John Dewey on the Art of Communication

John Dewey once wrote: "Of all affairs, communication is the most wonderful." For him communication is the highest of the "arts of life," for it is in communication that society is born and nurtured. It is by communication that we discover the possibilities of nature. And it is through communication that we make our shared experience meaningful. It is no wonder, then, that Dewey would conclude The Public and Its Problems with this provocative statement: Democracy "will have its consummation when free social inquiry is indissolubly wedded to the art of full and moving communication."Dewey, however, does not adequately explain what he understands by "the art of full and moving communication" and never tells us how "communication" functions in the varied contexts of practical life. Despite, then, his obvious affection for communication, he leaves many questions about it unanswered. For instance, what makes communication possible? In what kind of situations is communication called for and why? How does an inchoate feeling or idea find concrete embodiment in language? What are the connections among language, communication, thought, feeling, and action? Most importantly, what is the process by which one employs the art of communication to influence the beliefs and behaviors of others? This dissertation addresses these questions by approaching Dewey's thinking on communication from a distinctly rhetorical perspective. Even though Dewey almost never mentions "rhetoric" in his entire corpus, I argue that it is precisely the absence of the term from his writings that makes a rhetorical reading of his work all the more imperative. Such a reading permits us to understand the practical importance of the "art of communication" in the larger context of his social thought. If, then, the problem with Dewey's writing on communication is that it often drifts into abstractions, one remedy is take those abstractions and place them into concrete situations, where communication is required to transform some part of the environment through transaction with human thought and action. Because this kind of activity has been the specific domain of rhetoric since the time of the sophists, it is only appropriate to read Dewey's work through that tradition.In effect, the goal of this dissertation is to explicate Dewey's theory of communication in the terms of a rhetorical theory. But insofar as his thought went through three distinct "periods" in his lifetime, beginning with his Idealistic period in 1880, moving into his Experimental period in 1903, and culminating in his Naturalistic period in 1925, Dewey can be said to have had three implicit rhetorical theories. To articulate and explain each of these theories, I trace Dewey's theoretical development through time and construct, through published works, private correspondence, and biographical material. I show that the first theory envisioned rhetoric as a form of eros that helps us grow towards Absolute self consciousness. The second theory views rhetoric as a form of critical inquiry whose goal is the development of phronçsis, or practical wisdom. The third theory treats rhetoric as a productive technç, or a naturalistic form of art that has the power to transform experience, nature, and society through its transactional character.By tracing Dewey's theoretical development and explicating three implicit theories of rhetoric in his writings, this dissertation not only provides a unique perspective on Dewey's changing views on language, ontology, and social practice, but also demonstrates how each theory can still be effectively used to interpret and guide the art of rhetoric. This kind of work enables us to grasp different facets of this diverse and vibrant art. At the same time, it shows how Dewey's work remains an important resource for those who wish to promote and sustain a democratic way of life by educating citizens in the art of full and moving communication

The Emergence of Emotions

Emotion is conscious experience. It is the affective aspect of consciousness. Emotion arises from sensory stimulation and is typically accompanied by physiological and behavioral changes in the body. Hence an emotion is a complex reaction pattern consisting of three components: a physiological component, a behavioral component, and an experiential (conscious) component. The reactions making up an emotion determine what the emotion will be recognized as. Three processes are involved in generating an emotion: (1) identification of the emotional significance of a sensory stimulus, (2) production of an affective state (emotion), and (3) regulation of the affective state. Two opposing systems in the brain (the reward and punishment systems) establish an affective value or valence (stimulus-reinforcement association) for sensory stimulation. This is process (1), the first step in the generation of an emotion. Development of stimulus-reinforcement associations (affective valence) serves as the basis for emotion expression (process 2), conditioned emotion learning acquisition and expression, memory consolidation, reinforcement-expectations, decision-making, coping responses, and social behavior. The amygdala is critical for the representation of stimulus-reinforcement associations (both reward and punishment-based) for these functions. Three distinct and separate architectural and functional areas of the prefrontal cortex (dorsolateral prefrontal cortex, orbitofrontal cortex, anterior cingulate cortex) are involved in the regulation of emotion (process 3). The regulation of emotion by the prefrontal cortex consists of a positive feedback interaction between the prefrontal cortex and the inferior parietal cortex resulting in the nonlinear emergence of emotion. This positive feedback and nonlinear emergence represents a type of working memory (focal attention) by which perception is reorganized and rerepresented, becoming explicit, functional, and conscious. The explicit emotion states arising may be involved in the production of voluntary new or novel intentional (adaptive) behavior, especially social behavior

