Lejana. Diario de Alina Reyes. (Variaciones sobre Cortázar)

"HOMBRE.- Alina Reyes y su esposo Luis María Aráoz, llegaron a Budapest el 6 de abril y se alojaron en el Ritz. Eso era dos meses antes de su divorcio. En la tarde del segundo día Alina salió a conocer la ciudad y el deshielo. Como le gustaba caminar sola, anduvo por veinte lados buscando vagamente algo, pero sin proponérselo demasiado, dejando que el deseo escogiera y se expresara con bruscos arranques que la llevaban de una vidriera a otra, cambiando aceras y escaparates..

Post-Franco Theatre

In the multiple realms and layers that comprise the contemporary Spanish theatrical landscape, “crisis” would seem to be the word that most often lingers in the air, as though it were a common mantra, ready to roll off the tongue of so many theatre professionals with such enormous ease, and even enthusiasm, that one is prompted to wonder whether it might indeed be a miracle that the contemporary technological revolution – coupled with perpetual quandaries concerning public and private funding for the arts – had not by now brought an end to the evolution of the oldest of live arts, or, at the very least, an end to drama as we know it

Masculinidades en Crisis y Prácticas de Resistencia Feminista en la Literatura y el Cine Españoles de Autoría Femenina

This dissertation examines the representation of masculinity in crisis in films and novels by contemporary female authors of Spain. The films are El último viaje de Robert Rylands by Gracia Querejeta, Te doy mis ojos by Iciar Bollaín and La vida sin mí by Isabel Coixet. The novels are Amado amo by Rosa Montero, Los aires difíciles by Almudena Grandes and La conquista del aire by Belén Gopegui. The question this dissertation asks is if by introducing male characters that lack power, control and success the works promote practices of feminist resistance. The answer is that they do but, as expected, with contradictions, ambiguities and contaminations of patriarchal ideology. Through the analysis of the works at study, this dissertation addresses such issues as homosexuality as a foucauldian point of resistance; the role of the state in the politics of care; the tendency of the dominant fiction to rescue the man in crisis; the use of victimization of women as a tool of feminist liberation; vulnerability and precariousness as the main traits shared by all persons; the physical abuse suffered by the foucauldian docile bodies in the work place; patriarchal masculinities in contemporary literary romance; the absence of feminist politics in the new leftist politics in Spain

Flechas do anjo do esquecimento

Programa tradicional; quatro cores; 21 cm x 14 cm (peça fechada), 21 cm x 28 cm (peça aberta). Acompanha ingresso para apresentação do dia 02/03/2010.A trama se passa na sala de espera de um centro clínico onde diversos personagens (uma irmã, um ex noivo, uma antiga amante e um desconhecido que surgiu em nome de sua avó), defendem cada um a sua maneira uma estreita relação com “X”, uma jovem paciente sem identidade

Francisco Linares y Gracia Morales entrevistan a José Sanchis Sinisterra

Francisco Linares y Gracia Morales entrevistan a José Sanchis Sinisterra, primer dramaturgo que participa en nuestro ciclo “El intelectual y su memoria”

Entretien avec José Sanchis Sinisterra

The interview with Sinisterra takes place at the Escuela Universitaria de Artes (TAI), a partner of the TransMigrARTS project, on the 30th of June 2022, a few minutes before the last session of the New Frontier Theatre's Actor's Dramaturgy Workshop that Sinisterra has carried out in Madrid throughout the month of June 2022.La entrevista con Sinisterra se realiza en el Escuela Universitaria de Artes (TAI), entidad socia del proyecto TransMigrARTS, el día treinta de junio de 2022, unos minutos antes de que tenga lugar la última sesión del Taller de Dramaturgia Actoral del Nuevo Teatro Fronterizo que Sinisterra ha llevado a cabo en Madrid a lo largo de ese mes de junio 2022.L'entretien avec Sinisterra a lieu à la Escuela Universitaria de Artes (TAI), partenaire du projet TransMigrARTS, le 30 juin 2022, quelques minutes avant la dernière session de l'atelier de dramaturgie pour acteurs du New Frontier Theatre que Sinisterra a mené à Madrid tout au long du mois de juin 2022