The Pine Needle, May 1947

Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view. Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus. The Needle reflected an edginess and rebellion not found in previous student publications. While past student publications relied on euphemisms for alcohol and dating on campus, The Needle openly promoted the sexualization of co-eds and the use of drugs, tobacco, and alcohol by students who experienced war. In response to Alumni complaints that The Needle was ...filled with sex and drinking, the University Publications Committee instituted stricter controls. In this issue, the editorial staff announce that starting in Fall 1947, the publication would publish only four issues of the magazine each year—Fall, Christmas, Spring, and Graduation among other changes. Cover art for this issue is an unsigned ink illustration of chatting university students lined up outside a shop bearing a sign that reads Jifty Cleaners-Dyers. Signs in the shop window reads We Specialize in Grass Stains. 24 Hour Service

The Pine Needle, March 1947

Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view. Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus. The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While past student publications relied on euphemisms for alcohol and dating on campus, The Needle overtly sexualized co-eds and discussed the use of drugs, tobacco, and alcohol by students who experienced war. Cover art for this issue depicts a pen-and-ink illustration by Lloyd Shapleigh (1924-2008), of barefoot man lounging under a tree, reading an issue of New Yorker magazine with a corked jug beside his right elbow. Lloyd P. Shapleigh, Jr. was born in Bangor, Maine, graduating from high school in 1942 before joining the Army Air Corps during World War II where he qualified as MOE 867-Pathfinder technician and served as a ground crew chief with the 458 Bomb Group (H), 2nd Air Division, 8th Air Force. After the war, Shapleigh used the G.I. Bill to earn Bachelor\u27s Degrees at the University of Maine and Rhode Island School of Design. Shapleigh eventually joined the industrial design team at Whirlpool where, in 1966, he conducted research testing the feasibility of household trash compaction. The trash compactor became the first new, major household appliance released by the Whirlpool corporation since before the war

The Pine Needle, April 1947

Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view. Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returni to campus. The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While past student publications relied on euphemisms for alcohol and dating on campus, The Needle overtly sexualized co-eds and discussed the use of drugs, tobacco, and alcohol by students who experienced war. Cover art for this issue is an unsigned ink illustration of three students seated in a lecture hall taking an exam