Film: Deaf Characters

This entry focuses on films made by American and foreign filmmakers who have little or no special interest in or knowledge about deaf people or Deaf communities. Casting hearing actors to portray deaf characters is unfortunately common. Because neither the filmmakers, the expected audiences, nor the actors know anything about d/Deaf people, inauthenticities are widespread. These problems are only slightly improved by casting a Deaf actor: Deaf actors can portray authentic use of a sign language but are often limited by the script, the director, and the editing process. Therefore, while the signing community commends the casting of Deaf actors, the discussion here focuses on the deaf characters themselves and reasons for their inclusion in the story. In the following, the actors are labeled either “D” for Deaf or “h” for hearing. If there is no label, the actor’s status is unknown

Hearts, Minds, Hands: A Dream Team for Mental Health

Interpreting in a mental health setting with hearing staff members and deaf clientele, the ethical situations fly fast and furious, providing the interpreter with a wealth of war stories with which to regale neophyte students of this dynamic profession. Much has been written to improve the many and varied mental health services being extended to deaf populations. The most commonly described dyads are that of hearing therapist and deaf patient. However, consider the case of a deaf psychologist treating hearing clients. In this instance, the interpreter becomes the liaison between the deaf professional and the hearing patient. When an interpreter not only works primarily with one deaf professional among hearing staff members but also serves as a de facto member of the treatment team, ethics are challenged differently, unexpectedly, and often. The interpreter and the psychologist must function as a team, and the role of the interpreter will vary from more prosaic assignments. With the tables turned, the deaf professional must find ways to capitalize on the interpreting service so he or she can fully address the needs of his or her hearing clients and function smoothly among his or her hearing colleagues. Clearly, a commitment to teamwork and collegiality is fundamental to ensure a sense of professional satisfaction for both the psychologist and the interpreter

Search for dark matter produced in association with bottom or top quarks in √s = 13 TeV pp collisions with the ATLAS detector

A search for weakly interacting massive particle dark matter produced in association with bottom or top quarks is presented. Final states containing third-generation quarks and miss- ing transverse momentum are considered. The analysis uses 36.1 fb−1 of proton–proton collision data recorded by the ATLAS experiment at √s = 13 TeV in 2015 and 2016. No significant excess of events above the estimated backgrounds is observed. The results are in- terpreted in the framework of simplified models of spin-0 dark-matter mediators. For colour- neutral spin-0 mediators produced in association with top quarks and decaying into a pair of dark-matter particles, mediator masses below 50 GeV are excluded assuming a dark-matter candidate mass of 1 GeV and unitary couplings. For scalar and pseudoscalar mediators produced in association with bottom quarks, the search sets limits on the production cross- section of 300 times the predicted rate for mediators with masses between 10 and 50 GeV and assuming a dark-matter mass of 1 GeV and unitary coupling. Constraints on colour- charged scalar simplified models are also presented. Assuming a dark-matter particle mass of 35 GeV, mediator particles with mass below 1.1 TeV are excluded for couplings yielding a dark-matter relic density consistent with measurements

A first update on mapping the human genetic architecture of COVID-19

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