: The right weakens. Picture. 10. Keeler, Clyde D. Thots of Camp (sic). Picture. 11. Anonymous. You See Above. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. C.K. Army Life. Poem. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Charles B. Clark. Picture. 12. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Army Record of Colonel Charles B. Clark. Prose. 13. E.T. THE DOUGHBOY AND THE DEMOISELLE. Poem. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. When. Prose. 14. Anonymous. THE COLONEL. Prose. 15. Anonymous. Yes. Prose. 15. Anonymous. SQUAD, HALT! Prose. 15. Anonymous. Untitled. Picture. 15. Anonymous. Oh Charles, do show me that new step you spoke of, \u27Route Step\u27 I think you called it! Picture. 16. Side-Burns, Robert. Handsome Dick, The Hardy Hash Slinger. Prose. 16. Anonymous. Untitled. Prose. 16. Anonymous. HOW\u27S BUSINESS? Prose. 17. C.K. HUMANUS CORPORIS. Poem 17. Anonymous. Untitled. Prose. 17. Anonymous. Portraits of Local Celebrities Number Two. Picture. 17. Anonymous. Untitled. Prose. 17. G.W. HISTORIC PARALLELS. Poem. 17. Anonymous. BENNY SAYS. Poem. 17. Anonymous. Untitled. Prose. 17. L.H. OCCUPATION. Poem. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Poem. 18. Anonymous. NEWS NOTE. Prose. 18. Anonymous. AN ECHO OF EXAMS. Poem. 18. Anonymous. Recruiting Officer — Join the army and get the spice of life. Picture. 18. Anonymous. THE IDEAL ROOMMATE. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. BENNY SAYS. Prose. 18. G.W. THE OLD ORDER CHANGETH. Poem. 18. Anonymous. GETTING HELP. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. Again. Prose. 18. Anonymous. Untitled. Prose. 19. Anonymous. SO THIS IS COLLEGE! Poem. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. AFTER IT\u27S GONE. Poem. 19. Anonymous. MY BROKEN HEART. Picture. 19. Anonymous. OUR MONTHLY RADIO BEDTIME STORY FOR BOYS AND GIRLS. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. SPEAKING OF LITERARY INDIGESTION. Prose. 19. Leau, R. Ates. Untitled. Poem. 20. Anonymous. Untitled. Poem. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Picture. 20. I. Do. Untitled. Poem. 20. H.K. A Regular Y. W. Candle Service. Picture/Poem. 20. Anonymous. Untitled. Poem. 20. Anonymous. Untitled. Poem. 20. Whocun Tell. Untitled. Poem. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. Ohio Conference Basketball Champions-Denison. Picture. 21. Grayce. Untitled. Picture. 22. Anonymous. Untitled. Prose. 22. Princeton Tiger. HE HAD CUT OUT THE WILD LIFE. Prose. 22. Green Gander. A GOOD SUBSTITUTE. Prose. 22. Log of U. S. Naval Academy. AYE, AYE! WHAT\u27S HER NAME? Prose. 22. Wag Jag. IT\u27S DIFFERENT IN SHORTHAND. Prose. 22. Siren. REMINISCING. Prose. 22. New York Daily News. Untitled. Prose. 22. Beanpot. PAGE CAESAR. Prose. 22. Fire. Untitled. Prose. 25. Green Gander. Untitled. Prose. 26. Bison. AND CALL AGAIN! Prose. 26. Columbia State. Untitled. Prose. 26. Sour Owl. Untitled. Prose. 26. Jester. Untitled. Prose. 26. Punch Bowl. THE WRONG ROAD. Prose. 26. Awgwan. Untitled. Prose. 26. Sun Dial. Untitled. Prose. 28. Boll Weevil. Untitled. Prose. 28. Sun Dodger. Untitled. Prose. 29. Virginia Reel. Untitled. Prose. 29. Green Gander. CORRECT. Poem. 29. Froth. Untitled. Prose. 31. Parrakeet. AN EXCEPTION. Prose. 31. Yale Record. Untitled. Prose. 31. Lehigh Burr. Untitled. Prose. 31. Phoenix. Untitled. Prose. 31. Phoenix. Untitled. Prose. 31. Lord Jeff. Untitled. Prose. 31. Anonymous. SAY IT ALOUD. Prose. 32. Imp. Untitled. Prose. 32. Sun Dodger. Untitled. Prose. 32. Banter. Untitled. Prose. 32. Lemon Punch. Untitled. Prose. 32. Punch Bowl. Untitled. Prose. 32. Phoenix. Untitled. Prose. 32

Assessing the ability of rural agrarian areas to provide Cultural Ecosystem Services (CES): a Multi Scale Social Indicator Framework (MSIF)

Assessing the ways in which rural agrarian areas provide Cultural Ecosystem Services (CES) is proving difficult to achieve. This research has developed an innovative methodological approach named as Multi Scale Indicator Framework (MSIF) for capturing the CES embedded into the rural agrarian areas. This framework reconciles a literature review with a trans-disciplinary participatory workshop. Both of these sources reveal that societal preferences diverge upon judgemental criteria which in turn relate to different visual concepts that can be drawn from analysing attributes, elements, features and characteristics of rural areas. We contend that it is now possible to list a group of possible multi scale indicators for stewardship, diversity and aesthetics. These results might also be of use for improving any existing European indicators frameworks by also including CES. This research carries major implications for policy at different levels of governance, as it makes possible to target and monitor policy instruments to the physical rural settings so that cultural dimensions are adequately considered. There is still work to be developed on regional specific values and thresholds for each criteria and its indicator set. In practical terms, by developing the conceptual design within a common framework as described in this paper, a considerable step forward towards the inclusion of the cultural dimension in European wide assessments can be made