Shaping Robot Gestures to Shape Users' Perception: the Effect of Amplitude and Speed on Godspeed Ratings

This work analyses the relationship between the way robots gesture and the way those gestures are perceived by human users. In particular, this work shows how modifying the amplitude and speed of a gesture affect the Godspeed scores given to those gestures, by means of an experiment involving 45 stimuli and 30 observers. The results suggest that shaping gestures aimed at manifesting the inner state of the robot (e.g., cheering or showing disappointment) tends to change the perception of Animacy (the dimension that accounts for how driven by endogenous factors the robot is perceived to be), while shaping gestures aimed at achieving an interaction effect (e.g., engaging and disengaging) tends to change the perception of Anthropomorphism, Likeability and Perceived Safety (the dimensions that account for the social aspects of the perception)

Machine Learning Driven Emotional Musical Prosody for Human-Robot Interaction

This dissertation presents a method for non-anthropomorphic human-robot interaction using a newly developed concept entitled Emotional Musical Prosody (EMP). EMP consists of short expressive musical phrases capable of conveying emotions, which can be embedded in robots to accompany mechanical gestures. The main objective of EMP is to improve human engagement with, and trust in robots while avoiding the uncanny valley. We contend that music - one of the most emotionally meaningful human experiences - can serve as an effective medium to support human-robot engagement and trust. EMP allows for the development of personable, emotion-driven agents, capable of giving subtle cues to collaborators while presenting a sense of autonomy. We present four research areas aimed at developing and understanding the potential role of EMP in human-robot interaction. The first research area focuses on collecting and labeling a new EMP dataset from vocalists, and using this dataset to generate prosodic emotional phrases through deep learning methods. Through extensive listening tests, the collected dataset and generated phrases were validated with a high level of accuracy by a large subject pool. The second research effort focuses on understanding the effect of EMP in human-robot interaction with industrial and humanoid robots. Here, significant results were found for improved trust, perceived intelligence, and likeability of EMP enabled robotic arms, but not for humanoid robots. We also found significant results for improved trust in a social robot, as well as perceived intelligence, creativity and likeability in a robotic musician. The third and fourth research areas shift to broader use cases and potential methods to use EMP in HRI. The third research area explores the effect of robotic EMP on different personality types focusing on extraversion and neuroticism. For robots, personality traits offer a unique way to implement custom responses, individualized to human collaborators. We discovered that humans prefer robots with emotional responses based on high extraversion and low neuroticism, with some correlation between the humans collaborator’s own personality traits. The fourth and final research question focused on scaling up EMP to support interaction between groups of robots and humans. Here, we found that improvements in trust and likeability carried across from single robots to groups of industrial arms. Overall, the thesis suggests EMP is useful for improving trust and likeability for industrial, social and robot musicians but not in humanoid robots. The thesis bears future implications for HRI designers, showing the extensive potential of careful audio design, and the wide range of outcomes audio can have on HRI.Ph.D

Perceiving Sociable Technology: Exploring the Role of Anthropomorphism and Agency Perception on Human-Computer Interaction (HCI)

With the arrival of personal assistants and other AI-enabled autonomous technologies, social interactions with smart devices have become a part of our daily lives. Therefore, it becomes increasingly important to understand how these social interactions emerge, and why users appear to be influenced by them. For this reason, I explore questions on what the antecedents and consequences of this phenomenon, known as anthropomorphism, are as described in the extant literature from fields ranging from information systems to social neuroscience. I critically analyze those empirical studies directly measuring anthropomorphism and those referring to it without a corresponding measurement. Through a grounded theory approach, I identify common themes and use them to develop models for the antecedents and consequences of anthropomorphism. The results suggest anthropomorphism possesses both conscious and non-conscious components with varying implications. While conscious attributions are shown to vary based on individual differences, non-conscious attributions emerge whenever a technology exhibits apparent reasoning such as through non-verbal behavior like peer-to-peer mirroring or verbal paralinguistic and backchanneling cues. Anthropomorphism has been shown to affect users’ self-perceptions, perceptions of the technology, how users interact with the technology, and the users’ performance. Examples include changes in a users’ trust on the technology, conformity effects, bonding, and displays of empathy. I argue these effects emerge from changes in users’ perceived agency, and their self- and social- identity similarly to interactions between humans. Afterwards, I critically examine current theories on anthropomorphism and present propositions about its nature based on the results of the empirical literature. Subsequently, I introduce a two-factor model of anthropomorphism that proposes how an individual anthropomorphizes a technology is dependent on how the technology was initially perceived (top-down and rational or bottom-up and automatic), and whether it exhibits a capacity for agency or experience. I propose that where a technology lays along this spectrum determines how individuals relates to it, creating shared agency effects, or changing the users’ social identity. For this reason, anthropomorphism is a powerful tool that can be leveraged to support future interactions with smart technologies

