Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation

(Winner of the 2017 Paragraph annual essay prize competition, on the theme of ‘Belongings’) This article examines the ontology and politics of Peter Sloterdijk's Spheres trilogy, focusing in particular upon the notion of microspherical enclosure explicated in the first volume of this series. Noting Sloterdijk's unusual alignment of his philosophy with media theory, three main contentions are put forward. Firstly, that Sloterdijk's reconfiguration of Heidegger's fundamental ontology represents a largely unacknowledged renunciation of the primacy of Being-towards-death in the authentic existence of Dasein, foregrounding instead an originary co-belonging between mother and child. Secondly, that Sloterdijk borrows from media theory a concern regarding the facticity of all communication, grounding philosophical discourse in the determinate locality of its origin, but does so while exalting a pre-natal communicative immediacy that would seem to disparage the everydayness of Dasein. Finally, that Sloterdijk's oft-justified scepticism regarding globalization often retreats into an anti-cosmopolitanism that, in its nostalgia for the comfort, security and immediacy of the matrixial co-belonging (and the various attempts by humans to replicate this enclosure), evinces a covert but potentially noxious politics of exclusion

YouTube birth and the primal scene

Motherhood has recently re-emerged as ‘material’ for artistic practice, and as a viable subject of academic research that both recognizes and extends earlier feminist assertions that the maternal is a key site for the anxious psychosocial negotiations of identity, subjectivity, equality, ethics and politics. Additionally, pregnancy and birth have graphically entered the public domain. Hundreds of thousands of short films of live birth, for instance, circulate around the globe on video sharing platforms such as YouTube, some with followings of many million viewers. Yet, how might we understand the desire to perform and spectate birth? ‘YouTube birth’ raises questions about performing and spectating birth in digital culture, and the meaning of watching our own birth with a mass public of millions of viewers. In this paper I explore these questions through revisiting the psychoanalytic notion of the ‘primal scene’. The primal scene is the Freudian articulation of the crucial role of infantile sexual and violent fantasies in structuring psychic life, linked to the loss of, or denial of, the material/maternal body as source or origin. Although within feminist scholarship the primal scene as a theoretical concept is radically out of date, it may be productive to revisit primal fantasies in the digital age, and the ways digital technologies shift our relation to ‘analogue’ notions of place, scene, birth, origin and loss. Exploring the continued place of psychoanalysis in helping to understand issues to do with origin, reproduction and temporality, I ask both what psychoanalysis might have to offer our understanding of performing and watching birth, and how a psychoanalytic configuration of the primal scene may itself need to change in relation to digital primal fantasies and technologies that function through fungibility and loss-less-ness

On the Dialectics of Charisma in Marina Abramović’s The Artist is Present

While ‘charisma’ can be found in dramatic and theatrical parlance, the term enjoys only minimal critical attention in theatre and performance studies, with scholarly work on presence and actor training methods taking the lead in defining charisma’s supposed ‘undefinable’ quality. Within this context, the article examines the appearance of the term ‘charismatic space’ in relation to Marina Abramovic’s retrospective The Artist is Present at New York’s Museum of Modern Art in 2010. Here Abramovic uses this term to describe the shared space in which performer and spectator connect bodily, psychically, and spiritually through a shared sense of presence and energy in the moment of performance. Yet this is a space arguably constituted through a number of dialectical tensions and contradictions which, in dialogue with existing theatre scholarship on charisma, can be further understood by drawing on insights into charismatic leaders and charismatic authority in leadership studies. By examining the performance and its documentary traces in terms of dialectics we consider the political and ethical implications for how we think about power relations between artist/spectator in a neoliberal, market-driven art context. Here an alternative approach to conceiving of and facilitating a charismatic space is proposed which instead foregrounds what Bracha L. Ettinger calls a ‘matrixial encounter-event’: A relation of coexistence and compassion rather than dominance of self over other; performer over spectator; leader over follower. By illustrating the dialectical tensions in The Artist is Present, we consider the potential of the charismatic space not as generated through the seductive power or charm of an individual whose authority is tied to his/her ‘presence’, but as something co-produced within an ethical and relational space of trans-subjectivity

An Overview of the association between schizotypy and dopamine

Schizotypy refers to a constellation of personality traits that are believed to mirror the subclinical expression of schizophrenia in the general population. Evidence from pharmacological studies indicates that dopamine is involved in the aetiology of schizophrenia. Based on the assumption of a continuum between schizophrenia and schizotypy, researchers have begun investigating the association between dopamine and schizotypy using a wide range of methods. In this article, we review published studies on this association from the following areas of work: (1) Experimental investigations of the interactive effects of dopaminergic challenges and schizotypy on cognition, motor control and behaviour, (2) dopaminergically supported cognitive functions, (3) studies of associations between schizotypy and polymorphisms in genes involved in dopaminergic neurotransmission, and (4) molecular imaging studies of the association between schizotypy and markers of the dopamine system. Together, data from these lines of evidence suggest that dopamine is important to the expression and experience of schizotypy and associated behavioural biases. An important observation is that the experimental designs, methods, and manipulations used in this research are highly heterogeneous. Future studies are required to replicate individual observations, to enlighten the link between dopamine and different schizotypy dimensions (positive, negative, cognitive disorganisation), and to guide the search for solid dopamine-sensitive behavioural markers. Such studies are important in order to clarify inconsistencies between studies. More work is also needed to identify differences between dopaminergic alterations in schizotypy compared to the dysfunctions observed in schizophrenia

Demeter-Persephone Complex, Entangled Aerials of the Psyche, and Sylvia Plath: File 1

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Demeter-Persephone Complex, Entangled Aerials of the Psyche, and Sylvia Plath: File 2

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Regard et espace-de-bord matrixiels : Essais psychanalytiques sur le féminin et le travail de l'art

"Cette sélection d’écrits de Bracha Lichtenberg Ettinger offre au public francophone l’occasion d’apprécier la portée et l’originalité d’une réflexion qui a d’ores et déjà considérablement infléchi le débat psychanalytique et esthétique international contemporain. Renouvelant à la fois la compréhension de la peinture dans ses perspectives actuelles et celle de la différence sexuelle à partir du regard, de l’écran psychique et d’une différence originaire — qu’elle nomme « matrixielle » —, définissant un espace de rencontre inconscient, fécond et fondateur, ce corpus théorique et artistique interroge les questions du féminin, de l’invisible, du témoignage et de la transmissibilité du trauma, tout en nous proposant une lecture profonde et inattendue de la dernière théorie de Jacques Lacan." -- Site de l'éditeur

Matrix, Carnets 1985-1989. Fragments

Lichtenberg-Ettinger Bracha. Matrix, Carnets 1985-1989. Fragments . In: Chimères. Revue des schizoanalyses, N°16, été 1992. Trop près, trop loin. pp. 1-24