Dance in ninth century Java. A methodology for the analysis and reconstitution of the dance

This short essay presents a case study – that of the dance reliefs of the Prambanan complex in Central Java, aiming to steer the discussion around an important aspect of any archaeological investigation of dance. Rather than focusing solely on contextual issues, such as the nature and function of dance at a particular point in time and in a specific socio-cultural context, the Prambanan case study questions how to engage with the archaeological dance record from a dancer’s point of view, in other words in terms of movement reconstitution and its re-embodiment. It is almost tautological to say that dance is practice based and performance oriented. However it is often the case that it is precisely this aspect of dance which is neglected in archaeological accounts and no methodologies are being developed to deal with such issues. My work on the Prambanan dance reliefs attempts to bridge this gap

Classicism, post-classicism and Ranjabati Sircar’s work: re-defining the terms of Indian contemporary dance discourses

This essay discusses contemporary dance in India foregrounding the link between dance and politics. The author proposes that contemporary dance in today’s India can be seen as a continuum, under which is tension and rupture. It embraces on one hand, ‘classicism’- strictly speaking ‘neo-classicism’ - on the other, an ideological move away from this ‘classicism’, which constitutes itself into an heterogeneous movement motivated by a search for new dance languages. These new languages, growing out of ‘traditional roots’ (variously defined), claim to be sustained by the ‘classicism ’ of Indian dance. This movement can be referred to, for convenience, as ‘post-classicism’; this ‘post-classicism’is otherwise known as ‘Contemporary’ dance – with a capital c , in accordance with a western model. Dance in today’s India, whether ‘classical’ or ‘post-classical’ is wholly entangled with the issue of an Indian religious and secular identity, increasingly dominated by a Hinduising discourse, and this informs the artistic choices of dance artists. The essay will discuss the work of Ranjabati Sircar, here seen as ‘post-classical’, against this scenario, and will begin to reflect on the impact Ranjabati Sircar’s choreography and her cosmopolitanism has had on dance in contexts other than India, such as the British South Asian diaspora

Dance in the British South Asian diaspora: redefining classicism

This paper discusses South Asian dance forms and genres in Britain, one of the major locations of the South Asian diaspora. It addresses issues of "classicism," "neoclassicism" and "contemporaneity" in South Asian dancing, particularly important as in the British context availability of public funding depends on the artists demonstrating an innovative engagement with their own practice. The author focuses, as a specific case study, on the work, Moham, choreographed and danced as a solo by bharatanatyam artist Chitra Sundaram in 2002 and argues for the need to address issues of difference and cultural specificity, questioning the underlying assumptions of western notions of classicism, as these impinge on South Asian dance praxes in the British context

Choreographing heritage, performing the site

The paper reflects on the different types of performance which take place at archaeological sites, as a global phenomenon, and more broadly on the archaeology/ performance interface

Over 50 and doing what? Reflections on being a mature model

Revised version of a paper presented at the Research Summer School of the International Centre for Women, Ageing and Media, University of Gloucestershire, 23-24 July 2013. The paper attempts some self reflection on my own experience as a mature model. I discuss my journey as a model dwelling on the sense of unease I have at times experienced. Modelling as an older woman can be at once liberating and oppressive and full of pitfalls. By embodying the ‘ageing gracefully’ imperative, there is also a sense of being pressurised to maintain that very ‘gracefulness of ageing’ that as a model becomes one’s selling point as well as the need to be distinctive, and identifiable with, in order to be in work. In the paper I draw theoretically on a range of writings about ageing as a cultural process and about cultural production and the reproduction of culture. The paper is still work in progress. Please note that one reference is missing. This is Lopez y Royo, A. (2013) 'Why I am quitting the academy' Times Higher Education available at http://www.timeshighereducation.co.uk/story.aspx?storyCode=200662

Modeling as an Older Woman: Exploitation or Subversion?

