Alternative Journalism as Monitorial Citizenship? A case study of a local news blog

Recent years have seen claims that some examples of online alternative journalism in the form of hyperlocal and local blogs are helping to address society’s “democratic deficit” by subjecting the actions of the powerful to increased public scrutiny, in a process that has been described as “monitorial citizenship”. To explore how this might work in practice, this study examines the origins, motivations and practices of one such site in the United Kingdom: the Leeds Citizen. The aim is to provide the sort of detailed consideration in depth that is almost by definition missing from wider surveys of the field. To this end, the case study is based on a series of interviews with the site’s creator, augmented by analysis of content, all discussed within the context of scholarly literature on how alternative, non-commercial forms of journalism operate in the digital age. The article concludes that this contemporary form of alternative journalism may indeed be described as an example of monitorial citizenship in action, but there is also a need for further research

The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’

This article demonstrates that the Profumo affair, which obsessed Britain for large parts of 1963, was not simply a political scandal, but was also an important cultural event. Focussing on the production of The Keeler Affair, a feature film that figured prominently in contemporary coverage of the scandal but which has been largely overlooked since, the article shows that this film emerged from a situation in which cultural entrepreneurs, many of them associated with the satire boom, sought to exploit the scandal for financial gain. Many Profumo-related cultural products found an audience, and thus formed an integral part of, and helped to shape public attitudes towards, the Profumo affair. However, these products did not go uncontested, and resistance to them, and especially to the idea that Keeler might benefit materially from her role in the scandal, speak to concerns about cultural mediations of sex, politics and humour in early-1960s Britain

Global wealth disparities drive adherence to COVID-safe pathways in head and neck cancer surgery

Peer reviewe

Ghosts in the Academy: historians and historical consciousness in the making of modern Uganda

The public and professional significance of precolonial History as a discipline has declined markedly across much of sub-Saharan Africa over the last forty years: History has been both demonized—depicted as deeply dangerous and the source of savagery and instability—and portrayed as irrelevant when set alongside the needs for economic modernization and “development.” This paper explores this trend in the context of Uganda, with a particular focus on the kingdom of Buganda, chosen for its particularly rich oral and literary heritage and the thematic opportunities offered by its complex and troubled twentieth century. The paper aims to explore how “the past”—with a focus on the precolonial era—has been understood there in several distinct periods. These include the era of imperial partition and the formation of the Uganda Protectorate between the 1880s and the 1910s; competition for political space within colonial society to the 1950s; decolonization and the struggle to create new nationhood in the mid-twentieth century; and political crises and partial recovery since the 1970s. Ultimately, the paper seeks to assess the role of History in a modern African society vis-à-vis the developmental agendas and notions of economic growth against which African “progress” and prospects for “stability” are currently measured

Ghosts in the Academy: historians and historical consciousness in the making of modern Uganda

The public and professional significance of precolonial History as a discipline has declined markedly across much of sub-Saharan Africa over the last forty years: History has been both demonized—depicted as deeply dangerous and the source of savagery and instability—and portrayed as irrelevant when set alongside the needs for economic modernization and “development.” This paper explores this trend in the context of Uganda, with a particular focus on the kingdom of Buganda, chosen for its particularly rich oral and literary heritage and the thematic opportunities offered by its complex and troubled twentieth century. The paper aims to explore how “the past”—with a focus on the precolonial era—has been understood there in several distinct periods. These include the era of imperial partition and the formation of the Uganda Protectorate between the 1880s and the 1910s; competition for political space within colonial society to the 1950s; decolonization and the struggle to create new nationhood in the mid-twentieth century; and political crises and partial recovery since the 1970s. Ultimately, the paper seeks to assess the role of History in a modern African society vis-à-vis the developmental agendas and notions of economic growth against which African “progress” and prospects for “stability” are currently measured