Il principio femminile in Pedro Almodóvar. Un percorso di educazione al sentire

Over time in his movies, Pedro Almodóvar not only has explored female sensibility, but has showed that it can be defined, in the latest modernity, as an “avant-garde” in the ability to live feelings and move in the direction of a full expression of the potential of the human being. On the article, at first it’s exposed how the director from La Mancha has showed that the path to the liberation of desire goes through the subversion of roles and structured habits in the dominant culture. Then the audience is invited to follow its female characters in a new continent of feelings.Pedro Almodóvar en sus películas, a lo largo del tiempo, no sólo ha explorado la sensibilidad femenina, sino que ha demostrado que esta última puede definirse, en el Occidente de la última modernidad, como una “vanguardia” en la capacidad de vivir los sentimientos y de moverse hacia una plena expresión de las potencialidades del ser humano. El director manchego primero mostró que el camino para la liberación del deseo pasa por la subversión de los papeles y hábitos estructurados en la cultura dominante. Luego invitó al público a seguir a sus personajes femeninos en un nuevo continente de los sentimientos.Con i suoi film Pedro Almodovar, nel corso del tempo, non solo ha esplorato la sensibilità femminile, ma ha mostrato che quest'ultima può definirsi, nell'Occidente dell'ultima modernità, come una "avanguardia" nella capacità di vivere i sentimenti e di muoversi in direzione di una piena espressione delle potenzialità dell'essere umano. Il regista mancego dapprima ha mostrato che la strada per la liberazione del desiderio passa per la sovversione dei ruoli e delle abitudini strutturate nella cultura dominante. Ha poi invitato il pubblico a seguire i suoi personaggi femminili in un nuovo continente del sentire.   Contributo di Arturo Lando: Insegnare il cinema ad educare al sentire, Conquista del desiderio e autorealizzazione del femminile, I "soggetti eccentrici" e l'orizzonte di un nuovo sentire, Conclusione. Contributo di Igor Scognamiglio: Evoluzione del principio femminile in tre film di Almodóvar, Conclusione

The feminine principle in Pedro Almodóvar. A path of education to feel

Pedro Almodóvar en sus películas, a lo largo del tiempo, no sólo ha explorado la sensibilidad femenina, sino que ha demostrado que esta última puede definirse en el Occidente de la última modernidad, como una “vanguardia” en la capacidad de vivir los sentimientos y de moverse hacia una plena expresión de las potencialidades del ser humano. En el artículo se expone primero cómo el director manchego mostró que el camino para la liberación del deseo pasa por la subversión de los papeles y hábitos estructurados en la cultura dominante. Luego se invita al público a seguir a sus personajes femeninos en un nuevo continente de los sentimientos.Over time, Pedro Almodóvar in his movies not only has explored female sensibility, but has showed that it can be defined, in the latest modernity, as an “avant-garde” in the ability to live feelings and move in the direction of a full expression of the potential of the human being. At first the manchigan director has showed that the path to the liberation of desire passes through the subversion of roles and habits structured in the dominant culture. Then he has invited the audience to follow its female characters in a new continent of feelings

El principio femenino en Pedro Almodóvar. Un camino de educación para sentir

Over time in his movies, Pedro Almodóvar not only has explored female sensibility, but has showed that it can be defined, in the latest modernity, as an “avant-garde” in the ability to live feelings and move in the direction of a full expression of the potential of the human being. On the article, at first it’s exposed how the director from La Mancha has showed that the path to the liberation of desire goes through the subversion of roles and structured habits in the dominant culture. Then the audience is invited to follow its female characters in a new continent of feelings.Pedro Almodóvar en sus películas, a lo largo del tiempo, no sólo ha explorado la sensibilidad femenina, sino que ha demostrado que esta última puede definirse, en el Occidente de la última modernidad, como una “vanguardia” en la capacidad de vivir los sentimientos y de moverse hacia una plena expresión de las potencialidades del ser humano. En el  artículo  se expone primero cómo el director manchego mostró que el camino para la liberación del deseo pasa por la subversión de los papeles y hábitos estructurados en la cultura dominante. Luego se invita al público a seguir a sus personajes femeninos en un nuevo continente de los sentimientos

La rispazializzazione digitale nelle aree interne del Sud Italia = Digital respazialization in the inland areas of Southern Italy

In the light of the resemantization of spatiality operated by Castells with the ideas of "space of places" and "space of flows", the contribution intends to investigate the question of the depopulation of the internal areas of some regions of Southern Italy and the necessary digital respatialization of these places in our country. In inland areas, which are not very industrialized and affected by physical and telematic infrastructural processes, digital policies have become crucial for guaranteeing equal access to the opportunities and network resources necessary for the economic and social development of the territory. The contribution describes some case studies able to argue how these policies are having a positive impact on the development of some internal areas of Southern Italy and how the diffusion of digital technologies is improving the quality of life of the residents as well as contributing to the reduction of the depopulation phenomen

