Sensory quality control in the chilled and frozen ready meal, soup and sauce sectors

This chapter discusses the use of sensory evaluation in the assurance of product quality within the food production sectors of ready meals, soups and sauces. The chapter methodically reviews typical food processing stages, from recipe development through to end product supply, and considers how sensory assessment methods can be utilised to help assure the quality of the end products within these selected High Risk Chilled Food sectors

Poems

AMAKURA, THE NATIVE OF QUESTIONS, A POEM AT BARAMANNI, THE PALMS IN LE REPENTIR, CHILD\u27S PLAY, STREET ARAB, PENELOPE, POEM (for Mervyn Morris

Poems

AMAKURA, HEARTLAND (for Brian Stevenson), BENEDICTION, GULL, OL\u27 HIGUE, ENIGMA (for Victor Chang), INVITATION TO TENDE

His True True Face: Masking and Revelation in David Dabydeen\u27 s Slave Song

The writings of David Dabydeen, whether poetry, prose fiction or autobiographical sketches, provide an interesting example of the creative use of the technique of masking. The writer/narrator/poetic persona uses multiple masks in order both to suggest the complexity of the identity of the West Indian East Indian, and also, one suspects, to protect certain aspects of self from the kind of \u27knowing\u27 described by Lamming as his reason for the retreat into \u27the castle of my skin\u27. It is interesting that the technique of masking which is used defensively- to discourage certain facile readings of the text of the \u27self\u27- appears to be more prevalent in those West Indian Writers (Lamming, Naipaul, Dabydeen) who seem most aware of the non-West Indian contexts in which they live and write. Other writers, such as Walcott, Brathwaite and Lovelace, use the technique of masking differently, and certainly less self-consciously

To the Wedding

This item has been removed at the request of the author, and is not available from this repository. Screenplay based on "To the Wedding". a 1995 novel by the British author John Berger about two lovers who are getting married and how they, and the people around them, manage to overcome death and fate and create meaning in their lives

The Knife of Dawn

Libretto transcript for 'The Knife of Dawn', a one-man chamber opera by Hannah Kendall, directed by John Walton