27 research outputs found

    The genetic architecture of the human cerebral cortex

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    The cerebral cortex underlies our complex cognitive capabilities, yet little is known about the specific genetic loci that influence human cortical structure. To identify genetic variants that affect cortical structure, we conducted a genome-wide association meta-analysis of brain magnetic resonance imaging data from 51,665 individuals. We analyzed the surface area and average thickness of the whole cortex and 34 regions with known functional specializations. We identified 199 significant loci and found significant enrichment for loci influencing total surface area within regulatory elements that are active during prenatal cortical development, supporting the radial unit hypothesis. Loci that affect regional surface area cluster near genes in Wnt signaling pathways, which influence progenitor expansion and areal identity. Variation in cortical structure is genetically correlated with cognitive function, Parkinson's disease, insomnia, depression, neuroticism, and attention deficit hyperactivity disorder

    Origin of Many-Body Vibrational Frequency Shifts in Water Clusters

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    We have demonstrated the application of many-body expansions to calculations of the anharmonic, local-mode, OH-stretching vibrational frequencies of water clusters. We focused on five low-lying isomers of the water hexamer and the DD*­(20,1) isomer of (H<sub>2</sub>O)<sub>21</sub>. Our approach provides accurate OH-stretching vibrational frequencies when treating one- and two-body interactions with the CCSD­(T)-F12 level of theory and the three- and four-body interactions with the DF-MP2-F12 level. Additionally, we have investigated the physical origin of the large contribution that two- and three-body interactions make to the shifts of vibrational frequencies using symmetry-adapted perturbation theory (SAPT). We conclude that while two-body vibrational frequency shifts can be correlated linearly with electrostatic energies, all strongly shifted three-body interactions can be correlated to the induction energy with a single regression coefficient of approximately 70 cm<sup>–1</sup> (kcal·mol<sup>–1</sup>)<sup>−1</sup>

    Mitigation of nitrogen mustard mediated skin injury by a novel indomethacin bifunctional prodrug

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    Described by Sir John Betjeman as 'the Grand Architectural Walk', Syon House and its 200 acre park is the London home of the Duke of Northumberland, whose family have lived here for over 400 years. Originally the site of a medieval abbey, Syon was named after Mount Zion in the Holy Land. At Syon House, London, between 1760 and 1769, Adam took a quadrangular Tudor nunnery with a later Jacobean long gallery, which had been somewhat adapted for greater aristocratic comfort, and transformed it into what Horace Walpole was to describe as ‘another Mount Palatine’. He created a series of rooms of varied and unusual shapes, partially derived from Roman Baths; these he ornamented with lively decoration, also reflecting Classical influences, ranging from apses screened by columns to statuary, grotesques and trophy panels. Responding to the demands of fashionable society, these were spaces intended for various functions that not only were appropriate for those functions but delighted the eye by their variation and ornamentation. This would have been carried even further had he been allowed to fill Syon’s interior courtyard with a great circular saloon, as he had intended (the cost was prohibitive).; Described by Sir John Betjeman as 'the Grand Architectural Walk', Syon House and its 200 acre park is the London home of the Duke of Northumberland, whose family have lived here for over 400 years. Originally the site of a medieval abbey, Syon was named after Mount Zion in the Holy Land. At Syon House, London, between 1760 and 1769, Adam took a quadrangular Tudor nunnery with a later Jacobean long gallery, which had been somewhat adapted for greater aristocratic comfort, and transformed it into what Horace Walpole was to describe as ‘another Mount Palatine’. He created a series of rooms of varied and unusual shapes, partially derived from Roman Baths; these he ornamented with lively decoration, also reflecting Classical influences, ranging from apses screened by columns to statuary, grotesques and trophy panels. Responding to the demands of fashionable society, these were spaces intended for various functions that not only were appropriate for those functions but delighted the eye by their variation and ornamentation. This would have been carried even further had he been allowed to fill Syon’s interior courtyard with a great circular saloon, as he had intended (the cost was prohibitive). Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 6/15/2009
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