Arte pós-violência no Peru: as experiências do Colectivo Sociedad Civil e de Yuyachkani

Neste artigo, questionamo-nos sobre a arte realizada em tempos de violência e pós-violência, no contexto do Peru no final do conflito armado interno (1980-2000). O que pode a obra de arte em contextos de violência extrema? O que podem esses contextos sobre as obras de arte? Pode a obra de arte resistir – e existir? Trabalhamos sobre as performances do Colectivo Sociedad Civil Lava la bandera (2000) e Pon la basura en la basura (2000), e o teatro do grupo Yuyachkani nas peças Adiós Ayacucho (1990), Antígona (2000) e Sin título – técnica mixta (2004). Nesse contexto, interessam-nos as ideias de efetividade e papel da obra de arte, performance e ativismo político e arte e memória

Repercussões e manejo relacionados a Distúrbios Hidroeletroliticos nos pacientes graves: uma revisão sistemática com metanálise

Os distúrbios hidroeletrolíticos são eventos comumente observados na prática médica, inclusive em situações de emergência, podendo representar risco de vida ou possibilidade de sequelas para o paciente a depender da magnitude do caso. Independentemente da etiologia, a desidratação tem sua importância definida pela intensidade das perdas líquidas e pela proporção de perdas salinas em relação à perda de água. Isto evidencia a importância de se avaliar corretamente o quadro para se desenvolver um tratamento adequado. Este estudo tem como objetivo explorar o tema das repercussões e manejo de distúrbios hidroeletrolíticos nos pacientes graves a partir de uma revisão sistemática com meta análise com o emprego das palavras chave “unidade de terapia intensiva”, “gerenciamento hidroeletrolítico”, “distúrbios hidroeletrolíticos” e “controle de líquidos e eletrólitos” nos bancos de dados PubMed, BVS, Lilacs, Medline e Scielo objetivando acessar artigos publicados entre 2015 e 2022. A equipe de enfermagem está diretamente responsável pelo manejo de pacientes de alta complexidade, o que pode envolver casos que exigem o gerenciamento hidroeletrolítico, isto requer um conhecimento aprofundado dos mecanismos envolvidos no metabolismo da água e dos eletrólitos. O monitoramento diário da função renal pela equipe de enfermagem é um cuidado importante para se evitar o quadro de insuficiência renal aguda

Evidence for Reductive Genome Evolution and Lateral Acquisition of Virulence Functions in Two Corynebacterium pseudotuberculosis Strains

Ruiz JC, D'Afonseca V, Silva A, et al. Evidence for Reductive Genome Evolution and Lateral Acquisition of Virulence Functions in Two Corynebacterium pseudotuberculosis Strains. PLoS ONE. 2011;6(4): e18551.Background: Corynebacterium pseudotuberculosis, a Gram-positive, facultative intracellular pathogen, is the etiologic agent of the disease known as caseous lymphadenitis (CL). CL mainly affects small ruminants, such as goats and sheep; it also causes infections in humans, though rarely. This species is distributed worldwide, but it has the most serious economic impact in Oceania, Africa and South America. Although C. pseudotuberculosis causes major health and productivity problems for livestock, little is known about the molecular basis of its pathogenicity. Methodology and Findings: We characterized two C. pseudotuberculosis genomes (Cp1002, isolated from goats; and CpC231, isolated from sheep). Analysis of the predicted genomes showed high similarity in genomic architecture, gene content and genetic order. When C. pseudotuberculosis was compared with other Corynebacterium species, it became evident that this pathogenic species has lost numerous genes, resulting in one of the smallest genomes in the genus. Other differences that could be part of the adaptation to pathogenicity include a lower GC content, of about 52%, and a reduced gene repertoire. The C. pseudotuberculosis genome also includes seven putative pathogenicity islands, which contain several classical virulence factors, including genes for fimbrial subunits, adhesion factors, iron uptake and secreted toxins. Additionally, all of the virulence factors in the islands have characteristics that indicate horizontal transfer. Conclusions: These particular genome characteristics of C. pseudotuberculosis, as well as its acquired virulence factors in pathogenicity islands, provide evidence of its lifestyle and of the pathogenicity pathways used by this pathogen in the infection process. All genomes cited in this study are available in the NCBI Genbank database (http://www.ncbi.nlm.nih.gov/genbank/) under accession numbers CP001809 and CP001829

