Angélica Liddell y su "A" de artista: una revisión crítica de "La letra escarlata"

El presente trabajo analiza la última producción escénica de la dramaturga, intérprete y directora española Angélica Liddell. La letra escarlata es un trabajo que confirma a su autora como una de las creadoras imprescincibles en el panorama teatral español y europeo contemporáneos

Post-Franco Theatre

In the multiple realms and layers that comprise the contemporary Spanish theatrical landscape, “crisis” would seem to be the word that most often lingers in the air, as though it were a common mantra, ready to roll off the tongue of so many theatre professionals with such enormous ease, and even enthusiasm, that one is prompted to wonder whether it might indeed be a miracle that the contemporary technological revolution – coupled with perpetual quandaries concerning public and private funding for the arts – had not by now brought an end to the evolution of the oldest of live arts, or, at the very least, an end to drama as we know it

Gender Studies In Cultural Industries and Stage Arts Research Group

Institutional website of the research group "Group of Gender Studies in Cultural Industries and Performing Arts". Retrieved 04/04/2019.[EN] The Gender Studies in Cultural Industries and Stage Arts Research Group (InGenArte) tries to analyze the situation of Literary and Theatrical Production, two of the most influential areas of Cultural Industries, in two main research directions: 1. Researching women’s contribution in creation, production and distribution processes (texts, stage production, cultural management, etc.), so as to incorporate them to the theatrical and artistic canon. 2. Analysing the feminine and masculine identity models in narrative and body discourses created by men and women (20th and 21st centuries) and to examine the transmission of gender roles.InGenArTe’s profile is characterized for being interinstitutional, intergenerational and its international.[ES] El Grupo de Estudios de Género en Industrias Culturales y Artes Escénicas (InGenArTe) pretende analizar la situación de la producción literaria y teatral, dos de los ámbitos más importantes de las Industrias Culturales, en relación con dos ejes de investigación fundamentales: 1.- Analizar las aportaciones de las mujeres en los distintos procesos de creación, producción y distribución (textos, montajes, gestión, etc.) para incorporar sus textos, montajes escénicos y creaciones al canon teatral y artístico. 2.- Analizar los modelos de identidad femenina y masculina en los discursos narrativos y corporales, tanto de hombres como mujeres (siglos XX-XXI), poniendo de manifiesto su importancia en la transmisión de roles de género.El Grupo InGenArTe tiene un perfil interinstitucional, intergeneracional e internacional.Peer reviewe

Benito Pérez Galdós

In Galdós\u27 time, the tensions between such diverse phenomena as coins and credit, free trade and protectionist tariffs, factory work and domestic economy, masculine and feminine, and private and public exacerbated friction among peoples—those of pueblo and rural origins, whose voices rasped and whose bright colors raked the eye, and a nascent, insecure bourgeosie who, fearful of the masses, strove to imitate the aristocracy. Old and new converged also with the question of suffrage and citizenship to aggravate social malaise and political upheavals—Carlist wars, palace intrigues, the Revolution of 1868 and overthrow of Queen Isabel, the brief reign of Amadeo of Savoy, the aborted First Republic and the Bourbon Restoration (1875-1885), which reached Spain from England in the imported person of Alfonso XII. These turbulent events undergird the cultural, historical, and political events of the novels by Benito Pérez Galdós (1843–1920) to be discussed in this chapter. Galdós is the author of seventy-seven novels, twenty-six original plays, and numerous occasional pieces, written between 1867 and 1920. These divide into two main categories: the historical and the contemporary social novels, now more appropriately described as novels of modernity The forty-six historical novels, called Episodios nacionales, make up five series, each consisting of ten interconnected novels, except the fifth series, left unfinished. The thirty-one novels of modernity, published between 1870 and 1915, also divide into two groups: Novelas de la primera época ( Novels of the Early Period, 1870–1879) and Las novelas de la serie contemporánea ( The Contemporary Social Novels, 1881–1915). The novels of the early period comprise Galdós\u27 first attempts at novel writing, as well as four so-called thesis novels : Doña Perfecta (1876), the sequel Gloria (1876–1877), Marianela (1878), and La familia de León Roch ( The Family of León Roch, 1878–1879). The next group of novels represents what Galdós called his segunda manera —his second style, a different kind of writing ... a more sophisticated and varied mode of narrative presentation

ENGIU: Encuentro Nacional de Grupos de Investigación de UNIMINUTO.

El desarrollo del prototipo para el sistema de detección de Mina Antipersona (MAP), inicia desde el semillero ADSSOF perteneciente al programa de Administración en Seguridad y Salud en el trabajo de la UNIMINUTO, se realiza a partir de un detector de metales que emite una señal audible, que el usuario puede interpretar como aviso de presencia de un objeto metálico, en este caso una MAP. La señal audible se interpreta como un dato, como ese dato no es perceptible a 5 metros de distancia, se implementa el transmisor de Frecuencia Modulada FM por la facilidad de modulación y la escogencia de frecuencia de transmisión de acuerdo con las normas y resolución del Ministerio de Comunicaciones; de manera que esta sea la plataforma base para enviar los datos obtenidos a una frecuencia establecida. La idea es que el ser humano no explore zonas peligrosas y buscar la forma de crear un sistema que permita eliminar ese riesgo, por otro lado, buscar la facilidad de uso de elementos ya disponibles en el mercado