Manipulating the Charge State of Spin Defects in Hexagonal Boron Nitride

Negatively charged boron vacancies ($\small{V_B^-}$) in hexagonal boron nitride (hBN) have recently gained interest as spin defects for quantum information processing and quantum sensing by a layered material. However, the boron vacancy can exist in a number of charge states in the hBN lattice, but only the -1 state has spin-dependent photoluminescence and acts as a spin-photon interface. Here, we investigate charge state switching of $\small{V_B}$ defects under laser and electron beam excitation. We demonstrate deterministic, reversible switching between the -1 and 0 states ($\small{V_B^- \rightleftharpoons V_B^0 + e^-}$), occurring at rates controlled by excess electrons or holes injected into hBN by a layered heterostructure device. Our work provides a means to monitor and manipulate the $\small{V_B}$ charge state, and to stabilize the -1 state which is a prerequisite for optical spin manipulation and readout of the defect

A Byzantine Shipwreck from Cape Stoba (Mljet, Croatia). An interim report

The Cape Stoba shipwreck is located on the seabed off the island of Mljet in Croatia at a depth of 21-28 m. Following initial investigation in 1975, four seasons of excavation have been carried between 2010 and 2014 by the Department for Underwater Archaeology of the Croatian Conservation Institute, joined by the Department of Studi Umanistici of the Universita Ca' Foscari of Venice from 2012. The wreck-site is evidenced by a cargo of nine amphora types dated to the 10th-11th century AD, produced in the Eastern Mediterranean and Black Sea area, and glassware of Levantine production. The only direct evidence of the ship itself to date, is one iron anchor.Apstraktna Brodolom kod rta Stoba nalazi se u podmorju otoka Mljeta u Hrvatskoj na dubini od 21-28 metara. Nakon pronalaska brodoloma i prvih istraivanja u 1975. godini, provedene su etiri kampanje istraivanja u razdoblju od 2010. do 2014. godine od strane Odjela za podvodnu arheologiju Hrvatskog restauratorskog zavoda. Od 2012. godine u istraivanjima se pridruuju djelatniciDipartimento di Studi Umanistici, Sveuilita 'Ca' Foscari u Veneciji. Brodolom sadri ostatke trgovakog tereta s najmanje devet tipova amfora datiranih u 10./11. stoljee, proizvedenih na podruju istonog Mediterana i Crnoga mora te stakleno posude levantske proizvodnje. Pronadeno eljezno sidro do sada je jedini nalaz izravno vezan uz brod.Astratto Il relitto di Cape Stoba e localizzato sui fondali dell'isola di Mljet in Croazia ad una profondita di 21-28 m. In seguito ad una prima indagine, eseguita nel 1975, tra il 2010 e il 2014 il Dipartimento di Archeologia Subacquea del Croatian Conservation Institute, dal 2012, in collaborazione con il Dipartimento di Studi Umanistici dell'Universita Ca' Foscari di Venezia, ha condotto quattro campagne di scavo. Il relitto presenta un carico di nove tipi di anfore datate al 10-11 degrees secolo d.C., prodotte nel Mediterraneo Orientale e nell'area del Mar Nero, e vasi in vetro di produzione levantina. L'unica evidenza diretta della nave al momento e un'ancora in ferro

Le royaume de Naples à l’heure française

Le decennio francese (1806-1815), période d’occupation militaire française de l’Italie méridionale, constitue une expérience politique originale. Le royaume de Naples, alors dirigé par Joseph Bonaparte puis Joachim Murat, a été un creuset où se sont inscrits projets de modernisation et affrontements entre volonté d’émancipation et contraintes de la domination militaire. En faisant dialoguer à parts égales les sources et les historiographies française et italienne, cet ouvrage propose une histoire totale de cette période, attentive à la fois aux contacts militaires, aux réformes étatiques, aux transferts culturels et aux constructions idéologiques et mémorielles. C’est une histoire transnationale et européenne de l’Italie du sud que proposent les auteurs de ce volume, rappelant que l’histoire de l’empire napoléonien ne se réduit pas à une succession de batailles. Elle a vu la création d’entités politiques qui ont été des laboratoires politiques et le théâtre d’intenses circulations d’hommes et d’idées.The decennio francese (1806-1815), during which South Italy was military occupied by French Army and Administration, has to be considered as a political laboratory. The Reign of Naples, directed by Joseph Bonaparte then by Joachim Murat, has been a melting pot where several experiences of modernization were tested, in a contest marked by conflicts between national emancipation and military domination