Plautus and His Dramatic Successors in the Republican Period

This chapter discusses the standing of Plautus in the middle to late Republican period, when his plays were popular with audiences, were studied by scholars, and were points of reference for other dramatists. In particular, this contribution analyzes reactions by Plautus's dramatic successors in his own dramatic genre (fabula palliata) and related ones (fabula togata, fabula Atellana) to Plautine comedy, using the motif of the contrast between town and country as a paradigmatic case study

« The Reception of Roman Comedy in Early-Modern Italy and France »

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16 - The Reception of Republican Comedy in Antiquity

The Cambridge Companion to Roman Comedy provides a comprehensive critical introduction to Roman comedy and its reception through more than twenty accessible and up-to-date chapters by leading international scholars. This book defines the fundamentals of Roman comedy by examining its literary and comic technique as well as its stagecraft and music, and then traces the genre's influence through the centuries. Roman comedy has served as a model for writers as well as artists ranging from Shakespeare to Molière and from Martin Luther to Cole Porter. Just as the Middle Ages spawned Christianised versions of Terence's comedies, in which harlots find God rather than a husband and young men become martyrs rather than never-do-well lovers, the twentieth century has also given us its take on Roman comedy with Stephen Sondheim's A Funny Thing Happened on the Way to the Forum and numerous modern versions of Plautus' Amphitryon

Native Italian drama and its influence on Plautus

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« 20th and 21st Century Reception and Staging of Roman Comedy »

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