Pervasive gaps in Amazonian ecological research

Biodiversity loss is one of the main challenges of our time,1,2 and attempts to address it require a clear un derstanding of how ecological communities respond to environmental change across time and space.3,4 While the increasing availability of global databases on ecological communities has advanced our knowledge of biodiversity sensitivity to environmental changes,5–7 vast areas of the tropics remain understudied.8–11 In the American tropics, Amazonia stands out as the world’s most diverse rainforest and the primary source of Neotropical biodiversity,12 but it remains among the least known forests in America and is often underrepre sented in biodiversity databases.13–15 To worsen this situation, human-induced modifications16,17 may elim inate pieces of the Amazon’s biodiversity puzzle before we can use them to understand how ecological com munities are responding. To increase generalization and applicability of biodiversity knowledge,18,19 it is thus crucial to reduce biases in ecological research, particularly in regions projected to face the most pronounced environmental changes. We integrate ecological community metadata of 7,694 sampling sites for multiple or ganism groups in a machine learning model framework to map the research probability across the Brazilian Amazonia, while identifying the region’s vulnerability to environmental change. 15%–18% of the most ne glected areas in ecological research are expected to experience severe climate or land use changes by 2050. This means that unless we take immediate action, we will not be able to establish their current status, much less monitor how it is changing and what is being lostinfo:eu-repo/semantics/publishedVersio

Pervasive gaps in Amazonian ecological research

Biodiversity loss is one of the main challenges of our time,1,2 and attempts to address it require a clear understanding of how ecological communities respond to environmental change across time and space.3,4 While the increasing availability of global databases on ecological communities has advanced our knowledge of biodiversity sensitivity to environmental changes,5,6,7 vast areas of the tropics remain understudied.8,9,10,11 In the American tropics, Amazonia stands out as the world's most diverse rainforest and the primary source of Neotropical biodiversity,12 but it remains among the least known forests in America and is often underrepresented in biodiversity databases.13,14,15 To worsen this situation, human-induced modifications16,17 may eliminate pieces of the Amazon's biodiversity puzzle before we can use them to understand how ecological communities are responding. To increase generalization and applicability of biodiversity knowledge,18,19 it is thus crucial to reduce biases in ecological research, particularly in regions projected to face the most pronounced environmental changes. We integrate ecological community metadata of 7,694 sampling sites for multiple organism groups in a machine learning model framework to map the research probability across the Brazilian Amazonia, while identifying the region's vulnerability to environmental change. 15%–18% of the most neglected areas in ecological research are expected to experience severe climate or land use changes by 2050. This means that unless we take immediate action, we will not be able to establish their current status, much less monitor how it is changing and what is being lost

Antígonas: apropriações políticas do imaginário mítico

Exportado OPUSMade available in DSpace on 2019-08-12T23:04:15Z (GMT). No. of bitstreams: 1 tese_fl_via_almeida_vieira_resende.pdf: 12979552 bytes, checksum: 3f9703d4c51ed121145a39883ba62e63 (MD5) Previous issue date: 13Esta tese visa a investigar como e por que o imaginário mítico de Antígona, veiculado a partir da obra homônima de Sófocles, perdura e é tantas vezes retomado, mantendo um caráter prioritariamente político, nas literaturas dramáticas modernas e contemporâneas. O corpusdeste trabalho abrange especificamente quatro reescritas de Antígona Antígona, de Jean Anouilh (França, 1944), Antígona de Sófocles, de Bertolt Brecht (Alemanha, 1948), Antígona Furiosa, de Griselda Gambaro (Argentina, 1986), e Antígona, de José Watanabe e Yuyachkani(Peru, 2000). Essas obras foram organizadas em dois macrocontextos distintos: Europa durante e logo após a Segunda Guerra Mundial; e América Latina. Essa escolha favorece um olhar paradigmático para as retomadas do mito de Antígona em contextos de violência e estado de exceção. Em momentos em que a vida humana perde o valor e em que o poder estabelecido ganha suporte jurídico para exterminar em nome de uma segurança nacional, a imagem mítica de Antígona parece ressurgir com mais intensidade, como aquela que clama por justiça e por sepultura digna aos mortos. A partir do corpus analisado, e com uma metodologia interdisciplinar, com referências variadas, segundo a necessidade de cada contexto e de cada dramaturgia, procurou-se investigar as condições de possibilidade das apropriações do imaginário mítico de Antígona, compreendendo que este mantém, a cada atualização, um caráter prioritariamente político.This thesis aims to investigate how and why the mythical imaginary of Antigone, disseminated from the homonymous Sophocles play, endures in recent writings and is often restored, maintaining a primarily political nature in modern and contemporary dramatic literature. The corpus of this work covers specifically four rewrites of Antigone Jean Anouilhs Antigone (France, 1944), Bertolt Brechts Antigone of Sophocles (Germany, 1948), Griselda Gambaros Antígona Furiosa (Argentina, 1986), and José Watanabe and Yuyachkanis Antígona (Peru, 2000). These works were organized into two distinct macrocontexts: Europe during and shortly after the Second World War; and Latin America. Thischoice supports a paradigmatic view at the rewrites of the myth of Antigone in contexts of violence and state of exception. When human life loses its value and when the established power acquires legal support to exterminate in the name of national security, the mythical image of Antigone seems to reappear with more intensity, as she calls for justice and a worthy burial for the dead. From the corpus analyzed, and with an interdisciplinary methodology, with varied references according to the request of each context and each play, this thesis tried to investigate the conditions of possibility for the appropriations of the mythical imaginary ofAntigone, understanding that it maintains, in each play, a primarily political nature

