State of the art in 2D content representation and compression

Livrable D1.3 du projet ANR PERSEECe rapport a été réalisé dans le cadre du projet ANR PERSEE (n° ANR-09-BLAN-0170). Exactement il correspond au livrable D3.1 du projet

Video coding based on fractals and sparse representations

Orientador: Hélio PedriniDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de ComputaçãoResumo: Vídeos são sequências de imagens estáticas representando cenas em movimento. Transmitir e armazenar essas imagens sem nenhum tipo de pré-processamento necessitaria de enormes larguras de banda nos canais de comunicação e uma quantidade massiva de espaço de armazenamento. A fim de reduzir o número de bits necessários para tais dados, foram criados métodos de compressão com perda. Esses métodos geralmente consistem em um codificador e um decodificador, tal que o codificador gera uma sequência de bits que representa uma aproximação razoável do vídeo através de um formato pré-especificado e o decodificador lê essa sequência, convertendo-a novamente em uma série de imagens. A transmissão de vídeos sob restrições extremas de largura de banda tem aplicações importantes como videoconferências e circuitos fechados de televisão. Neste trabalho são abordados dois métodos destinados a essa aplicação, decomposição usando representações esparsas e compressão fractal. A ampla maioria dos codificadores tem como mecanismo principal o uso de transformações inversíveis capazes de representar imagens espacialmente suaves com poucos coeficientes não-nulos. Representações esparsas são uma generalização dessa ideia, em que a transformação tem como base um conjunto cujo número de elementos excede a dimensão do espaço vetorial onde ela opera. A projeção dos dados pode ser feita a partir de uma heurística rápida chamada Matching Pursuit. Uma abordagem combinando essa heurística com um algoritmo para gerar a base sobrecompleta por aprendizado de máquina é apresentada. Codificadores fractais representam uma aproximação da imagem como um sistema de funções iterativas. Para isso, criam e transmitem uma sequência de comandos, chamada colagem, capazes de obter uma representação da imagem na escala original dada a mesma imagem em uma escala reduzida. A colagem é criada de tal forma que, se aplicada a uma imagem inicial qualquer repetidas vezes, reduzindo sua escala antes de toda iteração, converge em uma aproximação da imagem codificada. Métodos simplificados e rápidos para a criação da colagem e uma generalização desses métodos para a compressão de vídeos são apresentados. Ao invés de construir a colagem tentando mapear qualquer bloco da escala reduzida na escala original, apenas um conjunto pequeno de blocos é considerado. O método de compressão proposto para vídeos agrupa um conjunto de quadros consecutivos do vídeo em um fractal volumétrico. A colagem mapeia blocos tridimensionais entre as escalas, considerando uma escala menor tanto no tempo quanto no espaço. Uma adaptação desse método para canais de comunicação cuja largura de banda é instável também é propostaAbstract: A video is a sequence of still images representing scenes in motion. A video is a sequence of extremely similar images separated by abrupt changes in their content. If these images were transmitted and stored without any kind of preprocessing, this would require a massive amount of storage space and communication channels with very high bandwidths. Lossy compression methods were created in order to reduce the number of bits used to represent this kind of data. These methods generally consist in an encoder and a decoder, where the encoder generates a sequence of bits that represents an acceptable approximation of the video using a certain predefined format and the decoder reads this sequence, converting it back into a series of images. Transmitting videos under extremely limited bandwidth has important applications in video conferences or closed-circuit television systems. Two different approaches are explored in this work, decomposition based on sparse representations and fractal coding. Most video coders are based on invertible transforms capable of representing spatially smooth images with few non-zero coeficients. Sparse representations are a generalization of this idea using a transform that has an overcomplete dictionary as a basis. Overcomplete dictionaries are sets with more elements in it than the dimension of the vector space in which the transform operates. The data can be projected into this basis using a fast heuristic called Matching Pursuits. A video encoder combining this fast heuristic with a machine learning algorithm capable of constructing the overcomplete dictionary is proposed. Fractal encoders represent an approximation of the image through an iterated function system. In order to do that, a sequence of instructions, called a collage, is created and transmitted. The collage can construct an approximation of the original image given a smaller scale version of it. It is created in such a way that, when applied to any initial image several times, contracting it before each iteration, it converges into an approximation of the encoded image. Simplier and faster methods for creating a collage and a generalization of these methods to video compression are presented. Instead of constructing a collage by matching any block from the smaller scale to the original one, a small subset of possible matches is considered. The proposed video encoding method creates groups of consecutive frames which are used to construct a volumetric fractal. The collage maps tridimensional blocks between the different scales, using a smaller scale in both space and time. An improved version of this algorithm designed for communication channels with variable bandwidth is presentedMestradoCiência da ComputaçãoMestre em Ciência da Computaçã

