Journal of Politeness Research: Introduction

This issue marks the 10th year anniversary of the Journal of Politeness Research: Language, behaviour, culture. Ten years ago, founding Editor-in-Chief Christine Christie established the journal as an "international and multidisciplinary forum for research into linguistic and non-linguistic politeness phenomena" (Christie 2005: 1). Under her editorial guidance, the journal published a great number of papers which embodied this founding principle. In 2010, Derek Bousfield and Karen Grainger took over the editorship and in 2013 Karen Grainger became the sole Editor-in-Chief, and the Journal of Politeness Research has grown and matured further under the stewardship of Bousfield and Grainger. Today, with the invaluable contributions of authors and reviewers, and the continuous support of the journal's readership, editorial team and advisory board, the journal remains a flagship for and a pioneer of research into all kinds of politeness phenomena. To celebrate this 10th year anniversary, it is worth reviewing in detail what has been achieved so far, and to take a look at promising future developments of politeness research

Text World Theory and stories of self: a cognitive discursive approach to identity

This thesis offers a text-worlds-approach to the study of linguistic identity in discursive interaction. It focuses on how settled Chinese migrants in Sheffield, who migrated predominantly from Hong Kong and the New Territories, construct their identities linguistically. To this extent, linguistic interview data is analysed with the use of the conceptual framework Text World Theory (e.g. Gavins 2007a; Werth 1999). As such, this thesis has three central aims: to extend the use of Text World Theory by applying it to spoken discourse; to examine the ways in which people linguistically represent themselves and talk about their life experiences; and to provide insight into the narratives of Chinese migrants and their families in Sheffield in particular. The linguistic data used in this thesis has been collected through 18 months of ethnographic fieldwork at a Chinese complementary school in Sheffield, UK. Based on the outcome of the analytical investigations of linguistic interview data, I aim to offer several original contributions. Firstly, I hope to provide a better understanding of migrant lives, by investigating the narrated experiences of Chinese migrants and their families. Secondly, I offer Text World Theory as a suitable framework for the study of linguistic identity. I extend the framework to the relatively unexplored domain of spoken discourse, synthesising a discursive approach to identity (e.g. Bucholtz and Hall 2005) with a Text World Theory approach (e.g. Gavins 2007a; Werth 1999). I demonstrate that Text World Theory can explain the complex and multi-layered nature of identity through the scope it provides for tracing linguistic self-representation across multiple worlds. Finally, I show that the framework is particularly adept at synthesising macro-level analysis of discursive interaction with detailed micro-level analysis of linguistic choices and their conceptual consequences

Immersion in digital fiction

In this article, we profile an empirically grounded, cognitive approach to immersion in digital fiction by combining text-driven stylistic analysis with insights from theories of cognition and reader-response research. We offer a new analytical method for immersive features in digital fiction by developing deictic shift theory for the affordances of digital media. We also provide empirically substantiated insights to show how immersion is experienced cognitively by using Andy Campbell and Judi Alston’s (2015) digital fiction piece WALLPAPER as a case study. We add ‘interactional deixis’ and ‘audible deixis’ to Stockwell’s (2002) model to account for the multimodal nature of immersion in digital fiction. We also show how extra-textual features can contribute to immersion and thus propose that they should be accounted for when analysing immersion across media. We conclude that the analytical framework and reader response protocol that we develop here can be adapted for application to texts across media

A reader response method not just for ‘you’

This article contributes to empirical literary studies by offering a new reader response method for examining targeted textual features. With the aim of further establishing the new paradigm of reader response research in stylistics, we utilise a Likert scale – a tool that is usually used to generate data that is analysed quantitatively – to elicit qualitative data and, crucially, show how that data can be synthesised with an analysis of the primary text to provide empirically based conclusions relevant to particular textual features for cognitive narratology and stylistics. While we offer a new method that can be used to investigate textual features in all kinds of text, we exemplify our approach via the investigation of second-person narration in geniwate and Larsen’s digital fiction The Princess Murderer and provide a new understanding of the experiential nature of ambiguous forms of ‘you’ in fiction. Our stylistic analyses show how responses can be generated by linguistic features in the text. We then analyse reader responses to those examples and show that this can provide a more nuanced account of ‘you’ narratives than a stylistic analysis alone because it affords insight into how different readers do or do not psychologically project into and/or assume the role of ‘you’. Our results represent the first time that current typologies of the second person have been empirically tested and we are the first study to find an empirical basis for doubly deictic ‘you’. We therefore contribute a new empirically based understanding of how readers experience ambiguous forms of ‘you’ in fiction