Literatura dramática de caráter político no Brasil atual: "O mercado do gozo" e "Apocalipse 1.11"

Exportado OPUSMade available in DSpace on 2019-08-12T09:24:18Z (GMT). No. of bitstreams: 1 disserta__o_fl_via_almeida_vieira_resende.pdf: 18860407 bytes, checksum: e6dafd2160047c8ca704283d1b940d8a (MD5) Previous issue date: 21Esta dissertação tem como principal objetivo estudar as relações entre a estética e a política nas dramaturgias de 'Apocalipse 1.11' (2000), do Teatro da Vertigem, com dramaturgia de Fernando Bonassi, e 'O mercado do gozo' (2003), da Companhia do Latão, com texto assinado por Sérgio de Carvalho, Márcio Monteiro e Helena Albergaria. Trata-se de uma seleção mínima, mas significativa do teatro político no Brasil atual, a partir da qual é realizado um trabalho de análise e reflexão teórica e crítica. Partimos da ideia de que não há apenas uma forma de se produzir teatro político, sobretudo no final do século XX e início do século XXI, em que as grandes ideologias e utopias contrárias ao capitalismo parecem irrealizáveis, e que a arte precisa encontrar novas formas de contraposição a este sistema, ou criar de diferentes espaços de subjetivação.This work aims to study the relationship between aesthetics and politics in the texts of dramatic plays "Apocalipse 1:11" (2000), of Teatro da Vertigem, with text signed by Fernando Bonassi, and "O Mercado do Gozo" (2003), of Companhia do Latão, with text signed by Sergio de Carvalho, Márcio Marciano, and Helena Albergaria. This is a selection minimal but significant of the political theater in Brazil today, about which it is executed an analysis and theoretical reflection and criticism. We work with the idea that there is not only one way to produce a political theater, especially in the late twentieth and early twenty-first century, when the great utopias and ideologies opposed to capitalism seem unattainable, and that artists seek for new ways in contrast to this system, or ways for creating different spaces of subjectivity

Corporificar ausências : morte e violência em Adiós Ayacucho, de Julio Ortega e Yuyachkani

O presente artigo propõe uma análise da obra Adios Ayacucho, novela de Julio Ortega e adaptação teatral do grupo Yuyachkani (dramaturgia e direção de Miguel Rubio), sob o ponto de vista da representação da violência e da morte nessa obra. Parte-se do princípio de que tal representação em Adiós Ayacucho relaciona-se com a história da Conquista e subjugação do povo incaico pelos espanhóis. O protagonista Alfónso Cánepa, um campesino assassinado durante a guerra civil peruana (1980-2000), que na obra faz o trajeto de Ayacucho a Lima para recompor sua ossada, pode assim ser relacionado com o mito de Inkarrí, a morte, o esquartejamento e a promessa de reconstituição do corpo do último Inca. No caso da peça teatral, ao colocar a narrativa em performance, o grupo Yuyachkani concretiza ainda mais a questão da representação de um sujeito sem corpo – um cadáver –, uma ausência significativa no contexto da guerra civil. Ao recuperar essa história da Conquista e essa memória coletiva peruana, Adiós Ayacucho aponta possibilidades de resistência por meio da corporalidade e do reconhecimento da própria heterogeneidade.This article proposes an analysis of the piece Adiós Ayacucho, both the Júlio Ortega novel itself and its theatrical adaptation by Yuyachkani Group (dramaturgy and direction by Miguel Rubio), studied from the point of view of the representation of violence and death. The guiding principle is that such representation in Adiós Ayacucho relates to the history of subjugation and conquest of the Inca people by the Spaniards. The protagonist, Alfonso Cánepa, a peasant killed during Peru’s civil war (1980-2000) who makes his way from Ayacucho to Lima to recover his bones, can thus be related to the Inkarri myth, to death, to dismemberment and to the promise of reconstitution of the last Inca’s body. In the play, when the narrative becomes a performance, Yuyachkani goes further in representing the embodiment of a subject without a body—a dead man—a significant absence in the context of the civil war. When retrieving this story of conquest and this Peruvian collective memory, Adiós Ayacucho opens possibilities of resistance through corporeality and recognition of one’s own heterogeneity