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Modeling as an Older Woman

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Mortality and pulmonary complications in patients undergoing surgery with perioperative SARS-CoV-2 infection: an international cohort study

Background: The impact of severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) on postoperative recovery needs to be understood to inform clinical decision making during and after the COVID-19 pandemic. This study reports 30-day mortality and pulmonary complication rates in patients with perioperative SARS-CoV-2 infection. Methods: This international, multicentre, cohort study at 235 hospitals in 24 countries included all patients undergoing surgery who had SARS-CoV-2 infection confirmed within 7 days before or 30 days after surgery. The primary outcome measure was 30-day postoperative mortality and was assessed in all enrolled patients. The main secondary outcome measure was pulmonary complications, defined as pneumonia, acute respiratory distress syndrome, or unexpected postoperative ventilation. Findings: This analysis includes 1128 patients who had surgery between Jan 1 and March 31, 2020, of whom 835 (74·0%) had emergency surgery and 280 (24·8%) had elective surgery. SARS-CoV-2 infection was confirmed preoperatively in 294 (26·1%) patients. 30-day mortality was 23·8% (268 of 1128). Pulmonary complications occurred in 577 (51·2%) of 1128 patients; 30-day mortality in these patients was 38·0% (219 of 577), accounting for 81·7% (219 of 268) of all deaths. In adjusted analyses, 30-day mortality was associated with male sex (odds ratio 1·75 [95% CI 1·28–2·40], p\textless0·0001), age 70 years or older versus younger than 70 years (2·30 [1·65–3·22], p\textless0·0001), American Society of Anesthesiologists grades 3–5 versus grades 1–2 (2·35 [1·57–3·53], p\textless0·0001), malignant versus benign or obstetric diagnosis (1·55 [1·01–2·39], p=0·046), emergency versus elective surgery (1·67 [1·06–2·63], p=0·026), and major versus minor surgery (1·52 [1·01–2·31], p=0·047). Interpretation: Postoperative pulmonary complications occur in half of patients with perioperative SARS-CoV-2 infection and are associated with high mortality. Thresholds for surgery during the COVID-19 pandemic should be higher than during normal practice, particularly in men aged 70 years and older. Consideration should be given for postponing non-urgent procedures and promoting non-operative treatment to delay or avoid the need for surgery. Funding: National Institute for Health Research (NIHR), Association of Coloproctology of Great Britain and Ireland, Bowel and Cancer Research, Bowel Disease Research Foundation, Association of Upper Gastrointestinal Surgeons, British Association of Surgical Oncology, British Gynaecological Cancer Society, European Society of Coloproctology, NIHR Academy, Sarcoma UK, Vascular Society for Great Britain and Ireland, and Yorkshire Cancer Research

Multiancestry analysis of the HLA locus in Alzheimer’s and Parkinson’s diseases uncovers a shared adaptive immune response mediated by HLA-DRB1*04 subtypes

Across multiancestry groups, we analyzed Human Leukocyte Antigen (HLA) associations in over 176,000 individuals with Parkinson’s disease (PD) and Alzheimer’s disease (AD) versus controls. We demonstrate that the two diseases share the same protective association at the HLA locus. HLA-specific fine-mapping showed that hierarchical protective effects of HLA-DRB1*04 subtypes best accounted for the association, strongest with HLA-DRB1*04:04 and HLA-DRB1*04:07, and intermediary with HLA-DRB1*04:01 and HLA-DRB1*04:03. The same signal was associated with decreased neurofibrillary tangles in postmortem brains and was associated with reduced tau levels in cerebrospinal fluid and to a lower extent with increased Aβ42. Protective HLA-DRB1*04 subtypes strongly bound the aggregation-prone tau PHF6 sequence, however only when acetylated at a lysine (K311), a common posttranslational modification central to tau aggregation. An HLA-DRB1*04-mediated adaptive immune response decreases PD and AD risks, potentially by acting against tau, offering the possibility of therapeutic avenues

EMBODYING A SITE

The article re-engages with the 9th century CE temple complex of Prambanan, in Central Java, as a performance locus, discussing the different phases of a bodily interaction with the site from the reconstitution of its dance units, retrievable from the dance reliefs of the main temple, to an exploration of the temple–dance–site connection. The author proposes that archaeology can be conceived and experienced as an embodied and performative practice: the Prambanan site has been incorporated in the archaeological process of dance movement reconstitution and its re-embodiment. This in turn has enabled a choreography of the site through an exploration of the architecture/dance relationship, mutually inscribed as a corporeality. Key Words ◆ archaeology ◆ architecture ◆ choreography ◆ dance-unit ◆ embodiment ◆ performative ◆ reconstitution Il va falloir de la méme manière réveiller l’expérience du monde tel qu’il nous apparait en tant nous sommes au monde par notre corps, en tant que nous percevons le monde avec notre corps. Maurice Merleau-Ponty, Phénoménologie de la Perceptio