18 research outputs found
Gender Gap in Parental Leave Intentions: Evidence from 37 Countries
Despite global commitments and efforts, a gender-based division of paid and unpaid work persists. To identify how psychological factors, national policies, and the broader sociocultural context contribute to this inequality, we assessed parental-leave intentions in young adults (18–30 years old) planning to have children (N = 13,942; 8,880 identified as women; 5,062 identified as men) across 37 countries that varied in parental-leave policies and societal gender equality. In all countries, women intended to take longer leave than men. National parental-leave policies and women’s political representation partially explained cross-national variations in the gender gap. Gender gaps in leave intentions were paradoxically larger in countries with more gender-egalitarian parental-leave policies (i.e., longer leave available to both fathers and mothers). Interestingly, this cross-national variation in the gender gap was driven by cross-national variations in women’s (rather than men’s) leave intentions. Financially generous leave and gender-egalitarian policies (linked to men’s higher uptake in prior research) were not associated with leave intentions in men. Rather, men’s leave intentions were related to their individual gender attitudes. Leave intentions were inversely related to career ambitions. The potential for existing policies to foster gender equality in paid and unpaid work is discussed.Gender Gap in Parental Leave Intentions: Evidence from 37 CountriespublishedVersio
Gender Gap in Parental Leave Intentions: Evidence from 37 Countries
Despite global commitments and efforts, a gender-based division of paid and unpaid work persists. To identify how psychological factors, national policies, and the broader sociocultural context contribute to this inequality, we assessed parental-leave intentions in young adults (18–30 years old) planning to have children (N = 13,942; 8,880 identified as women; 5,062 identified as men) across 37 countries that varied in parental-leave policies and societal gender equality. In all countries, women intended to take longer leave than men. National parental-leave
policies and women’s political representation partially explained cross-national
variations in the gender gap. Gender gaps in leave intentions were paradoxically
larger in countries with more gender-egalitarian parental-leave policies (i.e., longer leave available to both fathers and mothers). Interestingly, this cross-national
variation in the gender gap was driven by cross-national variations in women’s (rather than men’s) leave intentions. Financially generous leave and gender-egalitarian policies (linked to men’s higher uptake in prior research) were not associated with leave intentions in men. Rather, men’s leave intentions were related to their individual gender attitudes. Leave intentions were inversely related to career ambitions. The potential for existing policies to foster gender equality in paid and unpaid work is discussed
Engendering Pietas Austriaca. The Villa Poggio Imperiale in Florence under Maria Maddalena of Austria
Hoppe, IlariaThe magnificent decoration of the Villa Poggio Imperiale in Florence long made it one of the city’s most important attractions. When it ceased to serve as an aristocratic residence in the nineteenth century, the villa and its history gradually began to sink into oblivion. This is equally true of Archduchess Maria Maddalen of Austria, Grand Duchess of Tuscany, the originator of the commission toredesign the villa at the beginning of the seventeenth century. Researchers have long neglected this historical figure because her pious religiosity did not appear to fit in with the image of the Medici as seemingly enlightened Renaissance rulers. Gaetano Pieraccini, one of the most influential biographers of the family, described her as a religious zealot, egoistical, and lacking in intellect and culture, and this led her to be ignored both as a patron and politician. The shift in the historical assessment of the Catholic Reform and research into women’s participation in it, have led to an entirely new perspective upon the biography of Maria Maddalena. It was precisely her religiousness that proved to be the key to understanding the function and decoration of Poggio Imperiale as an impressive setting for court activity, where, in keeping with a modern understanding, secular and sacred as well as private and public spheres constantly informed one another
Street Art und "Die Kunst im öffentlichen Raum"
Der Beitrag geht dem widersprüchlichen Verhältnis von Street Art und der "Kunst im öffentlichen Raum" nach. Lässt sich das junge Phänomen der Street Art leicht unter den bereits etablierten Oberbegriff subsumieren, werden bei näherer Betrachtung der jeweiligen Entwicklung zahlreiche Unterschiede deutlich. Jede Position hat ein eigenständiges und folgewidriges Verhältnis zum Kunstsystem entwickelt. Als Resultat dieses Vergleiches wird aber nicht nur auf die Unterscheidung zwischen Design und Hochkunst abgehoben, sondern auf das Potential ihrer Gemeinsamkeiten aufmerksam gemacht
Urban Art as Countervisuality?
Hoppe, IlariaAs cultural techniques within the urban environment, Graffiti and Street Art are investigated by many disciplines. Mostly art historical studies have explored the contradictory between Street Art and the art market. My research is inspired by the approaches of Visual Culture Studies and their critique of the central perspective, furthermore by Mirzoeffs concept of "neovisuality" describing actual fields of power constituting themselves in a permanent crisis that demands and legitimizes control and surveillance. The analysis applies these issues as methods for finding new ways of seeing and discussing Graffiti and Street Art in form and content, also questioning their potential as a countervisuality
Urban Art: Creating the Urban with Art
Hoppe, Ilaria and Blanché, Ulrich (Hrsg.)Urban Art. Creating the Urban with Art was a conference at the Humboldt-Universität zu Berlin in 2016. The aim of the conference and this publication is to discuss “urban art” in its broadest sense: as an umbrella term that encompasses a great variety of creative expressions in the urban environment on a global scale. The broad implications of the term “urban art” allow summarizing very different outcomes, styles, media, and techniques ranging from illegal graffiti writing to performative, participatory and architectonical interventions from stickers to legal murals and so forth. In this way urban art as a concept exceeds the common notion of commercial indoor street art and graffiti and enlarges the perception of the visual and unsanctioned forming of the public sphere. The 16 papers and 2 introductions from researchers of 10 different countries and disciplines are divided in five sections – 1) Public or Urban Art? On Terminology, 2) Digital Media & the Urban (Art), 3) Affect & Performance, 4) Territories and 5) Urban Imaginary & The City