Konstruksi Identitas Budaya Banyumasan dalam Kaus Dablongan

Di wilayah Banyumas banyak beredar kaus oblong yang mengklaim sebagai kaus oblong Banyumasan. Penelitianini bertujuan untuk melihat bagaimana identitas budaya Banyumasan dikonstruksikan dalam salah satu merk kausoblong tersebut, yakni kaus Dablongan. Kaos Dablongan adalah kaos sablon yang diproduksi oleh orangBanyumas yang menampilkan tulisan-tulisan ungkapan tradisi lisan Banyumas. Ciri yang membedakan kaosDablongan dari kaos oblong lainnya adalah teks dalam desainnya yang menggunakan bahasa Banyumasan.Metode penelitian yang digunakan adalah metode penelitian kualitatif. Pengumpulan data dilakukan denganmengobservasi berbagai teks yang ada dalam kaos Dablongan, baik teks visual maupun teks verbalnya. Kemudian,peneliti menentukan empat kaus Dablongan sebagai unit analsis. Selanjutnya teks tersebut dianalisa denganmenggunakan pendekatan semiotik dari Rolland Barthes. Dari hasil penelitian ditemukan bahwa teks visual danverbal yang terdapat dalam desain kaos Dablongan sebagian besar mengkonstruksikan karakteristik khasmasyarakat Banyumas yang sekaligus merupakan identitas budayanya. Karakteristik tersebut antara lain nilai-nilaikejujuran yang dalam bahasa Banyumas disebut cablaka. Identitas budaya lainnya adalah masyarakat Banyumasyang religius, pantang menyerah, adaptif, kreatif, egaliter dan pekerja keras

REPRESENTASI PERUBAHAN SOSIAL DALAM DESAIN KAUS OBLONG BANYUMASAN

Kaus oblong Banyumasan sering menampilkan situasi dan isu aktual dalam setiap desainnya, seperti persoalan pendidikan, politik, budaya dan dinamika sosial kemasyarakatan yang terjadi di Banyumas. Oleh karena itu, tujuan penelitian ini adalah untuk melihat bagaimana representasi perubahan sosial yang dapat terbaca dalam desain kaus oblong Banyumasan. Metode penelitian yang digunakan adalah kualitatif dengan pendekatan semiotik dari Rolland Barthes. Data penelitian berupa desain kaus oblong Banyumasan merk Dablongan Clothing. Data tersebut dianalisis melalui dua tahap penafsiran, dimana penafsiran makna tataran pertama selanjutnya dijadikan pijakan dalam menafsirkan makna tataran kedua. Hasil penelitian menunjukan, bahwa sebagian besar desain kaus oblong Banyumasan merupakan representasi sekaligus kritik terhadap perubahan sosial di Banyumas. Perubahan sosial yang dimaksud antara lain tentang penataan kota yang tidak humanis; perubahan masyarakat agrarais menjadi kota industri; dan gaya hidup masyarakat Banyumas yang adaptif terhadap modernitas dalam hal konsumsi makanan-makanan bergaya barat.

Revitalisasi dan Konservasi Permainan Anak Tradisional Sebagai Strategi Pengembangan Pariwisata Berbasis Kearifan Lokal Di Kabupaten Banyumas

Kabupaten Banyumas sangat kaya akan potensi wisata, namun potensi tersebut baru dinikmati oleh segelintir orang. Oleh karena itu, tujuan umum penelitian ini adalah untuk meningkatkan kesadaran dan keterlibatan masyarakat dalam pengembangan pariwisata. Tujuan khususnya adalah melakukan inventori terhadap berbagai permainan anak tradisional di Kabupaten Banyumas untuk dijadikan pangkalan data dalam pengembangan kepariwisataan. Metode yang digunakan adalah kualitatif dengan pendekatan fenomenologis. Sasaran penelitiannya adalah seniman, budayawan dan para pamong budaya. Hasil penelitian menemukan bahwa di Kabupaten Banyumas terdapat banyak permainan anak tradisional, baik yang memiliki unsur tembang  dan kesenangan, olah fikir maupun olahraga dan ketangkasan. Ragam permainan anak tradisional tersebut sebagian besar berada di ambang kepunahan karena tergilas oleh terpaan globalisasi berupa menjamurnya mainan dan permainan anak modern. Selain itu, Pemkab Banyumas belum melakukan upaya serius untuk melestarikan permainan anak tradisional. Kesimpulannya, revitalisasi permainan anak tradisional menjadi aset wisata, bisa menjadi salah satu strategi untuk melestarikan permainan anak tradisional sekaligus mengembangkan wisata Banyumas. Revitalisasi dimulai dengan inventori dan dokumentasi ragam permainan anak tradisional, mensosialisasikannya dan  menjadikannya sebagai atraksi wisata

