Fauna i flora w twórczości poetyckiej Rafała Wojaczka

Rafał Wojaczek był specyficznym poetą żyjącym w realiach które nie były przychylne ówczesnym, nowym propozycjom literackim młodego pokolenia. Nie należał w prawdzie do żadnej z grup poetyckich które starały się przeciwstawić komunistycznemu reżimowi. Jednakże jego twórczość - będąca zapowiedzią nowej fali w literaturze polskiej - stanowi bogate źródło dojmującej poezji, pobudzającej do ważnych refleksji. Dlatego też w niniejszej pracy podjąłem próbę analizy i interpretacji zagadnienia związanego z fauną i florą w jego spuściźnie literackiej. Wychodząc od stwierdzenia Tadeusza Peipera, że każdy poeta posiada pewną rodzinę pojęć, wyrazów, które łączą się z innymi, co pozwala poznać naturę i świat w jakim żyje poeta, zwróciłem uwagę na leksykę przyrodniczo-zwierzęcą występującą na kartach liryki Rafała Wojaczka

Reklama w świetle legendy. „Dźwignia” Rafała Wojaczka

The article entitled “Rafał Wojaczek: Advertisement in the Light of a Legend” is the first part of a draft which tries to describe a breakthrough moment, in which the biography of Rafał Wojaczek coincides with the beginning of his literary output. The author makes a central point of the formula: “advertisement is the engine of trade” (appearing in the notebook collecting his early poetical notes from the period of studies at Polish philology), which is placed in contrast to the statement by Julian Przyboś: “the art of a poem is the engine of poetry”. The author, examining the earlier editions of Wojaczek’s poems explains (using the sociological and philosophical apparatus) the mechanisms conditioning the phenomenon of the reception of his poetry. At the same time, he launches the notion of pre-reception, which—being a labile notion, situated in the borderland between reception and advertise-ment—indicates a dual position of an object, to which the pre-reception refers (presence and absence at the same time). This, in turn, announces the poetic strategy of Wojaczek, embracing the form and the subject matter of a poem (expressiveness against a precise structure of a poem), and foretells a subsequent part focusing on the question of the actual reception, taking into consideration the somatic character of his output as well as its autothematic involvement

“Truly, I tell you, the poet is…” Wojaczek by Lech Majewski from 1999

The theme of the text is the connection between the inspiration of the artists, for example poets, and their emotional states. The purpose of the text is to indicate the role of emotions in creative work. The subject of the analysis is the film Wojaczek made by Lech Majewski from 1999, about the young Polish poet – Rafał Wojaczek (1945-1971).The theme of the text is the connection between the inspiration of the artists,for example poets, and their emotional states. The purpose of the text is to indicate the role of emotions in creative work. The subject of the analysis is the film Wojaczek made by Lech Majewski from 1999, about the young Polish poet – Rafał Wojaczek (1945-1971)

Wyrok Rafała Wojaczka jako kres możliwości podmiotu

The present article attempts to interpret the poem Wyrok [The Verdict] written by Rafał Wojaczek. The author tries to reveal the rules of the game in the play with psychoanalysis that are set in motion in the poem by the introduction of the Freudian signature to the text. Citing the Oedipus complex as one of the “representative” mechanisms for the development of the phenomenon of unawareness, he proceeds to prove that the theory of psychoanalysis as the interpretative context can function on the principle of the paradox, i.e. the stronger the denial of it within the subject, the more important it becomes for the understanding of the work. In this way, Wojaczek, by making the poem heretically sealed, opens it up to interpretation and, eventually, implies that its sense goes beyond any explanation (negation of psychoanalysis as an interpretative method). This last statement makes the basis for a formulation of further assumptions on the psychical structure of the subject (conscious unawareness and unconscious awareness), as well as the relations between the author, the subject and the lyrical protagonist where the author, after exceeding the limits of the poem, splits himself into two instances: textual representation (that of the father) and the lyrical “I” that is the irrevocable verdict condemning the poet to making them fit into language and grammar. An attempt, then, at salvation and a coupling of the body (blood) with the lingering word turns out, however, to be deadly, a carrying out of the verdict

