46 research outputs found

    Exon sequence requirements for excision in vivo of the bacterial group II intron RmInt1

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    <p>Abstract</p> <p>Background</p> <p>Group II intron splicing proceeds through two sequential transesterification reactions in which the 5' and 3'-exons are joined together and the lariat intron is released. The intron-encoded protein (IEP) assists the splicing of the intron <it>in vivo </it>and remains bound to the excised intron lariat RNA in a ribonucleoprotein particle (RNP) that promotes intron mobility. Exon recognition occurs through base-pairing interactions between two guide sequences on the ribozyme domain dI known as EBS1 and EBS2 and two stretches of sequence known as IBS1 and IBS2 on the 5' exon, whereas the 3' exon is recognized through interaction with the sequence immediately upstream from EBS1 [(δ-δ' interaction (subgroup IIA)] or with a nucleotide [(EBS3-IBS3 interaction (subgroup IIB and IIC))] located in the coordination-loop of dI. The δ nucleotide is involved in base pairing with another intron residue (δ') in subgroup IIB introns and this interaction facilitates base pairing between the 5' exon and the intron.</p> <p>Results</p> <p>In this study, we investigated nucleotide requirements in the distal 5'- and 3' exon regions, EBS-IBS interactions and δ-δ' pairing for excision of the group IIB intron RmInt1 <it>in vivo</it>. We found that the EBS1-IBS1 interaction was required and sufficient for RmInt1 excision. In addition, we provide evidence for the occurrence of canonical δ-δ' pairing and its importance for the intron excision <it>in vivo.</it></p> <p>Conclusions</p> <p>The excision <it>in vivo </it>of the RmInt1 intron is a favored process, with very few constraints for sequence recognition in both the 5' and 3'-exons. Our results contribute to understand how group II introns spread in nature, and might facilitate the use of RmInt1 in gene targeting.</p

    CMS physics technical design report : Addendum on high density QCD with heavy ions

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    Mediated Mediums : Focus on Contemporary Video Art

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    Prior to describing the works in "Mediated Mediums" - a video salon consisting of tapes by General Idea, Diane Poitras and Vera Frenkel - Ditta provides a brief introduction to the history of video art in Canada. Her essay focuses on how the works deconstruct the commercial structure of television and mass media ideology

    Norman Cohn : Peter, In Long Term Care

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    Domestic Bliss : Focus on Contemporary Video Art : New Works from the Permanent Collection

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    Ditta's descriptions of video tapes by Steele, Kunuk and James focus on how the works address the theme of domesticity. Stylistic methods of dramatic narrative, historical re-creation and improvisation are discussed in relation to the form and structure of television. Brief biographical notes

    David Rokeby

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    Icelight : Video Work from Igloolik

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    Storyland : Narrative Vision and Social Space

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    Pamphlet includes brief curatorial texts by Crowston and Ditta, who situate works by ten Canadian artists within the context of the exhibition's central theme: the relationship between narrative and place

    Doug Back : Shadow Grappling

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    Ditta introduces Back as a 21st century Wizard of Oz, mixing science and art in a way that humanises technology. Langhill employs the concept of “indwelling” to explain the artist's creative application of scientific knowledge. In an interview with Ditta, Back describes his influences, intentions and attitudes towards art/science. Includes brief descriptions of works in the exhibition. Biographical notes. 7 bibl. ref

    Lisa Steele, Kim Tomczak : The Blood Records : Written and Annotated

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    A two-volume exhibition catalogue to accompany a collaborative video by Steele and Tomczak, based on the story of a young woman receiving treatment for tuberculosis at a sanatorium in rural Saskatchewan in 1944. One volume of the catalogue consists of an artists’ book incorporating images and texts from the videotape, and a “Chronology of Tuberculosis Treatment in Saskatchewan.” The second volume includes three essays: Ditta’s interpretation of “The Blood Records” (and previous collaborative videos by the artists) draws attention to a wide range of issues – state ideology, censorship, homophobia, Kantian aesthetics, gender and the body – as they relate to the artists’ activist practice; Hoolboom’s reflections provide a critical look at Western culture’s response to disease, dying and death (especially in relation to TB and AIDS); finally, Lamoureux’s descriptive analysis focuses on the poetic/political aspects of the piece in relation to issues of repression and illness. Numerous references are made to S. Sontag’s essay “Illness as Metaphor.” Texts from artists’ book in French and English. Brief biographical notes. 15 bibl. ref
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