Spring Mill Pioneer Village: Examining the Multiple Contestations of Representation and Communication of History

Spring Mill Pioneer Village illustrates the problems inherent to most heritage sites. Much is known about the history of the original village, yet there remains a strong disagreement among interpreters and park administration as to the time period the village should portray and the degree of place specificity versus generality. While time and place representations can be more concrete through visual materials (signage, brochures), sites that have interpreters, or actors, add another dimension to the experience. This research presents some of the ways in which site agents contest representations of history and the implications this may have for tourist experience

Tourism geographies and the place of authenticity

Along with the earliest theories of tourism arose an interest in understanding the role of authenticity. These burgeoning efforts were based in history, anthropology, and sociology (see Boorstin, 1961; MacCannell, 1973, 1976; Cohen, 1979); yet, the subsequent infusion of geographical perspectives that spatialize authenticity have greatly enriched our conceptualizations. Indeed, these scholars were invaluable in laying the foundations of key aspects of authenticity – Boorstin (1961) in asserting tourism is comprised of pseudo-events drew attention to staged aspects of tourism encounters, MacCannell (1973; 1976) explicated the mechanisms through which staging occurs and initiated a discussion of the socio-cultural significance of authenticity, which Cohen (1979) then refined by elaborating on the various ways authenticity comes into play in tourists’ motivation for recreational, diversionary, experiential, experimental, and existential experiences. However, what these contributions were lacking was attention to the geographical, that tourism is simultaneously a mobilities and a placed-based phenomenon, and as such the roles of scale, mobilities, space, place, and landscape are crucial to experiences of authenticity

Touring as a Peircean habit

The Peircean sign contains three parts: object, representamen (image) and interpretant (interpretation). Interpretation in the Peircean system draws heavily upon the accumulated knowledge that an individual has built up over time. Interpretation might be thoughtful, but more often it is an embodied habit. The Peircean notion of habit inherently relates to the performative and is sufficiently general to incorporate emotionality

“I’m a Red River local”: rock climbing mobilities and community hospitalities

With individuals continually on the move, mobility fosters constellations of places at which individuals collectively moor and perform community. By focusing on one climbing destination – the Red River Gorge – this paper works across scales to highlight the spatial politics of mobilizing hospitality. In so doing, it summarizes the ways hosting/guesting thresholds dissolve with the growth of particular rock climbing associated infrastructures and moves to examine the ways climbers performances of community result in the (semi-)privatization of public space and attempts at localization. Further, the paper highlights the ways mobility is employed to maintain a political voice from afar, as well as to forge “local” identities with The Red as place with distinct subcultural (in)hospitality practices. Hospitality practices affirm power relations, they communicate who is at “home” and who has the power in a particular space to extend hospitality. The decision to extend hospitality is not simply the difference between an ethical encounter and a conditional one; it takes place in the very performance of identity. Thus, integrating a mobilities perspective into hospitality studies further illuminates the spatial politics that are at play in an ethics of hospitality

Reflections Upon the Experience of Longitudinal Research into Cultural Event Production in a Developing Destination

Longitudinal studies have the capacity to provide more nuanced explanations of tourism and event phenomena, taking account of complexity, change and context. This paper is a self-reflexive, methodological study of research practice. It investigates my experience of engaging with cultural event producers in an emerging destination over a seven-year period. Focussing on my research journey, it considers the social and relational dynamics associated with longitudinal research. Reciprocal relations and co-production of cultural events reveal nuanced information and expose fluid relationships and networks. Long-term engagement uncovers evolving practices and develops understanding of event processes embedded within their wider context

Authenticity and place attachment of major visitor attractions

This paper aims to explore the relationships between place attachment and perceived authenticity of major visitor attractions. The empirical study was conducted with a sample of international tourists to major visitor attractions in two capital cities, Helsinki, Finland and Jerusalem, Israel. The results indicate a positive correlation between place attachment and authenticity. Major visitor attractions located in places with considerable heritage experience value are considered more authentic, and that authenticity of visitor attractions is influenced by place attachment moderated by iconicity and heritage value of the destination region. These findings provide insight to the ways tourists perceive authenticity of visitor attractions and highlight the importance of the heritage value of tourism destinations for strategic planning and marketing purposes

Religiousness as tourist performances: a case study of Greek Orthodox pilgrimage

The aim of this paper is to decipher ways of experiencing religiousness through tourist performances, intersecting textual approaches with the essential embodiment and materiality of the tourist world. Exploring the diversity of religious tourists’ practices within the Greek Orthodox context, two dimensions underpinning religious tourist experience are highlighted: institutional performances and unconventional performances. Focussing on the embodied experience and drawing upon theories of performance, the paper critiques the interplays of body and place to re-conceptualise current understanding of the pilgrimage/tourism relationship. In doing so, the paper proposes that tourism and religion are not separate entities but linked through embodied notions of godliness sensed through touristic performances