práticas artísticas no ensino básico e secundário

A inclusão, a desmaterialização, a difusão das práticas artísticas para novos campos mais além das manualidades, as novas abordagens não formais pelos museus, trouxeram desafios acrescidos à educação artística. O panorama de pesquisa pelos investigadores é cada vez mais exigente e as propostas apresentam abordagens ao Museu sem lugar, ao emtrosamento cultural das pedagogias criticas, a aproximação às identidades, à complexidade da hibridação dos média, à ameaça dos cortes políticos nas esferas de decisão ou à crescente urbanização dos imaginários culturais contemporâneos.info:eu-repo/semantics/publishedVersio

Author Correction: The FLUXNET2015 dataset and the ONEFlux processing pipeline for eddy covariance data

The following authors were omitted from the original version of this Data Descriptor: Markus Reichstein and Nicolas Vuichard. Both contributed to the code development and N. Vuichard contributed to the processing of the ERA-Interim data downscaling. Furthermore, the contribution of the co-author Frank Tiedemann was re-evaluated relative to the colleague Corinna Rebmann, both working at the same sites, and based on this re-evaluation a substitution in the co-author list is implemented (with Rebmann replacing Tiedemann). Finally, two affiliations were listed incorrectly and are corrected here (entries 190 and 193). The author list and affiliations have been amended to address these omissions in both the HTML and PDF versions

The FLUXNET2015 dataset and the ONEFlux processing pipeline for eddy covariance data

The FLUXNET2015 dataset provides ecosystem-scale data on CO2, water, and energy exchange between the biosphere and the atmosphere, and other meteorological and biological measurements, from 212 sites around the globe (over 1500 site-years, up to and including year 2014). These sites, independently managed and operated, voluntarily contributed their data to create global datasets. Data were quality controlled and processed using uniform methods, to improve consistency and intercomparability across sites. The dataset is already being used in a number of applications, including ecophysiology studies, remote sensing studies, and development of ecosystem and Earth system models. FLUXNET2015 includes derived-data products, such as gap-filled time series, ecosystem respiration and photosynthetic uptake estimates, estimation of uncertainties, and metadata about the measurements, presented for the first time in this paper. In addition, 206 of these sites are for the first time distributed under a Creative Commons (CC-BY 4.0) license. This paper details this enhanced dataset and the processing methods, now made available as open-source codes, making the dataset more accessible, transparent, and reproducible.Peer reviewe

The FLUXNET2015 dataset and the ONEFlux processing pipeline for eddy covariance data.

The FLUXNET2015 dataset provides ecosystem-scale data on CO2, water, and energy exchange between the biosphere and the atmosphere, and other meteorological and biological measurements, from 212 sites around the globe (over 1500 site-years, up to and including year 2014). These sites, independently managed and operated, voluntarily contributed their data to create global datasets. Data were quality controlled and processed using uniform methods, to improve consistency and intercomparability across sites. The dataset is already being used in a number of applications, including ecophysiology studies, remote sensing studies, and development of ecosystem and Earth system models. FLUXNET2015 includes derived-data products, such as gap-filled time series, ecosystem respiration and photosynthetic uptake estimates, estimation of uncertainties, and metadata about the measurements, presented for the first time in this paper. In addition, 206 of these sites are for the first time distributed under a Creative Commons (CC-BY 4.0) license. This paper details this enhanced dataset and the processing methods, now made available as open-source codes, making the dataset more accessible, transparent, and reproducible

Criança, espaço expositivo e arte contemporânea: antropofagia de aprendizagens

O presente trabalho se propõe refletir sobre as relações entre criança, Arte Contemporânea e espaços expositivos. A partir das minhas experiências como mediadora em diversas exposições observei a ação do corpo das crianças e suas respostas à mediação proposta, tendo como pauta a experiência do encontro. Sendo esta vivência uma fonte de crescimento e alicerce para a construção de significações, esta pesquisa surge com o interesse de investigar a relação cognitiva-lúdico-estética da ação da criança e de seu corpo frente à arte no espaço expositivo, problematizar a mediação cultural como ativação de corpos nestes espaços e a potência de possíveis objetos propositores. A Arte Contemporânea, as trocas afetivas, os diálogos, a criação de dispositivos propulsores são questões que marcam o foco central de análise: os espaços expositivos que abrigam arte são compreendidos como espaços de encantamento, descoberta, exploração ou somente pura diversão? Com sua expografia e curadoria podem influenciam o processo de descoberta e significados para a criança a partir de sua ação? Partindo da vivência como mediadora e de visitas a espaços voltados às crianças, ou não, com suas expografias e curadoria, disposição do espaço, visualização das obras, acolhimento e regras, a pesquisa se apresenta em pequenas histórias refletidas pelo olhar da teoria e se tornam uma antropofagia de aprendizagem. Assim, o processo de descoberta visa ampliar a compreensão da experiência estética e emancipadora das crianças como público cidadão mergulhando na cultura.The present work intends to reflect as relations between child, contemporary art and exhibition spaces. From the experience as a mediator in several exhibitions for the observation of an action of the body of children and their responses to the proposed mediation having as a guide the experience of the encounter. Being this experience a source of growth and foundation for a construction of meanings, this research arises from the interest of investigating a cognitive-ludic-aesthetic relationship of the child's and his body's action towards art in the exhibition space and to problematize cultural mediation as activation of bodies in these spaces and power of any propositional object. Contemporary art, such as affective exchanges, dialogues, and the creation of propulsive devices, are central questions of analysis: the exhibition spaces that house art, understood as spaces of enchantment, discovery, exploration, and just pure fun? With their expography and curation, can they influence the process of discovery and meanings for the child from their action? Starting from life as a mediator and from visits to spaces aimed at children, or not, with their expositions and curatorship, space layout, visualization of works, reception and rules. The research presents itself in small histories reflected by the look of theory and become a learning anthropophagy. Thus, the process of discovery seeks to broaden an understanding of the aesthetic and emancipatory experience of children as a citizen public plunging into culture