Application of Nanostructured Carbon-Based Electrochemical (Bio)Sensors for Screening of Emerging Pharmaceutical Pollutants in Waters and Aquatic Species: A Review

Pharmaceuticals, as a contaminant of emergent concern, are being released uncontrollably into the environment potentially causing hazardous effects to aquatic ecosystems and consequently to human health. In the absence of well-established monitoring programs, one can only imagine the full extent of this problem and so there is an urgent need for the development of extremely sensitive, portable, and low-cost devices to perform analysis. Carbon-based nanomaterials are the most used nanostructures in (bio)sensors construction attributed to their facile and well-characterized production methods, commercial availability, reduced cost, high chemical stability, and low toxicity. However, most importantly, their relatively good conductivity enabling appropriate electron transfer rates—as well as their high surface area yielding attachment and extraordinary loading capacity for biomolecules—have been relevant and desirable features, justifying the key role that they have been playing, and will continue to play, in electrochemical (bio)sensor development. The present review outlines the contribution of carbon nanomaterials (carbon nanotubes, graphene, fullerene, carbon nanofibers, carbon black, carbon nanopowder, biochar nanoparticles, and graphite oxide), used alone or combined with other (nano)materials, to the field of environmental (bio)sensing, and more specifically, to pharmaceutical pollutants analysis in waters and aquatic species. The main trends of this field of research are also addressed.This work was financially supported by: projects UID/QUI/50006/2019 and PTDC/ASP-PES/29547/2017 (POCI-01-0145-FEDER-029547) funded by FEDER funds through the POCI and by National Funds through FCT - Foundation for Science and Technology. This proposal was also subsidized by the Brazilian agencies CNPq (Proc. 420261/2018-4) and CAPES (Proc. 88881.140821/2017-01; Finance code 001). F.W.P. Ribeiro acknowledges funding provided by FUNCAP-BPI (Proc. BP3-0139-00301.01.00/18). Acknowledgments T.M.B.F. Oliveira thanks the UFCA’s Pro-Rectory of Research and Innovation for initiating his investigations. F.W.P. Ribeiro thanks the CNPq (proc. 406135/2018-5) and all support provided by the UFCA‘s Pro-Rectory of Research and Innovation. A.N. Correia thanks the CNPq (proc. 305136/2018-6).info:eu-repo/semantics/publishedVersio

(Bio)Sensing Strategies Based on Ionic Liquid-Functionalized Carbon Nanocomposites for Pharmaceuticals: Towards Greener Electrochemical Tools

The interaction of carbon-based nanomaterials and ionic liquids (ILs) has been thoroughly exploited for diverse electroanalytical solutions since the first report in 2003. This combination, either through covalent or non-covalent functionalization, takes advantage of the unique characteristics inherent to each material, resulting in synergistic effects that are conferred to the electrochemical (bio)sensing system. From one side, carbon nanomaterials offer miniaturization capacity with enhanced electron transfer rates at a reduced cost, whereas from the other side, ILs contribute as ecological dispersing media for the nanostructures, improving conductivity and biocompatibility. The present review focuses on the use of this interesting type of nanocomposites for the development of (bio)sensors specifically for pharmaceutical detection, with emphasis on the analytical (bio)sensing features. The literature search displayed the conjugation of more than 20 different ILs and several carbon nanomaterials (MWCNT, SWCNT, graphene, carbon nanofibers, fullerene, and carbon quantum dots, among others) that were applied for a large set (about 60) of pharmaceutical compounds. This great variability causes a straightforward comparison between sensors to be a challenging task. Undoubtedly, electrochemical sensors based on the conjugation of carbon nanomaterials with ILs can potentially be established as sustainable analytical tools and viable alternatives to more traditional methods, especially concerning in situ environmental analysisThis work was financed by FEDER—Fundo Europeu de Desenvolvimento Regional funds through the COMPETE 2020—Operacional Programme for Competitiveness and Internationalization (POCI), and by Portuguese funds through FCT—Fundação para a Ciência e a Tecnologia in the framework of the project POCI-01-0145-FEDER-029547—PTDC/ASP-PES/29547/2017. This work received support by UIDB/50006/2020, UIDP/50006/ 2020 and LA/P/0008/2020 by the Fundação para a Ciência e a Tecnologia (FCT), Ministério da Ciência, Tecnologia e Ensino Superior (MCTES) through national funds. T.M.B.F. Oliveira thanks the Brazilian agencies CNPq (Proc. 420261/2018-4 and 308108/2020-5) and FUNCAP (Proc. BP4-0172-00111.01.00/20) for their financial support, and he is grateful to UFCA and CAPES (Finance code 001) for supporting his investigations. F.W.P. Ribeiro thanks all support provided by the UFCA’s Pro-Rectory of Research and Innovation and the funding provided by FUNCAP-BPI (Proc. BP4-0172-00150.01.00/20) and CNPq (Proc. 406135/2018-5). P. de Lima-Neto thanks the financial support received from CNPq projects 408626/2018-6 and 304152/2018-8 and FUNCAP project FCT-00141-00011.01.00/18. A. N. Correia thanks the financial support received from CNPq projects: 305136/2018-6 and 405596/2018-9info:eu-repo/semantics/publishedVersio

[Moderno dicionário da língua portuguesa

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A memória e o valor da síncope: da diferença do que ensinam os antigos e os modernos Memory and value of syncopation: on the difference between what the old and the modern teach

A síncope é um tema privilegiado nos estudos da música popular que reaparece aqui em um conjunto de considerações que, marcado pelo viés dos saberes das velhas disciplinas de Contraponto e Harmonia, sublinham a interação e, principalmente, a inseparabilidade entre métrica (divisão, ritmo, acentuação, prosódia, etc.) e altura (notas, intervalos, relação dissonância-consonância, acordes, notas auxiliares, etc.) na apreciação crítica das figurações sincopadas. Na primeira parte percorre-se uma mínima memória da arte e da teoria da síncope na tradição ocidental culta para, na segunda parte, observar-se que, em medida tácita e sutil, resíduos dessa tradição afetam juízos de valor em alguns dos sincopados cenários da música popular atual.<br>Syncopation is a privileged issue in popular music studies that reappears here in a number of considerations that, marked by the bias of knowledge of the old disciplines of Counterpoint and Harmony, underline the interaction and, especially, the inseparability between metric (division, rhythm, accentuation, prosody, etc.) and pitches (notes, intervals, dissonance-consonance relationship, chords, auxiliary notes, etc.) in a critical analysis of the figures of syncopation. The first part covers up a minimum memory of the art and theory of syncopation in the Western erudite tradition, so that, in the second part, it can be noted that, in tacit and subtle manner, residues of this tradition can affect the value judgment in some of the syncopated worlds of popular music today