La economía política del cine /

Este artículo parte de la base de que el cine es una forma de comunicación mediada, por lo que se le puede aplicar muchos de los análisis utilizados en estudiar otros medios. Primero, se presenta un breve análisis de la Economía Política de la Comunicación, sus principios teóricos y sus diferencias con la escuela de los 'media economics'; luego, se centra de manera más específica en la Economía Política del cine, destacando la pertinencia de esta perspectiva, así como los métodos utilizados y las principales cuestiones que emanan de este tipo de análisis, dejado de lado frecuentemente por los economistas políticos. Por ello se plantea ampliar el objeto de estudio haciendo que reúna a los distintos medios, incluida la industria del cine, además de integrar aportaciones de otros enfoques críticosThis paper is based on the assumption that film is a form of mediated communication, thus appropriate for many of the approaches used in studying other forms of media. The article begins with a brief discussion of the Political Economy of Communication, their tehoretical principle and their main differences with media economics, and then focusses more specifically on the Political Economy of film, pointing to the significance of the approach, as well as identifying questions raised and methods used in this type of analysis, less often explained by political economists. Thus it is called for a cross-media analysis, film industry included, and to foster with another critical approache

Studying the political economy of media and information

Studying the political economy of communications is no longer a marginal approach in media/communication studies in North America and some parts of Europe. Increasingly, the study of political economy is crucial to understanding the growth and global expansion of media and information industries. Thus, more researchers have turned to this perspective as a necessary and logical way to study these developments. This article will discuss the foundations and some of the major works in the study of the political economy of media and communications (PE/C). The focus is mostly on North American and Britain, with some European references. The discussion is intended to present an overview of the development of this approach, as well as providing a few examples of research representing the perspective. A brief discussion of the approach’s relationship to media economics and cultural studies also will be included

Articular a investigação com os investigadoresa tarefa da International Association for Media and Communication Research (IAMCR)

Num processo em contínuo crescimento, a investigação em comunicação abriu caminho para a sua emancipação no período pós Segunda Guerra Mundial. Foi reforçada a cooperação e a colaboração entre investigadores académicos e instituições, e a criação da IAMCR (International Association for Media and Communication Research), em 1946, pretendeu promover a formação dos jornalistas e o estudo dos problemas da imprensa por todo o mundo. Mais de cinquenta anos depois deste trabalho seminal, a IAMCR junta-se à luta constante e ao empenho internacional em envolver os investigadores académicos, na compreensão dos fenómenos sociais e comunicacionais dos média, luta essa que está ameaçada por recursos limitados e orçamentos universitários cada vez mais pequenos

Up All Night: The Shifting Roles of Home Media Formats as Transmedia Storytelling

In this age of convergence, where media platforms and industries are becoming increasingly connected and intertwined, ‘transmedia’ has become a buzzword that scholars and industry alike have come to perceive as the media production strategy of the future. When scholars theorise transmedia storytelling, they typically prioritise film, TV, videogames and websites. DVDs and Blu-Rays—physical formats that occupy a vital role in extending and repurposing media content across new terrains—are often overlooked. This chapter will question what specific roles they play in extending stories across media platforms. This chapter explores the specific case studies of Doctor Who and the Marvel Cinematic Universe

The Political Economy of Film

This paper is based on the assumption that film is a form of mediated communication, thus appropriate for many of the approaches used in studying other forms of media. The article begins with a brief discussion of the Political Economy of Communication, their tehoretical principle and their main differences with media economics, and then focusses more specifically on the Political Economy of film, pointing to the significance of the approach, as well as identifying questions raised and methods used in this type of analysis, less often explained by political economists. Thus it is called for a cross media analysis, film industry included, and to foster with another critical approaches

La economía política del cine /

Este artículo parte de la base de que el cine es una forma de comunicación mediada, por lo que se le puede aplicar muchos de los análisis utilizados en estudiar otros medios. Primero, se presenta un breve análisis de la Economía Política de la Comunicación, sus principios teóricos y sus diferencias con la escuela de los 'media economics'; luego, se centra de manera más específica en la Economía Política del cine, destacando la pertinencia de esta perspectiva, así como los métodos utilizados y las principales cuestiones que emanan de este tipo de análisis, dejado de lado frecuentemente por los economistas políticos. Por ello se plantea ampliar el objeto de estudio haciendo que reúna a los distintos medios, incluida la industria del cine, además de integrar aportaciones de otros enfoques críticosThis paper is based on the assumption that film is a form of mediated communication, thus appropriate for many of the approaches used in studying other forms of media. The article begins with a brief discussion of the Political Economy of Communication, their tehoretical principle and their main differences with media economics, and then focusses more specifically on the Political Economy of film, pointing to the significance of the approach, as well as identifying questions raised and methods used in this type of analysis, less often explained by political economists. Thus it is called for a cross-media analysis, film industry included, and to foster with another critical approache

[[alternative]]譯自 : Hollywood in the information age : beyond the silver screen

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