The Bureaucratization of Collaborative Governance in Realizing Tourism Villages during the COVID-19 Pandemic in Winduaji Village, Paguyangan Brebes

The development of nature-based tourism that can be used as a way of empowering rural communities during the COVID-19 pandemic is expected to be a solution to improve the economic conditions of the community. The problem is that the village does not have the same perspective in developing nature-based tourism villages. As a result of this, various problems arise in the development of natural tourism. This study aims to analyze the collaborative governance process in building tourist villages, their problems, and solutions. The research method is descriptive qualitative, with the process of collecting data through in-depth interviews, observations, and FGDs. The results showed that collaboration between stakeholders often leads to horizontal conflicts, awareness of the COVID-19 process is difficult to build in tourism development, and collaborative governance is more bureaucratic. This research can conclude that the development of nature-based tourism is a solution during the COVID-19 pandemic, but building public awareness of the importance of COVID-19 health protocols in tourism services is an obstacle. In addition, the bureaucratization of the collaboration process of governance hinders the development of natural tourism. Keywords: tourism village, collaborative governance, COVID-19 pandemi

Representasi Kekerasan Orangtua Terhadap Anak Dalam Film My First Client (2019)

This study analyses the representation of parental violence against children in the film "My First Client" which was released in 2019. The approach used in this research is qualitative descriptive with textual analysis which allows us to understand how the signs in the film communicate messages about violence in contexts. parent-child relationship. The textual analysis method is used to identify and analyse the signs used in the film to represent parental violence against children. These signs include visual elements such as lighting, location selection, facial expressions, as well as auditory elements such as music and dialogue. The results of the analysis show that this film represents parental violence against children in a way that is strong and evocative of emotion. Dark and contrasting lighting was used to create tension and emphasize the intensity of the violence that occurred. The choice of location also contributes to communicating the insecurity and instability experienced by children in contexts of violence. This research provides insight into the representation of parental violence against children in a cinematic context, using a textual approach. This research can also contribute to public awareness about the importance of overcoming and preventing violence in the family, especially against children. Abstract Penelitian ini menganalisis representasi kekerasan orangtua terhadap anak dalam film "My First Client" yang dirilis pada tahun 2019. Pendekatan yang digunakan dalam penelitian ini adalah deskriptif kualiatif dengan analisis tekstual, yang memungkinkan kita untuk memahami tanda-tanda dalam film tersebut mengkomunikasikan pesan-pesan tentang kekerasan dalam konteks hubungan orangtua-anak. Metode analisis tekstual digunakan untuk mengidentifikasi dan menganalisis tanda-tanda yang digunakan dalam film untuk merepresentasikan kekerasan orangtua terhadap anak. Tanda-tanda tersebut mencakup elemen visual seperti pencahayaan, pemilihan lokasi, ekspresi wajah, serta elemen auditif seperti musik dan dialog. Hasil analisis menunjukkan bahwa film ini merepresentasikan kekerasan orangtua terhadap anak dengan cara yang kuat dan menggugah emosi. Pencahayaan yang gelap dan kontras digunakan untuk menciptakan suasana tegang dan menekankan intensitas kekerasan yang terjadi. Pemilihan lokasi juga memberikan kontribusi dalam mengkomunikasikan ketidakamanan dan ketidakstabilan yang dialami oleh anak dalam konteks kekerasan. Penelitian ini memberikan wawasan tentang representasi kekerasan orangtua terhadap anak dalam konteks sinematik, dengan menggunakan pendekatan tekstual. Penelitian ini juga dapat memberikan kontribusi dalam kesadaran masyarakat tentang pentingnya mengatasi dan mencegah kekerasan dalam keluarga, khususnya terhadap anak-anak.This study analyses the representation of parental violence against children in the film "My First Client" which was released in 2019. The approach used in this research is qualitative descriptive with textual analysis which allows us to understand how the signs in the film communicate messages about violence in contexts. parent-child relationship. The textual analysis method is used to identify and analyse the signs used in the film to represent parental violence against children. These signs include visual elements such as lighting, location selection, facial expressions, as well as auditory elements such as music and dialogue. The results of the analysis show that this film represents parental violence against children in a way that is strong and evocative of emotion. Dark and contrasting lighting was used to create tension and emphasize the intensity of the violence that occurred. The choice of location also contributes to communicating the insecurity and instability experienced by children in contexts of violence. This research provides insight into the representation of parental violence against children in a cinematic context, using a textual approach. This research can also contribute to public awareness about the importance of overcoming and preventing violence in the family, especially against children.   Abstract Penelitian ini menganalisis representasi kekerasan orangtua terhadap anak dalam film "My First Client" yang dirilis pada tahun 2019. Pendekatan yang digunakan dalam penelitian ini adalah deskriptif kualiatif dengan analisis tekstual, yang memungkinkan kita untuk memahami tanda-tanda dalam film tersebut mengkomunikasikan pesan-pesan tentang kekerasan dalam konteks hubungan orangtua-anak. Metode analisis tekstual digunakan untuk mengidentifikasi dan menganalisis tanda-tanda yang digunakan dalam film untuk merepresentasikan kekerasan orangtua terhadap anak. Tanda-tanda tersebut mencakup elemen visual seperti pencahayaan, pemilihan lokasi, ekspresi wajah, serta elemen auditif seperti musik dan dialog. Hasil analisis menunjukkan bahwa film ini merepresentasikan kekerasan orangtua terhadap anak dengan cara yang kuat dan menggugah emosi. Pencahayaan yang gelap dan kontras digunakan untuk menciptakan suasana tegang dan menekankan intensitas kekerasan yang terjadi. Pemilihan lokasi juga memberikan kontribusi dalam mengkomunikasikan ketidakamanan dan ketidakstabilan yang dialami oleh anak dalam konteks kekerasan. Penelitian ini memberikan wawasan tentang representasi kekerasan orangtua terhadap anak dalam konteks sinematik, dengan menggunakan pendekatan tekstual. Penelitian ini juga dapat memberikan kontribusi dalam kesadaran masyarakat tentang pentingnya mengatasi dan mencegah kekerasan dalam keluarga, khususnya terhadap anak-anak

