The DiTME Project: interdisciplinary research in music technology

This paper profiles the emergence of a significant body of research in audio engineering within the Faculties of Engineering and Applied Arts at Dublin Institute of Technology. Over a period of five years the group has had significant success in completing a Strand 3 research project entitled Digital Tools for Music Education (DiTME)

Some Advances in Nonlinear Speech Modeling Using Modulations, Fractals, and Chaos

In this paper we briefly summarize our on-going work on modeling nonlinear structures in speech signals, caused by modulation and turbulence phenomena, using the theories of modulation, fractals, and chaos as well as suitable nonlinear signal analysis methods. Further, we focus on two advances: i) AM-FM modeling of fricative sounds with random modulation signals of the 1/f-noise type and ii) improved methods for speech analysis and prediction on reconstructed multidimensional attractors. 1

The listening talker: A review of human and algorithmic context-induced modifications of speech

International audienceSpeech output technology is finding widespread application, including in scenarios where intelligibility might be compromised - at least for some listeners - by adverse conditions. Unlike most current algorithms, talkers continually adapt their speech patterns as a response to the immediate context of spoken communication, where the type of interlocutor and the environment are the dominant situational factors influencing speech production. Observations of talker behaviour can motivate the design of more robust speech output algorithms. Starting with a listener-oriented categorisation of possible goals for speech modification, this review article summarises the extensive set of behavioural findings related to human speech modification, identifies which factors appear to be beneficial, and goes on to examine previous computational attempts to improve intelligibility in noise. The review concludes by tabulating 46 speech modifications, many of which have yet to be perceptually or algorithmically evaluated. Consequently, the review provides a roadmap for future work in improving the robustness of speech output