The ABC130 barrel module prototyping programme for the ATLAS strip tracker

For the Phase-II Upgrade of the ATLAS Detector, its Inner Detector, consisting of silicon pixel, silicon strip and transition radiation sub-detectors, will be replaced with an all new 100 % silicon tracker, composed of a pixel tracker at inner radii and a strip tracker at outer radii. The future ATLAS strip tracker will include 11,000 silicon sensor modules in the central region (barrel) and 7,000 modules in the forward region (end-caps), which are foreseen to be constructed over a period of 3.5 years. The construction of each module consists of a series of assembly and quality control steps, which were engineered to be identical for all production sites. In order to develop the tooling and procedures for assembly and testing of these modules, two series of major prototyping programs were conducted: an early program using readout chips designed using a 250 nm fabrication process (ABCN-25) and a subsequent program using a follow-up chip set made using 130 nm processing (ABC130 and HCC130 chips). This second generation of readout chips was used for an extensive prototyping program that produced around 100 barrel-type modules and contributed significantly to the development of the final module layout. This paper gives an overview of the components used in ABC130 barrel modules, their assembly procedure and findings resulting from their tests.Comment: 82 pages, 66 figure

Unstable neurons underlie a stable learned behavior

Motor skills can be maintained for decades, but the biological basis of this memory persistence remains largely unknown. The zebra finch, for example, sings a highly stereotyped song that is stable for years, but it is not known whether the precise neural patterns underlying song are stable or shift from day to day. Here we demonstrate that the population of projection neurons coding for song in the premotor nucleus, HVC, change from day to day. The most dramatic shifts occur over intervals of sleep. In contrast to the transient participation of excitatory neurons, ensemble measurements dominated by inhibition persist unchanged even after damage to downstream motor nerves. These observations offer a principle of motor stability: spatiotemporal patterns of inhibition can maintain a stable scaffold for motor dynamics while the population of principal neurons that directly drive behavior shift from one day to the next

When We Can’t Wait on Truth: The Nature of Rhetoric in The Rhetoric of Science

When Alan Gross published The Rhetoric of Science in 1990, he helped initiate a productive controversy concerning the place of rhetoric in science studies while arguing for the continued importance of the classical rhetorical tradition. However, in his 2006 revision, Starring the Text, Gross significantly draws back the classical emphasis while making more central the place of the American analytic philosophical tradition stemming from the foundational logical writings of W.V.O Quine. This essay interrogates this shift in Gross’s writings in order to find the working definition of rhetoric that threads throughout his work. This definition, I argue, turns out to be grounded more in Quine’s holistic theory of epistemology than in any sophistical or even Aristotelian conception of language as a vehicle for advocating judgment in times of deliberation and crisis. I argue that a return to the classical emphasis on situated practice can enrich the study of the rhetoric of science and build on the significant accomplishments of Gross’s work

Rhetorical Public Speaking

Offers students an advanced approach to public speaking through a comprehensive discussion of rhetorical theory This text begins by addressing Aristotle\u27s Five Canons of the Art -a means of covering the basics through the lens of rhetorical theory- and progresses into a sophisticated outline of understanding, constructing and delivering artful rhetoric. The book incorporates scholarship on mediated communication, pragmatic speaking genres, the rhetorical situation, and aesthetic form. Rhetorical Public Speakingaims to encourage students to be engaged citizens of society. Upon completing this book, readers will be able to: Understand Aristotle\u27s Five Canons of Rhetoric Construct and execute speeches Explore how they can use rhetorical speech in their daily liveshttps://repository.lsu.edu/facultybooks/1184/thumbnail.jp

Democracy & Rhetoric: John Dewey on the Arts of Becoming

This title presents an innovative approach to Dewey\u27s view of rhetoric as art, revealing an \u27ontology of becoming\u27. In Democracy and Rhetoric , Nathan Crick articulates from John Dewey\u27s body of work a philosophy of rhetoric that reveals the necessity for bringing forth a democratic life infused with the spirit of ethics, a method of inquiry, and a sense of beauty. Crick relies on rhetorical theory as well interdisciplinary insights from philosophy, history, sociology, aesthetics, and political science as he demonstrates that significant engagement with issues of rhetoric and communication are central to Dewey\u27s political philosophy. In his rhetorical reading of Dewey, Crick examines the sophistical underpinnings of Dewey\u27s philosophy and finds it much informed by notions of radical individuality, aesthetic experience, creative intelligence, and persuasive advocacy as essential to the formation of communities of judgment. Crick illustrates that for Dewey rhetoric is an art situated within a complex and challenging social and natural environment, wielding influence and authority for those well versed in its methods and capable of experimenting with its practice. From this standpoint the unique and necessary function of rhetoric in a democracy is to advance minority views in such a way that they might have the opportunity to transform overarching public opinion through persuasion in an egalitarian public arena. The truest power of rhetoric in a democracy then is the liberty for one to influence the many through free, full, and fluid communication. Ultimately Crick argues that Dewey\u27s sophistical rhetorical values and techniques form a naturalistic \u27ontology of becoming\u27 in which discourse is valued for its capacity to guide a self, a public, and a world in flux toward some improved incarnation. Appreciation of this ontology of becoming - of democracy as a communication-driven work in progress - gives greater social breadth and historical scope to Dewey\u27s philosophy while solidifying his lasting contributions to rhetoric in an active and democratic public sphere.https://repository.lsu.edu/facultybooks/1348/thumbnail.jp