The Victorian Newsletter (Spring 1986)

The Victorian Newsletter is sponsored for the Victorian Group of Modern Language Association by the Western Kentucky University and is published twice annually.The Novel as Risk and Compromise, Poetry as Safe Haven: Hardy and the Victorian Reading Public, 1863-1901 / William W. Morgan -- Bard and Lady Novelist: Swinburne and the Novel of (Mrs.) Manners / David G. Riede -- Genre and Gender in Aurora Leigh / Dorothy Mermin -- Walter Pater: The Critic and the Irrational / Robert Keefe -- He Stoops to Conquer: Redeeming the Fallen Woman in the Fiction of Dickens, Gaskell and Their Contemporaries / Laura Hapke -- Trollope's Ground of Meaning: The Macdermots of Ballycloran / Sarah Gilead -- Byron and Disraeli / Peter W. Graham -- Wilde's Autobiographical Signature in The Picture of Dorian Gray / Karl Beckson -- Books Receive

The science of decadence

In the nineteenth century, the concept of decadence was not solely of aesthetic interest but had a number of scientific applications. Decadence itself is an organic metaphor, extending the natural processes of decline and decay to societies and the arts. Rather than rejecting nature outright, decadent authors readily embraced new scientific theories that changed the way people thought about the natural world. The pessimism of nineteenth-century science stemmed from the brutal world of industrial capitalism in which it was developed. Decadent writers then incorporated both scientific ideas and language into a literary style obsessed with decay and decline. Finally, science returned to decadent literature to pathologize certain modes of artistic expression as yet another sign that certain types of individuals were ‘degenerate’. Three key scientific theories of the nineteenth century underpin the decadent fixation on decline, decay, and degeneration: uniformitarianism, evolution, and the conservation of energy. All three theories identify impermanence in natural structures previously believed to be permanent and stable

The transatlantic Thames: Anglo-American tensions on the Victorian “stream of pleasure”

While it is widely understood that rivers took on new symbolic power as avatars of nationalism in the late nineteenth century, less examined is their use as a space for Transatlantic cultural flow, and transnational commentary and critique. This article explores the ways in which a variety of Americans abroad in this period centred the Thames – newly charged with nationalist sentiment – in their accounts of Britain. In particular, it analyses Elizabeth Robins and Joseph Pennell’s travel narrative The Stream of Pleasure, first published as the lead article in the ‘Midsummer Holiday Issue’ of The Century Magazine in 1889, as an exemplary text in which both artist and writer play with the image of the river in ways that chime with much wider Transatlantic debates at this moment

Il meticciato nell'Italia contemporanea. Storia, memorie e cultura di massa.

L'idea diffusa degli "italiani brava gente" e della diversit\ue0 della nostra storia rispetto alla storia USA, segnata da razzismo istituzionale, si fonda sul silenziamento del passato coloniale e razzista italiano. Il ripudio della categoria di razza da parte dell'Italia repubblicana e la smentita scientifica dell'esistenza biologica della categoria non hanno cancellato la presenza della razza, formazione storico-culturale che paradossalmente esiste e non esiste. Priva di referenti oggettivi nella realt\ue0, la razza produce in essa effetti significativi, opera sia come categoria sociale e strumento di esclusione, sia come costruzione simbolica e istanza identitaria. A fronte del silenziamento del meticciato storico nell'uso pubblico della storia e nella memoria nazionali del secondo dopoguerra, il saggio sottolinea la presenza diffusa del meticciato nei prodotti della cultura di massa italiani contemporanei e ne indaga i significati con gli strumenti degli studi critici sulla razza e in prospettiva comparata tra Italia e Stati Uniti