RoboAct : control de acciones para un actor robótico

El uncanny valley (o Valle Inquietante) es una hipótesis de la robótica que nos dice que cuando hay robots antropomórficos parecidos en exceso a una persona, causan una sensación de rechazo e inconformidad, sin embargo si el robot es parcialmente parecido, se le manipula como una máquina, generando la reacción inversa y desmejorando la interacción con éste. Con éste trabajo, se busca solucionar el problema de interacción humano-robot con los robots humanoides, realizando un acercamiento desde la psicología humana y aplicando estos resultados a través de algoritmos de cinemática robótica, haciendo que los gestos del robot sean más humanos.The uncanny valley it s a hypothesis in the robotic filed which holds that when are highly human-like anthropomorphic robots, they cause a negative reaction in the people and sensation of discomfort, nonetheless when there is some anthropomorphic similarity, the robot it-s treated like a machine, causing the opposite effect. With this work we want to solve the human-humanoid-robot interaction using a psychological approach and applying this results using robot kinematics algorithms, thus, making the robot gestures, more human-like.Ingeniero (a) de SistemasPregrad

Enhancing stroke generation and expressivity in robotic drummers - A generative physics model approach

The goal of this master's thesis research is to enhance the stroke generation capabilities and musical expressivity in robotic drummers. The approach adopted is to understand the physics of human fingers-drumstick-drumhead interaction and try to replicate the same behavior in a robotic drumming system with the minimum number of degrees of freedom. The model that is developed is agnostic to the exact specifications of the robotic drummer that will attempt to emulate human like drum strokes, and therefore can be used in any robotic drummer that uses actuators with complete control over the motor position angle. Initial approaches based on exploiting the instability of a PID control system to generate multiple bounces and the limitations of this approach are also discussed in depth. In order to assess the success of the model and the implementation in the robotic platform a subjective evaluation was conducted. The evaluation results showed that, the observed data was statistically equivalent to the subjects resorting to a blind guess in order to distinguish between a human playing a multiple bounce stroke and a robot playing a similar kind of stroke.M.S

Abstraction of representation in live theater

Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2009.Cataloged from PDF version of thesis.Includes bibliographical references (p. 151-158).Early in Tod Machover's opera Death and the Powers, the main character, Simon Powers, is subsumed into a technological environment of his own creation. The theatrical set comes alive in the form of robotic, visual, and sonic elements that allow the actor to extend his range and influence across the stage in unique and dynamic ways. The environment must compellingly assume the behavior and expression of the absent Simon. This thesis presents a new approach called Disembodied Performance that adapts ideas from affective psychology, cognitive science, and the theatrical tradition to create a framework for thinking about the translation of stage presence. An implementation of a system informed by this methodology is demonstrated. In order to distill the essence of this character, we recover performance parameters in real-time from physiological sensors, voice, and vision systems. This system allows the offstage actor to express emotion and interact with others onstage. The Disembodied Performance approach takes a new direction in augmented performance by employing a nonrepresentational abstraction of a human presence that fully translates a character into an environment. The technique and theory presented also have broad-reaching applications outside of theater for personal expression, telepresence, and storytelling.Peter Alexander Torpey.S.M

Vocal Interactivity in-and-between Humans, Animals, and Robots

Almost all animals exploit vocal signals for a range of ecologically motivated purposes: detecting predators/prey and marking territory, expressing emotions, establishing social relations, and sharing information. Whether it is a bird raising an alarm, a whale calling to potential partners, a dog responding to human commands, a parent reading a story with a child, or a business-person accessing stock prices using Siri, vocalization provides a valuable communication channel through which behavior may be coordinated and controlled, and information may be distributed and acquired. Indeed, the ubiquity of vocal interaction has led to research across an extremely diverse array of fields, from assessing animal welfare, to understanding the precursors of human language, to developing voice-based human–machine interaction. Opportunities for cross-fertilization between these fields abound; for example, using artificial cognitive agents to investigate contemporary theories of language grounding, using machine learning to analyze different habitats or adding vocal expressivity to the next generation of language-enabled autonomous social agents. However, much of the research is conducted within well-defined disciplinary boundaries, and many fundamental issues remain. This paper attempts to redress the balance by presenting a comparative review of vocal interaction within-and-between humans, animals, and artificial agents (such as robots), and it identifies a rich set of open research questions that may benefit from an interdisciplinary analysis

Developing an engagement and social interaction model for a robotic educational agent

Effective educational agents should accomplish four essential goals during a student's learning process: 1) monitor engagement, 2) re-engage when appropriate, 3) teach novel tasks, and 4) improve retention. In this dissertation, we focus on all of these objectives through use of a teaching device (computer, tablet, or virtual reality game) and a robotic educational agent. We begin by developing and validating an engagement model based on the interactions between the student and the teaching device. This model uses time, performance, and/or eye gaze to determine the student's level of engagement. We then create a framework for implementing verbal and nonverbal, or gestural, behaviors on a humanoid robot and evaluate its perception and effectiveness for social interaction. These verbal and nonverbal behaviors are applied throughout the learning scenario to re-engage the students when the engagement model deems it necessary. Finally, we describe and validate the entire educational system that uses the engagement model to activate the behavioral strategies embedded on the robot when learning a new task. We then follow-up this study to evaluate student retention when using this system. The outcome of this research is the development of an educational system that effectively monitors student engagement, applies behavioral strategies, teaches novel tasks, and improves student retention to achieve individualized learning.Ph.D

What do Collaborations with the Arts Have to Say About Human-Robot Interaction?

This is a collection of papers presented at the workshop What Do Collaborations with the Arts Have to Say About HRI , held at the 2010 Human-Robot Interaction Conference, in Osaka, Japan