A discursive approach to the analysis of politeness data

This paper aims to provide an exemplification of the way that the discursive approach can work in relation to the analysis of data. As such, it argues for the validity of the discursive approach to politeness. Because the discursive approach has been seen as difficult to employ in the analysis of data, in recent years, there has been a proliferation of research returning to Brown and Levinson’s approach. Although discursive approaches to politeness have functioned successfully as a critique of Brown and Levinson’s work, they are not seen as a means of analyzing politeness and impoliteness in their own right. By tracing the development of the discursive approach to politeness, and by addressing the critiques that there have been, we argue that although the critical role of the discursive approach is paramount to the development of the field, discursive approaches are more than just a critique, and should be seen as constituting an approach to the analysis of politeness as well. As a case in point, we illustrate what a discursive approach consists of through analysing an intercultural interaction between a group of close friends of Dutch and Italian origin

Immersion, digital fiction, and the switchboard metaphor

This paper re-evaluates existing theories of immersion and related concepts in the medium-specific context of digital-born fiction. In the context of our AHRC-funded “Reading Digital Fiction” project (2014-17) (Ref: AH/K004174/1), we carried out an empirical reader response study of One to One Development Trust’s immersive three-dimensional (3D) digital fiction installation, WALLPAPER (2015). Working with reading groups in the Sheffield area (UK), we used methods of discourse analysis to examine readers’ verbal responses to experiencing the installation, paying particular attention to how participants described experiences pertaining to different types of immersion explicitly and implicitly. We explain our findings by proposing the idea of a switchboard metaphor for immersive experiences, comprising layers and dynamic elements of convergence and divergence. Resulting from our analysis, we describe immersion as a complex, hybrid, and dynamic phenomenon. We flag the need for a more discriminating treatment of specific types of immersion in medium-specific contexts, including a distinction between literary and narrative immersion, and collaborative and social immersion (Thon 2008). We argue that literary immersion is needed as a separate immersive category because it differs from narrative immersion, and is far more linked to the activity of cognitive word processing. Similarly, we introduce collaborative immersion as an additional immersive category to reflect attention shifts towards site-specific, human interactions. Finally, our data shows the importance of site-, situation-, and person-specific constraints influencing reader-players’ ongoing ability to establish and retain immersion in the storyworld

Dynamic prediction of bleeding risk in thrombocytopenic preterm neonates

Clinical epidemiolog

Opposition as victimhood in newspaper debates about same-sex marriage

In this paper, we take a queer linguistics approach to the analysis of data from British newspaper articles which discuss the introduction of same-sex marriage. Drawing on methods from CDA and corpus linguistics, we focus on the construction of agency in relation to the government extending marriage to same-sex couples, and those resisting this. We show that opponents to same-sex marriage are represented and represent themselves as victims whose moral values, traditions, and civil liberties are being threatened by the state. Specifically, we argue that victimhood is invoked in a way that both enables and permits discourses of implicit homophobia

ARIA digital anamorphosis : Digital transformation of health and care in airway diseases from research to practice

Digital anamorphosis is used to define a distorted image of health and care that may be viewed correctly using digital tools and strategies. MASK digital anamorphosis represents the process used by MASK to develop the digital transformation of health and care in rhinitis. It strengthens the ARIA change management strategy in the prevention and management of airway disease. The MASK strategy is based on validated digital tools. Using the MASK digital tool and the CARAT online enhanced clinical framework, solutions for practical steps of digital enhancement of care are proposed.Peer reviewe

Cabbage and fermented vegetables : From death rate heterogeneity in countries to candidates for mitigation strategies of severe COVID-19

Large differences in COVID-19 death rates exist between countries and between regions of the same country. Some very low death rate countries such as Eastern Asia, Central Europe, or the Balkans have a common feature of eating large quantities of fermented foods. Although biases exist when examining ecological studies, fermented vegetables or cabbage have been associated with low death rates in European countries. SARS-CoV-2 binds to its receptor, the angiotensin-converting enzyme 2 (ACE2). As a result of SARS-CoV-2 binding, ACE2 downregulation enhances the angiotensin II receptor type 1 (AT(1)R) axis associated with oxidative stress. This leads to insulin resistance as well as lung and endothelial damage, two severe outcomes of COVID-19. The nuclear factor (erythroid-derived 2)-like 2 (Nrf2) is the most potent antioxidant in humans and can block in particular the AT(1)R axis. Cabbage contains precursors of sulforaphane, the most active natural activator of Nrf2. Fermented vegetables contain many lactobacilli, which are also potent Nrf2 activators. Three examples are: kimchi in Korea, westernized foods, and the slum paradox. It is proposed that fermented cabbage is a proof-of-concept of dietary manipulations that may enhance Nrf2-associated antioxidant effects, helpful in mitigating COVID-19 severity.Peer reviewe