619 research outputs found

    From modern construction to postmodern social constructivism: defining the live project in architectural education

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    This paper presents an historical survey of the live project in architectural education, proposing that the live project can be conceptualised within three distinct periods: a modern period, a transitional period, and a (contemporary) postmodern period. This paper proposes that an evolution from a modern conception of the live project to a postmodern conception provides insight to attitudinal shift in architectural education. In order to explore what pedagogical frameworks might we help to theorising these contemporary forms, the paper contextualises architecture live project practice against pedagogical mechanisms of client-centred learning in three other disciplines

    Making the studio smaller

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    The studio is a space apart in the university, an environment unique to creative and design disciplines. As we emerge into the pre-dawn light of the post-COVID era, we should use the insight gained from the pandemic to speculate about the future. This article invites the reader to speculate about the possibility of a smaller design studio in architectural education: one that is smaller in its spatial, temporal, pedagogical and cultural dimensions. What if, instead of demonstrating the plurality of architectural practice through the breadth and diversity of elective studio ‘units’, we reduce the scope of design courses to create space for others

    ‘Let loose the loganberries of war: making noise and occupying space in Govanhill,’ Field, 3:1(2010), pp. 125-131.

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    Seeking to explore and articulate the complex nature of interdisciplinary creative practice in a contested urban environment, Brown and Warren’s article was published in the international online peer-reviewed journal Field, which has an explicit commitment to the presentation of critical, theoretical, political and playful perspectives on architecture for a wide audience. The article presented an original exploration of the complex interrelationship of architecture, fine art practice and social history in a deprived inner-city neighbourhood. The article was the first academic paper to introduce this unique social and cultural context to a forum focused on alternative architectural practices. Brown and Warren met in 2008 while living in the Glasgow neighbourhood of Govanhill, a district characterised in recent years by its significantly high rates of drug overdoses, domestic abuse, alcohol abuse, serious crime and murder. In spite of these problems, many of which have been shown to be intimately connected to the predominance of old and poorly maintained tenement housing, Govanhill is one of the most culturally vibrant and politically active neighbourhoods in Glasgow. The research highlights the allied and interdependent opportunities for political engagement and creative arts practice in contested urban environments. The article uses the citizen occupation of the former public swimming baths in the Govanhill district of Glasgow (25 March to 7 August 2001), its violent conclusion and subsequent community based art projects to contextualise the critical role of community engagement in art and architecture practice. It sets the occupation of the Govanhill Baths against established historical narratives of political and spatial action in Govanhill, from the Glasgow Rent Strikes during World War I to the Poll Tax protests of the nineteen-eighties. Brown considers each of these events as interplays of spatial occupation and political protest. Brown served as the lead author of the article, researching the statistical data and literature informing the paper and conducting and coding an interview artist Marielle MacLeman

    Designing for difference: lessons from a cross-disciplinary implementation of Universal Design for Learning

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    Funded by the Teaching Innovation Project (2016/17) 'Towards Equitable Engagement: the Impact of UDL on Student Perceptions of Learning'Universal Design for Learning (UDL) is a pedagogical framework that seeks to provide students with flexible ways of learning, flexiblestudyresources,andflexiblewaysoftestinglearning. Just as Universal Design (UD) provides for difference of physical ability amongst users, UDL provides for difference of learning styles amongst students. Like UD, UDL assumes that learner difference, not commonality, is the norm. 1 De Montfort University (DMU) is a public teaching and research university located in the city of Leicester in the East Midlands of England. In 2016, DMU adopted UDL as part of a university- wide program to offset the consequences of changes to central government support for students with disabilities. Alongside a significant investment in lecture capture and replay technology, DMU’s adoption of the principles of UDL has challenged faculty members teaching at all levels and in all disciplines to re- appraise the accessibility and inclusivity of their teaching. This paper discusses research-in-progress from a cross-discipline survey of the implementation of the principles of UDL at DMU.* The project examines the perceptions and feelings of freshman students from a range of different backgrounds and in a range of subjects about the impact of UDL on their experience of higher education. When complete, the project will evaluate how the implementation of the principles and ideas of UDL are interpreted and applied by students, alongside their recom- mendations for the academic practice of staff

    Intercultural Interaction in architectural education

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    Fourteen case studies on architectural education - Intercultural Interactions is a theme that began within SCHOSA (The Standing Conference of Heads of Schools of Architecture) whilst Robert Mull was chair between 2008 and 2010. The theme and publication were then developed with the support of CEBE (The Centre for Education in the Built Environment) and the ASD Projects office at London Metropolitan University

    Argumentum ad misericordiam - the critical intimacies of victimhood

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    This article discusses the widespread use of victim tropes in contemporary Anglo-American culture by using cultural theory to analyse key social media memes circulating on Facebook in 2015. Since the growth of social media, victim stories have been proliferating, and each demands a response. Victim narratives are rhetorical, they are designed to elicit pity and shame the perpetrator. They are deployed to stimulate political debate and activism, as well as to appeal to an all-purpose humanitarianism. Victimology has its origins in Law and Criminology, but this paper opens up the field more broadly to think about the cultural politics of victimhood, to consider how the victim-figure can be appropriated by/for different purposes, particularly racial and gender politics, including in the case of Rachel Dolezal, and racial passing. In formulating an ethical response to the lived experience of victims, we need to think about the different kinds of critical intimacies elicited by such media

    The Maunakea Spectroscopic Explorer Book 2018

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    (Abridged) This is the Maunakea Spectroscopic Explorer 2018 book. It is intended as a concise reference guide to all aspects of the scientific and technical design of MSE, for the international astronomy and engineering communities, and related agencies. The current version is a status report of MSE's science goals and their practical implementation, following the System Conceptual Design Review, held in January 2018. MSE is a planned 10-m class, wide-field, optical and near-infrared facility, designed to enable transformative science, while filling a critical missing gap in the emerging international network of large-scale astronomical facilities. MSE is completely dedicated to multi-object spectroscopy of samples of between thousands and millions of astrophysical objects. It will lead the world in this arena, due to its unique design capabilities: it will boast a large (11.25 m) aperture and wide (1.52 sq. degree) field of view; it will have the capabilities to observe at a wide range of spectral resolutions, from R2500 to R40,000, with massive multiplexing (4332 spectra per exposure, with all spectral resolutions available at all times), and an on-target observing efficiency of more than 80%. MSE will unveil the composition and dynamics of the faint Universe and is designed to excel at precision studies of faint astrophysical phenomena. It will also provide critical follow-up for multi-wavelength imaging surveys, such as those of the Large Synoptic Survey Telescope, Gaia, Euclid, the Wide Field Infrared Survey Telescope, the Square Kilometre Array, and the Next Generation Very Large Array.Comment: 5 chapters, 160 pages, 107 figure
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