Primera noche

Poema traducido del italiano por Guillermo Fernández y publicado en la revista "La Colmena" No. 8 del año 1995, de la Universidad Autónoma del Estado de México, en la sección "Italia en la Colmena"

Ilustradores, actores y traductores

Translation into Spanish of Luigi Pirandello's ?Illustratori, autori, traduttori?, a text published in 1908 in Arte e scienza (Roma: W. Modes, pp. 76-108), with an introduction taken from Albanese, A. and Nasi, F. (eds.). (2015). L?artefice aggiunto: riflessioni sulla traduzione in Italia: 1900-1975. Ravenna, Longo, pp. 49-46

Six Characters in Search of an Author

Acting out a play within a play, six characters created by a playwright insist on acting out a play he does not want to write.https://collected.jcu.edu/plays/1010/thumbnail.jp

Visitor from Forest Hills; The Man with the Flower in his Mouth; Finale Two

John Carroll University\u27s Little Theatre Workshop presented three one-acts in April of 1978. The Visitor From Forest Hills is the third act of Neil Simon\u27s Plaza Suite, The Man With the Flower in His Mouth by Luigi Pirandello, and Finale II, directed and conceived by Beth Joseph comprised the show. Read the review from the Carroll News (page 10).https://collected.jcu.edu/plays/1080/thumbnail.jp

Performance/mathematics: a dramatisation of mathematical methods

This essay conceptualises the notion of performance mathematics in terms of a paradoxical relationship with the constructed notion of truth, which is shared by theatrical and mathematical performance. Specifically, I argue that these two disciplines can and cannot be reconciled with truthfulness. Grounding my comparison on the notion of an axiomatic method common to both disciplines, I argue that theatrical and mathematical performance can speak of truths only when these truths are properly staged or methodologically grounded according to the internal rules and conditions laid out by each discipline. But in the same way that these truths can be constructed, or they can be done, so they can be undone. Arguing that mathematics can be described as a performance of specific outcomes involving abstract objects and functions, I trace a cross-disciplinary comparative analysis of performance elements (especially axioms and functions), drawing on a number of theatre and mathematical theories. Some suggestions are also put forward in terms of the connection between the performance of mathematised texts and computational mathematics, particularly in terms of an inherent poetics and theatricality inside the performance-oriented, mathematised languages of digital computing

Esencia del humorismo.

Sin resume

Thinking Makes It So

The programme was scanned from an original held in the University Archives.This play was produced under the direction of Thelma Baulderstone and was staged at The Hut from 4 - 6 April 1949