A Panorama on Multiscale Geometric Representations, Intertwining Spatial, Directional and Frequency Selectivity

The richness of natural images makes the quest for optimal representations in image processing and computer vision challenging. The latter observation has not prevented the design of image representations, which trade off between efficiency and complexity, while achieving accurate rendering of smooth regions as well as reproducing faithful contours and textures. The most recent ones, proposed in the past decade, share an hybrid heritage highlighting the multiscale and oriented nature of edges and patterns in images. This paper presents a panorama of the aforementioned literature on decompositions in multiscale, multi-orientation bases or dictionaries. They typically exhibit redundancy to improve sparsity in the transformed domain and sometimes its invariance with respect to simple geometric deformations (translation, rotation). Oriented multiscale dictionaries extend traditional wavelet processing and may offer rotation invariance. Highly redundant dictionaries require specific algorithms to simplify the search for an efficient (sparse) representation. We also discuss the extension of multiscale geometric decompositions to non-Euclidean domains such as the sphere or arbitrary meshed surfaces. The etymology of panorama suggests an overview, based on a choice of partially overlapping "pictures". We hope that this paper will contribute to the appreciation and apprehension of a stream of current research directions in image understanding.Comment: 65 pages, 33 figures, 303 reference

Colour image coding with wavelets and matching pursuit

This thesis considers sparse approximation of still images as the basis of a lossy compression system. The Matching Pursuit (MP) algorithm is presented as a method particularly suited for application in lossy scalable image coding. Its multichannel extension, capable of exploiting inter-channel correlations, is found to be an efficient way to represent colour data in RGB colour space. Known problems with MP, high computational complexity of encoding and dictionary design, are tackled by finding an appropriate partitioning of an image. The idea of performing MP in the spatio-frequency domain after transform such as Discrete Wavelet Transform (DWT) is explored. The main challenge, though, is to encode the image representation obtained after MP into a bit-stream. Novel approaches for encoding the atomic decomposition of a signal and colour amplitudes quantisation are proposed and evaluated. The image codec that has been built is capable of competing with scalable coders such as JPEG 2000 and SPIHT in terms of compression ratio

Audio Signal Processing Using Time-Frequency Approaches: Coding, Classification, Fingerprinting, and Watermarking

Audio signals are information rich nonstationary signals that play an important role in our day-to-day communication, perception of environment, and entertainment. Due to its non-stationary nature, time- or frequency-only approaches are inadequate in analyzing these signals. A joint time-frequency (TF) approach would be a better choice to efficiently process these signals. In this digital era, compression, intelligent indexing for content-based retrieval, classification, and protection of digital audio content are few of the areas that encapsulate a majority of the audio signal processing applications. In this paper, we present a comprehensive array of TF methodologies that successfully address applications in all of the above mentioned areas. A TF-based audio coding scheme with novel psychoacoustics model, music classification, audio classification of environmental sounds, audio fingerprinting, and audio watermarking will be presented to demonstrate the advantages of using time-frequency approaches in analyzing and extracting information from audio signals.</p

Dictionary learning in stereo imaging

This paper presents a new method for learning overcomplete dictionaries adapted to efficient joint representation of stereo images. We first formulate a sparse stereo image model where the multi-view correlation is described by local geometric transforms of dictionary atoms in two stereo views. A maximum-likelihood method for learning stereo dictionaries is then proposed, which includes a multi-view geometry constraint in the probabilistic modeling in order to obtain dictionaries optimized for the joint representation of stereo images. The dictionaries are learned by optimizing the maximum-likelihood objective function using the expectation- maximization algorithm. We illustrate the learning algorithm in the case of omnidirectional images, where we learn scales of atoms in a parametric dictionary. The resulting dictionaries provide both better performance in the joint representation of stereo omnidirectional images and improved multi- view feature matching. We finally discuss and demonstrate the benefits of dictionary learning for distributed scene representation and camera pose estimation

