Stable Isotopes in Seabirds

Seabirds are a highly endangered group of vertebrates; they are more threatened than any other group of bird. However, the Common Murre is one species that is showing an increasing population trend; I found that Common Murres have shown a significant increase in δ15N since 1994, in contrast to the threatened Marbled Murrelet, which has a similar biology but has shown decreasing δ15 N values that typically correlate with declining population size. This is potentially due to sexual dimorphism that allows for the Common Murre to fill a larger niche. While I found no statistical difference between male and female isotope values, further evaluation could be used to see if this larger niche is a result of other factors. Stable isotope analysis of δ13C and δ15N is one way to investigate these population trends since they are capable of showing foraging habit (inshore vs. offshore) along with trophic level. Unfortunately, as of now, there is no standardized way to sample feathers for isotope analysis, and it has been shown that different locations on the feather show different isotope values which correlate with the melanin concentration of the location. I found a consistent offset in δ13C between the tip and base of the feathers sampled. This offset could lead to slight differences in interpretation of the foraging strategy being used by the bird. Since seabirds are in such a threatened position, it is important to have a paramount understanding of their habits possible to ensure the best conservation efforts are being utilized

Forging connections: anthologies, arts collectives, and the politics of inclusion

The changing social and political landscape of twentieth-century Britain catalysed a remarkable rise in collaborative activity by artists and activists of black and Asian heritage. Creative communities began to gather in both local and regional contexts, with the aim of sharing resources and securing an audience. This chapter records some of these many activities, tracing the groups’ genesis, manifest objectives, and key contributions. It argues that anthologising should be understood as a specifically motivated activity. Literary anthologies of poetry and fiction served to showcase the diversity of contemporary writing, while also suggesting its coherence. Drawing on the concept of “strategic essentialism” elucidated by Gayatri Chakravorty Spivak, I show that the anthology acts to ensure the visibility of a group, bannered as a unified and singly-titled selection of texts, while also insisting on the differences within: the heterogeneous multiplicity of black and Asian British experiences and creative practices

'Vernacular Voices: Black British Poetry'

ABSTRACT Black British poetry is the province of experimenting with voice and recording rhythms beyond the iambic pentameter. Not only in performance poetry and through the spoken word, but also on the page, black British poetry constitutes and preserves a sound archive of distinct linguistic varieties. In Slave Song (1984) and Coolie Odyssey (1988), David Dabydeen employs a form of Guyanese Creole in order to linguistically render and thus commemorate the experience of slaves and indentured labourers, respectively, with the earlier collection providing annotated translations into Standard English. James Berry, Louise Bennett, and Valerie Bloom adapt Jamaican Patois to celebrate Jamaican folk culture and at times to represent and record experiences and linguistic interactions in the postcolonial metropolis. Grace Nichols and John Agard use modified forms of Guyanese Creole, with Nichols frequently constructing gendered voices whilst Agard often celebrates linguistic playfulness. The borders between linguistic varieties are by no means absolute or static, as the emergence and marked growth of ‘London Jamaican’ (Mark Sebba) indicates. Asian British writer Daljit Nagra takes liberties with English for different reasons. Rather than having recourse to established Creole languages, and blending them with Standard English, his heteroglot poems frequently emulate ‘Punglish’, the English of migrants whose first language is Punjabi. Whilst it is the language prestige of London Jamaican that has been significantly enhanced since the 1990s, a fact not only confirmed by linguistic research but also by its transethnic uses both in the streets and on the page, Nagra’s substantial success and the mainstream attention he receives also indicate the clout of vernacular voices in poetry. They have the potential to connect with oral traditions and cultural memories, to record linguistic varieties, and to endow ‘street cred’ to authors and texts. In this chapter, these double-voiced poetic languages are also read as signs of resistance against residual monologic ideologies of Englishness. © Book proposal (02/2016): The Cambridge History of Black and Asian British Writing p. 27 of 4

The Cambridge History of Black and Asian British Writing

The Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field's evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary history and as a compass for future scholarship

Wide-angled modernities and alternative metropolitan imaginaries

Book synopsis: The Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field's evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary history and as a compass for future scholarship

Looking Beyond, Shifting the Gaze: Writers in Motion

peer reviewedBlack and Asian British writing can be formalized as diaspora literatures with links to ancestral homelands on the subcontinent, in Africa and in the Caribbean; interrogations of and inscriptions on a matrix of British cultures are another thematic and aesthetic concern of black and Asian British writing. Beyond this binary framework, though, a range of writers roam more widely, exploring different pathways: VS Naipaul’s interest in Africa or North America is a case in point, as are Caryl Phillips’s European travelogues or Shiva Naipaul’s travel writing and his essays collected in Unfinished Journey (1986). Bernardine Evaristo’s Lara explores her Brazilian, Nigerian, Irish and German ancestry whilst Andrew Salkey recounts his travels to Guyana in Georgetown Journal (1972) and celebrates placelessness in his Anancy Traveller (1992). This chapter thus focuses on writing which does not give primacy to the exploration of ancestral or postcolonial origins, but reaches out beyond this well-established binary framework of homes past and present