Facing channel calibration issues affecting passive radar DPCA and STAP for GMTI

This paper addresses the problem of clutter cancellation for ground moving target indication (GMTI) in multi-channel passive radar on mobile platforms. Specifically, the advantages of a space-time adaptive processing (STAP) approach are presented, compared to a displaced phase centre antenna (DPCA) approach, in the case of an angle-dependent imbalance affecting the receiving channels. The schemes are tested against simulated clutter data. Finally, a space-time GLRT detection scheme is proposed, where steering vector is not specified in the spatial domain, resulting in a non-coherent integration of target echoes across the receiving channels. Such solution offers comparable clutter cancellation capability and is more robust against significant calibration errors compared to a conventional GLRT detector, which suffers from spatial steering vector mismatches

A two-stage approach for direct signal and clutter cancellation in passive radar on moving platforms

This paper addresses the problem of direct signal interference (DSI) and clutter cancellation for passive radar systems on moving platforms using displaced phase centre antenna (DPCA) approach in the presence of receive channels imbalance. First, we show that using the signal emitted by the illuminator of opportunity as a source for channels calibration might be ineffective when DSI and clutter echoes have different directions of arrival. Then, a calibration approach is presented, based on supervised selection of clutter areas in the range-Doppler map. Finally, a two-stage strategy is presented, composed of an ECA-based DSI removal prior to DPCA clutter cancellation, which doesn’t require supervised selection of the calibration area. The effectiveness of this scheme in the joint suppression of DSI and clutter is shown against real data

Carmina figurata, carmi antitetici e il Pelecus di Simia

Tra i cosiddetti carmina figurata, gli Πτέρυγες, l’ Ὠιόν e il Πέλεκυς di Simia sono ποιήματα  ντιθετικά, secondo la definizione di Efestione (pp. 61,19-62,6 e 68,7-13 Consbruch). Nell’ Ὠιόν e nel Πέλεκυς, inoltre, la sequenza dei versi all’interno delle strofi è sorprendentemente differente da quella in cui i versi stessi devono essere letti. Tale caratteristica è dovuta all’intelletualistico realismo raffigurativo del poeta ellenistico. Among the so-called carmina figurata, Simias’ Πτέρυγες, Ὠιόν and Πέλεκυς are ποιήματα  ντιθετικά, according to Hephaest. pp. 61,19-62,6 e 68,7-13 Consbruch, but the lines of Ὠιόν and Πέλεκυς are to be read in a different order from that in which they are arranged. This characteristic is due to the intellettualistic representational realism of the Hellenistic poet

Comparison of Coal Face Bottom Dead Centre Solutions for the Effectiveness of Mining Operation - Coal Face Bottom Dead Centre 37 901 in Darkov Pit

Import 26/06/2013Bakalářská práce řeší zajišťování spodní úvratě porubů. Popisuje klasickou metodu pomocí individuální hydraulické výztuže a variantu vysokého kotvení. Porovnává rozdíly těchto dvou metod v oblasti bezpečnosti a efektivity práce. Řešena práce ukazuje fakt, že využitím svorníkování se značně urychlí a usnadní fyzicky namáhavá práce pracovníků rubání. Nasazením této efektivní technologie dochází jednak ke zvýšení postupu porubu, zvětšení manipulačního prostoru, tím zvýšení bezpečnosti a v neposlední řadě i zkrácením času přípravy spodní úvratě na překládku.This Bachelor´s thesis deals with the principle of the longwall bottom dead centre provision. The thesis focuses on a traditional method using individual hydraulic chocks and the high anchoring. The thesis compares the difference between these two methods in connection with safety and efficiency. As the results of the thesis show physically hard work done by mining workers is considerably faster and easier when using the technology called bolting. Using this effective technology leads to increasing coalface process as well as enlarging handling space, thereby increasing safety and shortening the time necessary to make ready a longwall bottom dead centre for reloading.Prezenční542 - Institut hornického inženýrství a bezpečnostivelmi dobř