Model Ekologi Sosial Problem Solving Anak Korban COVID 19

This article explains the social ecological model of problem solving for child victims of COVID 19 as an effort to handle a sensitive and comprehensive approach to help them overcome the various social problems they face. Action or intervention plans must be tailored to existing needs and resources. The aim of this research is to examine the social ecological model of problem solving for child victims of COVID 19. The theory used is the sociological theory of Tancolt Parsons Adaptation, Goal Attainments, Integration and Latency. The research method used is qualitative with a literature study approach. The research results found that the social system has an important role as a comprehensive multilevel analysis and the central concept is collaboration and involvement of related parties in handling child victims of COVID 19. The conclusion of this research is that the social ecological model of problem solving for child victims of COVID 19 requires several comprehensive approaches that where social handling does not only focus on the individual himself but involves several aspects, including family, group, community, surrounding environment or society from various stakeholders by identifying existing problems, making action/intervention plans, implementing actions/interventions and necessary there is also an evaluation. This research can be useful in the field of sociology of community empowerment. This research can provide benefits to readers regarding the social ecological model of problem solving for children who are victims of COVID 1

Konflik dalam Tradisi Nyumbang (Studi Tradisi Nyumbang Dengan Sistem Pinggelan Di Desa Plana Kecamatan Somagede Kabupaten Banyumas)

Abstract This study aims to explain the conflict in the minggel tradition in the Plana Village, Somagede District, Banyumas Regency with a socio-cultural perspective. The tradition of giving is able to have an influence on social and cultural life for the community, where donation is an inseparable part of social life. Plana Village has three donation systems, namely the pinggelan system, the social gathering system and the regular donation system. The tradition of donating in society does not have a clear written law regarding the donating process, so people only donate according to cultural traditions that have been carried out for generations. The emergence of conflicts in the tradition of donating is caused by a discrepancy in the donating process with what is the goal in donating. The nature of the pekewuh owned by the village community makes them try to donate, even though they are faced with the inability to donate. The tradition of donating has an exchange system for both goods and services used to donate, what is used to donate will return to the donor at a predetermined time. Every donation transaction made by the community has a record book that each person has. The Plana Village community has two forms of donation systems, each of which has differences. Contributing pinggelan and donating arisan, where donations with the pinggelan system are done when the celebration has not yet started, while donating to the arisan system is done when the celebration is in progress. Keywords: Conflict, Minggel, Contributing Pingela

