Onset detection by means of transient peak classification in harmonic bands

cote interne IRCAM: Roebel09aInternational audienceThe extended abstract describes an onset detection algorithm that is based on a classification of spectral peaks into transient and non-transient peaks and a statistical model of the classification results to prevent detection of random transient peaks due to noise. Compared to the version used for MIREX 2007 this algorithm focuses on the improvment of the detection of onsets of pitched notes

MAPS - A piano database for multipitch estimation and automatic transcription of music

MAPS -- standing for MIDI Aligned Piano Sounds -- is a database of MIDI-annotated piano recordings. MAPS has been designed in order to be released in the music information retrieval research community, especially for the development and the evaluation of algorithms for single-pitch or multipitch estimation and automatic transcription of music. It is composed by isolated notes, random-pitch chords, usual musical chords and pieces of music. The database provides a large amount of sounds obtained in various recording conditions.MAPS (MIDI Aligned Piano Sounds) est une base de données de sons de pianos enregistrés et annotés sous format MIDI. MAPS a été conçue pour la recherche d'information musicale et a vocation à être utilisée dans la communauté de chercheurs associée. Elle est tout particulièrement appropriée pour le développement et l'évaluation d'algorithmes d'estimation de fréquences fondamentales simples ou multiples et de transcription automatique de la musique. Elle comporte des enregistrements de notes isolées, d'accords aléatoires, d'accords usuels et de morceaux du répertoire de piano, proposés dans différentes conditions d'enregistrement

Towards a (better) Definition of Annotated MIR Corpora

International audienceToday, annotated MIR corpora are provided by various re- search labs or companies, each one using its own annota- tion methodology, concept definitions, and formats. This is not an issue as such. However, the lack of descriptions of the methodology used--how the corpus was actually an- notated, and by whom--and of the annotated concepts, i.e. what is actually described, is a problem with respect to the sustainability, usability, and sharing of the corpora. Ex- perience shows that it is essential to define precisely how annotations are supplied and described. We propose here a survey and consolidation report on the nature of the an- notated corpora used and shared in MIR, with proposals for the axis against which corpora can be described so to enable effective comparison and the inherent influence this has on tasks performed using them

A Coupled Duration-Focused Architecture for Real-Time Music-to-Score Alignment

International audienceThe capacity for realtime synchronization and coordination is a common ability among trained musicians performing a music score that presents an interesting challenge for machine intelligence. Compared to speech recognition, which has influenced many music information retrieval systems, music's temporal dynamics and complexity pose challenging problems to common approximations regarding time modeling of data streams. In this paper, we propose a design for a realtime music to score alignment system. Given a live recording of a musician playing a music score, the system is capable of following the musician in realtime within the score and decoding the tempo (or pace) of its performance. The proposed design features two coupled audio and tempo agents within a unique probabilistic inference framework that adaptively updates its parameters based on the realtime context. Online decoding is achieved through the collaboration of the coupled agents in a Hidden Hybrid Markov/semi-Markov framework where prediction feedback of one agent affects the behavior of the other. We perform evaluations for both realtime alignment and the proposed temporal model. An implementation of the presented system has been widely used in real concert situations worldwide and the readers are encouraged to access the actual system and experiment the results

Proceedings of the 7th Sound and Music Computing Conference

Proceedings of the SMC2010 - 7th Sound and Music Computing Conference, July 21st - July 24th 2010

Proceedings of the 8th Workshop on Detection and Classification of Acoustic Scenes and Events (DCASE 2023)

This volume gathers the papers presented at the Detection and Classification of Acoustic Scenes and Events 2023 Workshop (DCASE2023), Tampere, Finland, during 21–22 September 2023

Recent Advances in Signal Processing

The signal processing task is a very critical issue in the majority of new technological inventions and challenges in a variety of applications in both science and engineering fields. Classical signal processing techniques have largely worked with mathematical models that are linear, local, stationary, and Gaussian. They have always favored closed-form tractability over real-world accuracy. These constraints were imposed by the lack of powerful computing tools. During the last few decades, signal processing theories, developments, and applications have matured rapidly and now include tools from many areas of mathematics, computer science, physics, and engineering. This book is targeted primarily toward both students and researchers who want to be exposed to a wide variety of signal processing techniques and algorithms. It includes 27 chapters that can be categorized into five different areas depending on the application at hand. These five categories are ordered to address image processing, speech processing, communication systems, time-series analysis, and educational packages respectively. The book has the advantage of providing a collection of applications that are completely independent and self-contained; thus, the interested reader can choose any chapter and skip to another without losing continuity

Harmonic duality : from interval ratios and pitch distance to spectra and sensory dissonance

Dissonance curves are the starting point for an investigation into a psychoacoustically informed harmony. Its main hypothesis is that harmony consists of two independent but intertwined aspects operating simultaneously, namely proportionality and linear pitch distance. The former aspect is related to intervallic characters, the latter to ‘high’, ‘low’, ‘bright’ and ‘dark’, therefore to timbre. This research derives from the development of tools for algorithmic composition which extract pitch materials from sound signals, analyzing them according to their timbral and harmonic properties, putting them into motion through diverse rhythmic and textural procedures. The tools and the reflections derived from their use offer fertile ideas for the generation of instrumental scores, electroacoustic soundscapes and interactive live-electronic systems.LEI Universiteit LeidenResearch in and through artistic practic

Ayuda técnica para la autonomía en el desplazamiento

The project developed in this thesis involves the design, implementation and evaluation of a new technical assistance aiming to ease the mobility of people with visual impairments. By using processing and sounds synthesis, the users can hear the sonification protocol (through bone conduction) informing them, after training, about the position and distance of the various obstacles that may be on their way, avoiding eventual accidents. In this project, surveys were conducted with experts in the field of rehabilitation, blindness and techniques of image processing and sound, which defined the user requirements that served as guideline for the design. The thesis consists of three self-contained blocks: (i) image processing, where 4 processing algorithms are proposed for stereo vision, (ii) sonification, which details the proposed sound transformation of visual information, and (iii) a final central chapter on integrating the above and sequentially evaluated in two versions or implementation modes (software and hardware). Both versions have been tested with both sighted and blind participants, obtaining qualitative and quantitative results, which define future improvements to the project. ---------------------------------------------------------------------------------------------------------------------------------------------El proyecto desarrollado en la presente tesis doctoral consiste en el diseño, implementación y evaluación de una nueva ayuda técnica orientada a facilitar la movilidad de personas con discapacidad visual. El sistema propuesto consiste en un procesador de estereovisión y un sintetizador de sonidos, mediante los cuales, las usuarias y los usuarios pueden escuchar un código de sonidos mediante transmisión ósea que les informa, previo entrenamiento, de la posición y distancia de los distintos obstáculos que pueda haber en su camino, evitando accidentes. En dicho proyecto, se han realizado encuestas a expertos en el campo de la rehabilitación, la ceguera y en las técnicas y tecnologías de procesado de imagen y sonido, mediante las cuales se definieron unos requisitos de usuario que sirvieron como guía de propuesta y diseño. La tesis está compuesta de tres grandes bloques autocontenidos: (i) procesado de imagen, donde se proponen 4 algoritmos de procesado de visión estéreo, (ii) sonificación, en el cual se detalla la propuesta de transformación a sonido de la información visual, y (iii) un último capítulo central sobre integración de todo lo anterior en dos versiones evaluadas secuencialmente, una software y otra hardware. Ambas versiones han sido evaluadas con usuarios tanto videntes como invidentes, obteniendo resultados cualitativos y cuantitativos que permiten definir mejoras futuras sobre el proyecto finalmente implementado