Affect Theory as Pedagogy of the ‘Non-’

What is the relationship of affect to the non- of non-philosophy? And how might asking this question also go some distance toward answering (or raising) questions about the continuing relevance of disciplinarity itself? By first taking up minor remarks made by Gilles Deleuze and Felix Guattari in What is Philosophy? – especially around the work of Francois Laurelle – this essay will explore how some of the implications of affect’s relation to the ‘non-‘ intersect with matters of immanence, pedagogy, and, finally, with the resoluteness of disciplinary boundaries

Foundations in Wisconsin: A Directory [31st ed. 2012]

The 2012 release of Foundations in Wisconsin marks the 31st edition of the print directory and the twelfth year of the online version. The directory is designed as a research tool for grantseekers interested in locating information on private, corporate, and community foundations registered in Wisconsin. Each entry in this new edition has been updated or reviewed to provide the most current information available. Most of the data was drawn from IRS 990-PF tax returns filed by the foundations. Additional information was obtained from surveys, foundation Web sites, annual reports, and newsletters. Fortunately, Wisconsin foundations are rebounding from the recent economic downturn. While the total number of active foundations (1301) decreased slightly from 2011’s high number, 57 new foundations were identified and two key measures show positive growth. Total assets increased by 12% from last year to over $7 billion, and grants rose 7$490 million, close to pre-recession totals. The following table illustrates the 10-year financial pattern as documented in Foundations in Wisconsin.https://epublications.marquette.edu/lib_fiw/1010/thumbnail.jp

To soothe or remove? Affect, revanchism and the weaponized use of classical music

Over the past 30 years, in the United Kingdom, Canada and the United States, classical music has come to function as a sonic weapon. It is used a means of dispelling and deterring ‘loiterers’ by making particular public and privately owned public spaces – such as shopping malls, bus stations, shop fronts and car parks – undesirable to occupy. In this article, I present weaponized classical music as a ‘revanchist’, audio-affective deterrent. Drawing upon Neil Smith’s description of the revanchist city, I examine how weaponized classical music works to affectively police neoliberal ‘public’ space. While credited with the capacity to ‘soothe away’ deviant behaviour through its calming influence, weaponized classical music ultimately aims to ‘remove’ the figure of the threatening and menacing ‘loiterer’ insofar as it is heard as repellent. Although affect has often been understood in contradistinction to social determinisms, weaponized classical music exemplifies the capacity of musical affects to function as a technology of social reproduction

The Capaciousness of No: Affective Refusals as Literacy Practices

© 2020 The Authors. Reading Research Quarterly published by Wiley Periodicals, Inc. on behalf of International Literacy Association The authors considered the capacious feeling that emerges from saying no to literacy practices, and the affective potential of saying no as a literacy practice. The authors highlight the affective possibilities of saying no to normative understandings of literacy, thinking with a series of vignettes in which children, young people, and teachers refused literacy practices in different ways. The authors use the term capacious to signal possibilities that are as yet unthought: a sense of broadening and opening out through enacting no. The authors examined how attention to affect ruptures humanist logics that inform normative approaches to literacy. Through attention to nonconscious, noncognitive, and transindividual bodily forces and capacities, affect deprivileges the human as the sole agent in an interaction, thus disrupting measurements of who counts as a literate subject and what counts as a literacy event. No is an affective moment. It can signal a pushback, an absence, or a silence. As a theoretical and methodological way of thinking/feeling with literacy, affect proposes problems rather than solutions, countering solution-focused research in which the resistance is to be overcome, co-opted, or solved. Affect operates as a crack or a chink, a tiny ripple, a barely perceivable gesture, that can persist and, in doing so, hold open the possibility for alternative futures

Introduction : Storied Spaces of Contemporary Nordic Literature

Peer reviewe

Not Belonging to one’s Self: Affect on Facebook’s Site Governance page

This article makes a contribution to a growing number of works that discuss affect and social media. I use Freudian affect theory to analyse user posts on the public Site Governance Facebook page. Freud’s work may help us to explore the affectivity within the user narratives and I suggest that they are expressions of alienation, dispossession and powerlessness that relate to the users’ relations with Facebook as well as to their internal and wider social relations. The article thus introduces a new angle on studies of negative user experiences that draws on psychoanalysis and critical theory

Putting Belonging into Place: Place Experience and Sense of Belonging among Ecuadorian Migrants in an Italian Alpine Region

This paper explores the meaning and mechanics of belonging with a particular focus onthe role of place and place-making. It explores the ways people come to achieve a senseof belonging with reference to recent theoretical treatments of place, territory, andmobility. We ground our discussion in analysis of an ethnographic case of Ecuadorianfamilies who have migrated to Trentino in northern Italy. Most families miss the socialrelationships and places they left behind, but have decided to stay permanently in Italy,giving up the “myth of return” (Anwar 1979). Trentino offers more opportunities interm of employment, education, and access to services than Ecuador. Yet the decisionto stay in Trentino is based on more than a simple assessment of economic advantage.Participants spoke of a slowly unfolding sense of belonging to Trentino, with strongaffective dimensions born of a specific attachment to the very materiality of place inTrentino. This attachment may be regarded as an assemblage of social, material andaffective resonances, experiences and resources, revealing something of the place andfeeling of belonging. Hence, the Ecuadorian sense of belonging does not rely on anabstract conception of cultural affiliation, nor is it a purely psychological response.Rather, belonging accrues in particular practices and material attachments.We unpackthese practices by documenting the work participants put into inhabiting an unfamiliarplace as “their” place, while at the same time questioning the ontological status of space

Bodies Moving and Being Moved: Mapping affect in Christian Nold's Bio Mapping

In A History of Spaces (2004), John Pickles observes that one of the less well-known representational norms of mapping is its focus on ‘natural and physical objects rather than developing universal conventions dealing with symbol, affect and movement.’ New media artist Christian Nold's work has dealt explicitly with two of these cartographic blindspots, grafting new and old technologies that both, in different ways, create bodily traces – the GPS trace of movement and the GSR (galvanic skin response) trace of arousal, often taken as an index of emotional response. Although Nold's socially engaged practice can be placed within the ‘locative media’ genre it also taps into the technological imaginaries around physiological sensors and intimate data. This paper considers Nold's Bio Mapping (2004-) projects in the context of his longstanding concern with social collectives and public space as a field of social relations. Looking at particular maps from Nold's Bio Mapping project, it considers the implications of blending the traces of the body's internal states with the traces produced by locomotive movement, and the relationship between the individuals thus traced and the collectives that Nold seeks to represent. Concurrent with Nold's practice there has been a wave of interest in affect and emotion (and the distinction between them) within the humanities. This paper brings Nold's work into contact with the Deleuzian/Spinozan concept of affect employed in one strand of this writing, drawing in particular on the work of Brian Massumi. Rather than using theory to simply illustrate Nold's practice, it follows the implications of Deleuze's cartographic model of individuation, the logic of which ultimately problematises the very distinction between the two bodily phenomena traced by Nold's device