45 research outputs found

    Unruly objects: NFTs, blockchain technologies and bio-conservation

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    This article explores and challenges notions and methodologies of conservation, including the use of blockchain technologies as a means of establishing provenance of a physical BioArtwork, of the artist’s documentation encapsulating their intentions and of the conservator’s records required for the artwork’s ongoing care. The exploration is done through a case study of an art project called ‘Unruly Objects and Biological Conservation’ created by Anna Dumitriu with support from Alex May. The artwork consists of three items containing RFID tags sealed in resin ‐ which point to the location of the artist’s documentation. Therefore, the works physically include instructions for maintaining their inherent concepts and materiality for the benefit of the conservators. Such instructions can often be difficult to track down, or become disassociated from the artwork while the digital preservation of this storage method also poses its own set of questions. The works also include biological material including mud from a bacterial ecosystem known as a Winogradsky Column, living plant material and SARS-CoV-2 (coronavirus) RNA from a plasmid construct

    Congenital Epulis: A Two-Case Report

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    Congenital epulis is a rare benign tumor of the newborn that could be detected in the prenatal period. Females are more often affected than males and the premaxillary region is usually the predilection site for this oral mass. Excision is the treatment of choice and no recurrences have been reported so far. We present our experience with two cases of congenital epulis, detected in the second trimester of gestation and treated shortly after birth with no further complications. Histopathology should differentiate between congenital epulis and other congenital oral tumors even if its clinical appearance is usually enough to make a tentative diagnosis. A multidisciplinary assessment in the management of this tumor can avoid unwanted complications such as airway obstruction or bleeding

    Stress-induced lipocalin-2 controls dendritic spine formation and neuronal activity in the amygdala.

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    This is a freely-available open access publication. Please cite the published version which is available via the DOI link in this record.Behavioural adaptation to psychological stress is dependent on neuronal plasticity and dysfunction at this cellular level may underlie the pathogenesis of affective disorders such as depression and post-traumatic stress disorder. Taking advantage of genome-wide microarray assay, we performed detailed studies of stress-affected transcripts in the amygdala - an area which forms part of the innate fear circuit in mammals. Having previously demonstrated the role of lipocalin-2 (Lcn-2) in promoting stress-induced changes in dendritic spine morphology/function and neuronal excitability in the mouse hippocampus, we show here that the Lcn-2 gene is one of the most highly upregulated transcripts detected by microarray analysis in the amygdala after acute restraint-induced psychological stress. This is associated with increased Lcn-2 protein synthesis, which is found on immunohistochemistry to be predominantly localised to neurons. Stress-naïve Lcn-2(-/-) mice show a higher spine density in the basolateral amygdala and a 2-fold higher rate of neuronal firing rate compared to wild-type mice. Unlike their wild-type counterparts, Lcn-2(-/-) mice did not show an increase in dendritic spine density in response to stress but did show a distinct pattern of spine morphology. Thus, amygdala-specific neuronal responses to Lcn-2 may represent a mechanism for behavioural adaptation to psychological stress.Marie Curie Excellence Grant from the European Commission.Medical Research Council Project GrantCOST Action ECMNe

    Search for dark matter produced in association with bottom or top quarks in √s = 13 TeV pp collisions with the ATLAS detector

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    A search for weakly interacting massive particle dark matter produced in association with bottom or top quarks is presented. Final states containing third-generation quarks and miss- ing transverse momentum are considered. The analysis uses 36.1 fb−1 of proton–proton collision data recorded by the ATLAS experiment at √s = 13 TeV in 2015 and 2016. No significant excess of events above the estimated backgrounds is observed. The results are in- terpreted in the framework of simplified models of spin-0 dark-matter mediators. For colour- neutral spin-0 mediators produced in association with top quarks and decaying into a pair of dark-matter particles, mediator masses below 50 GeV are excluded assuming a dark-matter candidate mass of 1 GeV and unitary couplings. For scalar and pseudoscalar mediators produced in association with bottom quarks, the search sets limits on the production cross- section of 300 times the predicted rate for mediators with masses between 10 and 50 GeV and assuming a dark-matter mass of 1 GeV and unitary coupling. Constraints on colour- charged scalar simplified models are also presented. Assuming a dark-matter particle mass of 35 GeV, mediator particles with mass below 1.1 TeV are excluded for couplings yielding a dark-matter relic density consistent with measurements

    Measurement of jet fragmentation in Pb+Pb and pppp collisions at sNN=2.76\sqrt{{s_\mathrm{NN}}} = 2.76 TeV with the ATLAS detector at the LHC

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    Trust Me, I’m an Artist

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    The Institute of Unnecessary Research: public engagement in science through art and performance

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    The Institute of Unnecessary Research (IUR) is an international interdisciplinary group of artists, scientists and researchers, involved with innovative research, disseminated through participatory art and performance, to diverse audiences. Traditional approaches to the public understanding of science suggest that it is about encouraging scientists to explain their work to a receptive public. This is perhaps mistaken. The public is not always receptive – sometimes rightly so. Public understanding is not just a matter of being told something by an authority. Also most discussions of public understanding of science do not give an account of what ʻscienceʼ is. The public is aware that information dissemination is controlled by many factors, including commerce, politics, and cultural assumptions. This is worsened by media attention to ʻbig scienceʼ or to scientific work that can be cynically linked to profit. In short, the ʻpublic understanding of science movementʼ often seems to neglect public understanding in general. Public understanding would be a necessary precursor to the public understanding of science. The IUR engages with the very nature of what constitutes scientific research through artistic practice, directly widening participation in those debates as well as bringing about a deeper appreciation of contemporary scientific research. The word ʻunnecessaryʼ in the name of the Institute is a very important reminder that science should be driven by curiosity and not by the military or large corporations. The IUR demonstrates that we all can and should debate about the direction of research, its ethical implications, and what exactly science should be. The IUR is made up of variousʻ departmentsʼ specific to the interests of each member of the group, and include ʻJoyʼ, ʻEthicsʼ, ʻNeurofeedbackʼ, ʻTissue Cultureʼ and ʻMagicʼ. Past events have included performances at Shunt Lounge and The Whitechapel Gallery in London as well as science festivals, hospitals and academic settings

    Beliefs, Learning, and Embodied Experience

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    Cybernetic Bacteria 2.0

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