Adaptive Hidden Markov Noise Modelling for Speech Enhancement

A robust and reliable noise estimation algorithm is required in many speech enhancement systems. The aim of this thesis is to propose and evaluate a robust noise estimation algorithm for highly non-stationary noisy environments. In this work, we model the non-stationary noise using a set of discrete states with each state representing a distinct noise power spectrum. In this approach, the state sequence over time is conveniently represented by a Hidden Markov Model (HMM). In this thesis, we first present an online HMM re-estimation framework that models time-varying noise using a Hidden Markov Model and tracks changes in noise characteristics by a sequential model update procedure that tracks the noise characteristics during the absence of speech. In addition the algorithm will when necessary create new model states to represent novel noise spectra and will merge existing states that have similar characteristics. We then extend our work in robust noise estimation during speech activity by incorporating a speech model into our existing noise model. The noise characteristics within each state are updated based on a speech presence probability which is derived from a modified Minima controlled recursive averaging method. We have demonstrated the effectiveness of our noise HMM in tracking both stationary and highly non-stationary noise, and shown that it gives improved performance over other conventional noise estimation methods when it is incorporated into a standard speech enhancement algorithm

Time and frequency domain algorithms for speech coding

The promise of digital hardware economies (due to recent advances in VLSI technology), has focussed much attention on more complex and sophisticated speech coding algorithms which offer improved quality at relatively low bit rates. This thesis describes the results (obtained from computer simulations) of research into various efficient (time and frequency domain) speech encoders operating at a transmission bit rate of 16 Kbps. In the time domain, Adaptive Differential Pulse Code Modulation (ADPCM) systems employing both forward and backward adaptive prediction were examined. A number of algorithms were proposed and evaluated, including several variants of the Stochastic Approximation Predictor (SAP). A Backward Block Adaptive (BBA) predictor was also developed and found to outperform the conventional stochastic methods, even though its complexity in terms of signal processing requirements is lower. A simplified Adaptive Predictive Coder (APC) employing a single tap pitch predictor considered next provided a slight improvement in performance over ADPCM, but with rather greater complexity. The ultimate test of any speech coding system is the perceptual performance of the received speech. Recent research has indicated that this may be enhanced by suitable control of the noise spectrum according to the theory of auditory masking. Various noise shaping ADPCM configurations were examined, and it was demonstrated that a proposed pre-/post-filtering arrangement which exploits advantageously the predictor-quantizer interaction, leads to the best subjective performance in both forward and backward prediction systems. Adaptive quantization is instrumental to the performance of ADPCM systems. Both the forward adaptive quantizer (AQF) and the backward oneword memory adaptation (AQJ) were examined. In addition, a novel method of decreasing quantization noise in ADPCM-AQJ coders, which involves the application of correction to the decoded speech samples, provided reduced output noise across the spectrum, with considerable high frequency noise suppression. More powerful (and inevitably more complex) frequency domain speech coders such as the Adaptive Transform Coder (ATC) and the Sub-band Coder (SBC) offer good quality speech at 16 Kbps. To reduce complexity and coding delay, whilst retaining the advantage of sub-band coding, a novel transform based split-band coder (TSBC) was developed and found to compare closely in performance with the SBC. To prevent the heavy side information requirement associated with a large number of bands in split-band coding schemes from impairing coding accuracy, without forgoing the efficiency provided by adaptive bit allocation, a method employing AQJs to code the sub-band signals together with vector quantization of the bit allocation patterns was also proposed. Finally, 'pipeline' methods of bit allocation and step size estimation (using the Fast Fourier Transform (FFT) on the input signal) were examined. Such methods, although less accurate, are nevertheless useful in limiting coding delay associated with SRC schemes employing Quadrature Mirror Filters (QMF)

Analytical methods and experimental approaches for electrophysiological studies of brain oscillations

Brain oscillations are increasingly the subject of electrophysiological studies probing their role in the functioning and dysfunction of the human brain. In recent years this research area has seen rapid and significant changes in the experimental approaches and analysis methods. This article reviews these developments and provides a structured overview of experimental approaches, spectral analysis techniques and methods to establish relationships between brain oscillations and behaviour

Automatic Transcription of Polyphonic Vocal Music

This paper presents a method for automatic music transcription applied to audio recordings of a cappella performances with multiple singers. We propose a system for multi-pitch detection and voice assignment that integrates an acoustic and a music language model. The acoustic model performs spectrogram decomposition, extending probabilistic latent component analysis (PLCA) using a six-dimensional dictionary with pre-extracted log-spectral templates. The music language model performs voice separation and assignment using hidden Markov models that apply musicological assumptions. By integrating the two models, the system is able to detect multiple concurrent pitches in polyphonic vocal music and assign each detected pitch to a specific voice type such as soprano, alto, tenor or bass (SATB). We compare our system against multiple baselines, achieving state-of-the-art results for both multi-pitch detection and voice assignment on a dataset of Bach chorales and another of barbershop quartets. We also present an additional evaluation of our system using varied pitch tolerance levels to investigate its performance at 20-cent pitch resolution