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    Exile Vol. XXI No. 1

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    FICTION Lonely Wire Hangers by Larry Weber 7-11 untitled by Peggy Gifford 15-16 Anything by Joe Bolster 20-21 Easter Story by Ellen Claffy 25-27 Melanie by Dawn Patnode 31-34 PHOTOGRAPHY by Nanny Trippe 4, 22, 24, 28 by Geoffery Yeomans 6, 11, 17, 28, 30, 35, 36, 40 POETRY untitled by Martin Cloran 5 Mirror, Mirror by Tigger Montague 12 Twenty-Two Year Decay by Tigger Montague 13 Rice Puddin\u27 by Mary Mueller 14 untitled by Sharon Singleton 18 untitled by Sharon Singleton 19 untitled by Kim McMullen 23 Audience by Dawn Patnode 29 Extinction by Vic Coccimiglio 37 The Only Way I Know Her by Vic Coccimiglio 38 Touch by Vic Coccimiglio 38 Family by Vic Coccimiglio 3

    Exile Vol. XXII No. 1

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    PROSE Dust by Katie Tight 4-13 The Masculine Cure by Elizabeth Thomas 14-19 The Rats Still Sleep At Night by Wolfgang Borchert (translated from the German by Eric Fridman) 20-22 Largo for a Pelican by Morgan Wills 23-25 Role by Anne Tomfohrde 26-29 Goody Two-Shoes Meets the Cincinnati Kid by Kim McMullen 30-38 In the Final Analysis (Psychological or Otherwise): A Review of Carl Jung\u27s Theory of Art by Issa Christian Halabi 39-42 POETRY Here by Fayad Jamis (translated from the Spanish by Joseph R. deArmas) 44 No. 236 by Dawn Patnode 45 No. 237 by Dawn Patnode 46 In my Room by Ulf Miehe 47 Saturday Night Lament by Woodrow Jones 48-49 Basho\u27s Hut by Lenore Mayhew 50 From a Train: Ireland by Kim McMullen 51 Suggested by One Hundred Years Of Solitude by Martin Cloran 52 (to L. Martynov) by Yevgeny Yevtushenko 53 At Sea by Paul Bennett 54 Words In A Line by Lawrence Weber 55 a leave-taking by Debra Allbery 56 untitled by Alison Orleans 57 As The Water Whittles in Colour by Lawrence Weber 58-59 Falconsong or Falcon Song by The Man from Kurenben (translated from the German by John Kessler) 60 POUND Introduction 62 Response from Hugh Kenner 63 Response from Mary de Rachewiltz 64 The Cantos: The Vision of Ezra Pound by William McNaughton 65-78 CONTRIBUORS 79-80 Cover sketch by Lisa Rope Pound Photograph Courtesy of Bill McNaughto
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