131 research outputs found

    Mature Meryl and hot Helen : Hollywood, gossip and the ‘appropriately’ ageing actress

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    In a 2009 article from the UK Guardian, Vanessa Thorpe writes: When a film star seduces someone 20 or 30 years their junior on screen, the audience doesn’t bat an eyelid. In fact, it is an established cinema convention. If the older star is a woman, however, public reaction is harder to predict. But now Hollywood, so long accused of sexism because of the way it treats female talent, finally seems prepared to tackle a subject once regarded as beyond the pale: sex and the sixty-something woman

    Book Review - Gender in Physical Culture: Crossing Boundaries-Reconstituting Cultures

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    Scholars in sport, physical activity, and physical education have recently articulated the need for appreciative inquiries into the deconstruction and denaturalisation of gender because such work is integral for gender-inclusive spaces in physical culture. Thus, ‘Gender in Physical Culture: Crossing Boundaries-Reconstituting Cultures’ fills an noteworthy gap in research by detailing widely accepted social and cultural norms before problematising discourses where boundaries can be crossed. The authors are honest, reflexive, critical, engaging activists in gender-inclusive work and through this book successfully share insights into boundary-crossing in the space of physical culture. Altogether, this book proves to be a highly insightful and thought-provoking read

    Postfeminist Media Cultures

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    This entry provides an overview of postfeminism, which has become central in the last two decades not only within feminist cultural discourse but also within neoliberal discourses and popular culture. The dominant attempts to conceptualize postfeminism often bring to the surface approaches that are complex and contradictory in nature. For instance, postfeminism is viewed as a theoretical framework, as a sensibility, as an expansion of feminist theory, or as a rejection of it. The discussion of postfeminism against the backdrop of media productions further highlights its implications for women and gender representation. A look at quintessential postfeminist texts shows, for instance, that postfeminism essentially problematizes contemporary constructions of gender as it simultaneously evokes and rejects basic feminist tenets

    Multilingual gendered identities: female undergraduate students in London talk about heritage languages

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    In this paper I explore how a group of female university students, mostly British Asian and in their late teens and early twenties, perform femininities in talk about heritage languages. I argue that analysis of this talk reveals ways in which the participants enact ‘culturally intelligible’ gendered subject positions. This frequently involves negotiating the norms of ‘heteronormativity’, constituting femininity in terms of marriage, motherhood and maintenance of heritage culture and language, and ‘girl power’, constituting femininity in terms of youth, sassiness, glamour and individualism. For these young women, I ask whether higher education can become a site in which they have the opportunities to explore these identifications and examine other ways of imagining the self and what their stories suggest about ‘doing being’ a young British Asian woman in London

    Ingestion of mycoprotein, pea protein, and their blend support comparable postexercise myofibrillar protein synthesis rates in resistance-trained individuals.

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    This is the final version. Available from the American Physiological Society via the DOI in this record. DATA AVAILABILITY: Data described in the manuscript may be made available upon request, pending application.Pea protein is an attractive nonanimal-derived protein source to support dietary protein requirements. However, although high in leucine, a low methionine content has been suggested to limit its anabolic potential. Mycoprotein has a complete amino acid profile which, at least in part, may explain its ability to robustly stimulate myofibrillar protein synthesis (MyoPS) rates. We hypothesized that an inferior postexercise MyoPS response would be seen following ingestion of pea protein compared with mycoprotein, which would be (partially) rescued by blending the two sources. Thirty-three healthy, young [age: 21 ± 1 yr, body mass index (BMI): 24 ± 1 kg·m-2] and resistance-trained participants received primed, continuous infusions of l-[ring-2H5]phenylalanine and completed a bout of whole body resistance exercise before ingesting 25 g of protein from mycoprotein (MYC, n = 11), pea protein (PEA, n = 11), or a blend (39% MYC, 61% PEA) of the two (BLEND, n = 11). Blood and muscle samples were taken pre-, 2 h, and 4 h postexercise/protein ingestion to assess postabsorptive and postprandial postexercise myofibrillar protein fractional synthetic rates (FSRs). Protein ingestion increased plasma essential amino acid and leucine concentrations (time effect; P 0.05). These data show that all three nonanimal-derived protein sources have utility in supporting postexercise muscle reconditioning.NEW & NOTEWORTHY This study provides evidence that pea protein (PEA), mycoprotein (MYC), and their blend (BLEND) can support postexercise myofibrillar protein synthesis rates following a bout of whole body resistance exercise. Furthermore, these data suggest that a methionine deficiency in pea may not limit its capacity to stimulate an acute increase in muscle protein synthesis (MPS).National Institute of AgingMarlow Foods Ltd

    Madchester

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    This book draws from a rich history of scholarship about the relations between music and cities, and the global flows between music and urban experience

    Post-Franco Theatre

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    In the multiple realms and layers that comprise the contemporary Spanish theatrical landscape, “crisis” would seem to be the word that most often lingers in the air, as though it were a common mantra, ready to roll off the tongue of so many theatre professionals with such enormous ease, and even enthusiasm, that one is prompted to wonder whether it might indeed be a miracle that the contemporary technological revolution – coupled with perpetual quandaries concerning public and private funding for the arts – had not by now brought an end to the evolution of the oldest of live arts, or, at the very least, an end to drama as we know it
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