On unifying sparsity and geometry for image-based 3D scene representation

Demand has emerged for next generation visual technologies that go beyond conventional 2D imaging. Such technologies should capture and communicate all perceptually relevant three-dimensional information about an environment to a distant observer, providing a satisfying, immersive experience. Camera networks offer a low cost solution to the acquisition of 3D visual information, by capturing multi-view images from different viewpoints. However, the camera's representation of the data is not ideal for common tasks such as data compression or 3D scene analysis, as it does not make the 3D scene geometry explicit. Image-based scene representations fundamentally require a multi-view image model that facilitates extraction of underlying geometrical relationships between the cameras and scene components. Developing new, efficient multi-view image models is thus one of the major challenges in image-based 3D scene representation methods. This dissertation focuses on defining and exploiting a new method for multi-view image representation, from which the 3D geometry information is easily extractable, and which is additionally highly compressible. The method is based on sparse image representation using an overcomplete dictionary of geometric features, where a single image is represented as a linear combination of few fundamental image structure features (edges for example). We construct the dictionary by applying a unitary operator to an analytic function, which introduces a composition of geometric transforms (translations, rotation and anisotropic scaling) to that function. The advantage of this approach is that the features across multiple views can be related with a single composition of transforms. We then establish a connection between image components and scene geometry by defining the transforms that satisfy the multi-view geometry constraint, and obtain a new geometric multi-view correlation model. We first address the construction of dictionaries for images acquired by omnidirectional cameras, which are particularly convenient for scene representation due to their wide field of view. Since most omnidirectional images can be uniquely mapped to spherical images, we form a dictionary by applying motions on the sphere, rotations, and anisotropic scaling to a function that lives on the sphere. We have used this dictionary and a sparse approximation algorithm, Matching Pursuit, for compression of omnidirectional images, and additionally for coding 3D objects represented as spherical signals. Both methods offer better rate-distortion performance than state of the art schemes at low bit rates. The novel multi-view representation method and the dictionary on the sphere are then exploited for the design of a distributed coding method for multi-view omnidirectional images. In a distributed scenario, cameras compress acquired images without communicating with each other. Using a reliable model of correlation between views, distributed coding can achieve higher compression ratios than independent compression of each image. However, the lack of a proper model has been an obstacle for distributed coding in camera networks for many years. We propose to use our geometric correlation model for distributed multi-view image coding with side information. The encoder employs a coset coding strategy, developed by dictionary partitioning based on atom shape similarity and multi-view geometry constraints. Our method results in significant rate savings compared to independent coding. An additional contribution of the proposed correlation model is that it gives information about the scene geometry, leading to a new camera pose estimation method using an extremely small amount of data from each camera. Finally, we develop a method for learning stereo visual dictionaries based on the new multi-view image model. Although dictionary learning for still images has received a lot of attention recently, dictionary learning for stereo images has been investigated only sparingly. Our method maximizes the likelihood that a set of natural stereo images is efficiently represented with selected stereo dictionaries, where the multi-view geometry constraint is included in the probabilistic modeling. Experimental results demonstrate that including the geometric constraints in learning leads to stereo dictionaries that give both better distributed stereo matching and approximation properties than randomly selected dictionaries. We show that learning dictionaries for optimal scene representation based on the novel correlation model improves the camera pose estimation and that it can be beneficial for distributed coding

Forward sequential algorithms for best basis selection

Abstract Recently, the problem of signal representation in terms of basis vectors from a large, &quot;overcomplete&quot;, spanning dictionary has been the focus of much research. Achieving a succinct, or &quot;sparse&quot;, representation is known as the problem of best basis representation. We consider methods which seek to solve this problem by sequentially building up a basis set for the signal. Three distinct algorithm types have appeared in the literature which we term Basic Matching Pursuit (BMP), Order Recursive Matching Pursuit (ORMP) and Modified Matching Pursuit (MMP). The algorithms are first described and then their computation is closely examined. Modifications are made to each of the procedures which improve their computational efficiency. Each algorithm&apos;s complexity is considered in two contexts: one where the dictionary is variable (time dependent), and the other where the dictionary is fixed (time independent). Experimental results are presented which demonstrate that the ORMP method is the best procedure in terms of its ability to give the most compact signal representation, followed by MMP and then BMP which gives the poorest results. Finally, weighing the performance of each algorithm, its computational complexity and the type of dictionary available, we make recommendations as to which algorithms should be used for a given problem

ASIF: Coupled Data Turns Unimodal Models to Multimodal Without Training

Aligning the visual and language spaces requires to train deep neural networks from scratch on giant multimodal datasets; CLIP trains both an image and a text encoder, while LiT manages to train just the latter by taking advantage of a pretrained vision network. In this paper, we show that sparse relative representations are sufficient to align text and images without training any network. Our method relies on readily available single-domain encoders (trained with or without supervision) and a modest (in comparison) number of image-text pairs. ASIF redefines what constitutes a multimodal model by explicitly disentangling memory from processing: here the model is defined by the embedded pairs of all the entries in the multimodal dataset, in addition to the parameters of the two encoders. Experiments on standard zero-shot visual benchmarks demonstrate the typical transfer ability of image-text models. Overall, our method represents a simple yet surprisingly strong baseline for foundation multimodal models, raising important questions on their data efficiency and on the role of retrieval in machine learning.Comment: 13 pages, 5 figure