Analisis Ketidakadilan Perempuan pada Film Dokumenter Keep Sweet, Pray and Obey

Penelitian ini memfokuskan kajiannya pada bentuk objektifikasi perempuan yang belum terungkap melalui film dokumenter Keep Sweet, Pray and Obey. Tujuan penelitian ini untuk menjelaskan bentuk objektifikasi perempuan dalam film Keep Sweet Pray and Obey.Berdasarkan paradigmanya, maka penelitian ini menggunakan metode penelitian kualitatif-interpretatif Pendekatan yang digunakan dalam penelitian ini adalah semiotika. Hal ini dikarenakan semiotika merupakan studi terkait tanda. Teknik analisis data yang akan digunakan dalam penelitian ini adalah semiotika model Roland Barthes. Teknik pengumpulan data dalam penelitian ini digunakan untuk memperoleh data-data dokumentatif yang dibutuhkan oleh peneliti. Terdapat berbagai bentuk objektifikasi perempuan mulai dari rambut, pakaian, pandangan laki-laki yang melihat perempuan abu-abu sehingga perempuan tidak memiliki batasan pasti tentang hak dan kewajiban mereka sebagai manusia. Penindasan terhadap perempuan adalah sasaran empuk dengan mengedepankan narasi agama yang dogmatis. Faktor pendukung bentuk objektifikasi perempuan dimulai dari adanya pengaruh media, hubungan personal, dan hubungan sosial. Terdapat berbagai cara manipulasi perempuan yang terlihat pada film ini

Policies to Protect Children during the Pandemic in Indonesia: Between Expectation and Reality

COVID-19 has affected Indonesia in the health aspect and social, economic, and human rights, especially for vulnerable groups. The pandemic also multiplied the injustice experienced by women, children, persons with disabilities, and the elderly. Hundreds of thousands of Indonesians died, experienced by not only the elderly, the most vulnerable group, but also the productive age population. Children have to face two kinds of threats at once, the threat of COVID-19 exposure and the potential of losing their parents. Abandoned forever by their father, mother, or both parents due to exposure to COVID-19, causing many children to be orphaned. According to the data of the Indonesian COVID-19 Handling Task Force, on July 20, 2021, 11,045 children were orphaned. Another data informed that the number of children exposed to COVID-19 was 350,000 children, and 777 children of that died. There are two main purposes of the study to answer the research problem. First, to identify the problems of children as the victims of the COVID-19 pandemic in Indonesia. Second, to map out the policies and stakeholders which are able to provide protection for children as the victims of the COVID-19 pandemic in Indonesia. The results of the study showed that various ministries and national governments have had certain policies to protect children as victims of the COVID-19 pandemic. Still, these policies have not integrated with each other and have not been implemented optimally in the regions.&nbsp

The Bureaucratization of Collaborative Governance in Realizing Tourism Villages during the COVID-19 Pandemic in Winduaji Village, Paguyangan Brebes

The development of nature-based tourism that can be used as a way of empowering rural communities during the COVID-19 pandemic is expected to be a solution to improve the economic conditions of the community. The problem is that the village does not have the same perspective in developing nature-based tourism villages. As a result of this, various problems arise in the development of natural tourism. This study aims to analyze the collaborative governance process in building tourist villages, their problems, and solutions. The research method is descriptive qualitative, with the process of collecting data through in-depth interviews, observations, and FGDs. The results showed that collaboration between stakeholders often leads to horizontal conflicts, awareness of the COVID-19 process is difficult to build in tourism development, and collaborative governance is more bureaucratic. This research can conclude that the development of nature-based tourism is a solution during the COVID-19 pandemic, but building public awareness of the importance of COVID-19 health protocols in tourism services is an obstacle. In addition, the bureaucratization of the collaboration process of governance hinders the development of natural touris