СПЕЦИФІКА НАВЧАННЯ І ВИХОВАННЯ СТУДЕНТІВ ЗІ СПОРТИВНИМИ ЗДІБНОСТЯМИ

Abilities and talents are the subject of research and analysis of representatives of many disciplines. Talented people manifest characteristics that allow them to achieve a high level of performance in a specific area of activity. Nowadays, more and more often the importance of social environment in the development and shaping of abilities and talents, apart from individual factors, is underlined. This article deals with the specificity of functioning of students with aptitude for sports and the possibilities of developing and promoting talents through education and upbringing. The correct approach of teachers, coaches and parents can help optimize the development of potential at an early stage of education and training in various sports.Способности и талант являются предметом исследования и анализа представителей многих дисциплин. Талантливые люди обладают такими чертами характера, которые позволяют им достигать высокого уровня производительности в конкретной сфере деятельности. В настоящее время в развитии и формировании способностей и талантов, кроме индивидуальных факторов, все больше подчеркивается значение социальной среды. В статье освещено специфику функционирования студентов со спортивными способностями, а также возможности их развития посредством обучения и воспитания. Правильный подход педагогов, тренеров и родителей может помочь оптимизировать развитие потенциала на начальном этапе обучения и профессиональной подготовки в разных видах спорта.Здібності і талант є предметом дослідження та аналізу представників багатьох дисциплін. Талановиті люди володіють такими рисами характеру, які дозволяють їм досягати високого рівня продуктивності у конкретній сфері діяльності. На даний час у розвитку та формуванні здібностей і талантів, крім індивідуальних чинників, все більше підкреслюється значення соціального середовища. У статті висвітлено специфіку функціонування студентів зі спортивними здібностями, а також можливості їх розвитку за допомогою навчання і виховання. Правильний підхід педагогів, тренерів та батьків може допомогти оптимізувати розвиток потенціалу на початковому етапі навчання і професійної підготовки в різних видах спорту

Using websites to disseminate research on urban spatialities

This paper reviews a selection of websites that explore urban geographies. Many sites use the web as a depository for large amounts of research data. However, many are using websites to disseminate research findings, and the paper focuses on these. It suggests that, thus far, there are three significant ways in which urban researchers are exploiting the potentialities of web technologies to interpret urban spaces: by evoking a sense of the complexity of urban spatialities; by inviting site visitors to engage actively and performatively with the research materials; and by emphasising the sensory qualities of urban spaces. The paper discusses how one website in particular invites its visitors to engage with complex, sensory urban spatialities. The paper compares geographers' use of collage and montage as part of this discussion, and ends by reflecting on current work and commenting on its future development

An aesthetic of the unknown

This paper begins to establish an 'aesthetic of the unknown' by drawing together theorists and approaches from mainstream art criticism to provide a starting-point for an aesthetic sympathetic with Jungian perspectives, in an attempt to bridge a gap between contemporary abstract painting, contemporary art theory and Jungian studies. This is a framework for approaching the abstract painting not as an object awaiting interpretation or 'reading', but rather as something that offers a numinous experience (or experience of the unknown), which can be thought about but may remain ultimately unknowable and irreducible. Such experience - involving both the unconscious and conscious mind - would provide glimpsesof forms of meaning not accessible to full rational exposition. This type of uncosciously understood meaning is explored, acknowledging that there is a need to preserve this encounter with the unknown and a need for a contemporary critical, theoretical framework that recognises the importance of this within abstract painting

Voices on walls. Dissident graphics in Ciudad Juárez

[EN] Carles Méndez · http://dx.doi.org/10.4995/eme.2017.7064133TRANSLATED ARTICLES Ciudad Juárez is a border metropolis in north-ern Mexico that shares a boundary with the United States. It a city known to be the victim of a series of violent and criminal acts, especially between 2007 and 2012, which restricted the so-cial and cultural development of the region. Si-multaneously, artistic groups and artists began to emerge focusing their efforts on a will to res-construct the city through graphic expression, taking the city as a project and the media itself for their work, incorporating a human dimen-sion through the sensitisation of citizens. They will become strategists and dissidents who will show in their creations other political construc-tions from their representations of everyday life.[ES] Ciudad Juárez es una metrópoli fronteriza al norte de México que colinda con Estados Unidos conocida por ser víctima de una serie de acciones violentas y delictivas, sobre todo entre el período 2007 al 2012, que coartaron el desarrollo social y cultural de la región. Simultáneamente, surgen colectivos artísticos y creadores que focalizan sus esfuerzos en una voluntad reconstructiva de la urbe a través de la expresión gráfica, tomando a la ciudad como proyecto y soporte de sus prácticas e incorporando una dimensión humana mediante la sensibilización de la ciudadanía. Estrategas y disidentes que mostrarán en sus creaciones otras construcciones de lo político a partir de sus representaciones en lo cotidianoMéndez Llopis, C. (2017). Voces sobre muros. Gráfica disidente en Ciudad Juárez. EME Experimental Illustration, Art & Design. (5):86-97. doi:10.4995/eme.2017.7064SWORD86975ALIAGA, JUAN VICENTE; CORTÉS JOSÉ MIGUEL G.: Desobediencias. Cuerpos disidentes y espacios subvertidos en el arte en América Latina y Espa-a: 1960-2010., Madrid, Egales, 2014.Badiou, ALAIN: "Las condiciones del arte contemporáneo".En: VVAA: El arte no es la política / La política no es el arte. Despertar la historia, Madrid, Brumaria, 2014.Figueroa, FERNANDO: "El Postgraffiti", en Graphitfragen. Una mirada reflexiva sobre el Graffiti, Madrid, Minotauro Digital, 2006.GUATTARI, FÉLIX; ROLNIK, SUELY: Micropolítica. Cartografías del deseo., Madrid, Traficantes de Sue-os, 2006.Kuspit, DONALD: El fin del arte, Madrid, Akal, 2006.MARTINEZ, ÓSCAR J.: Ciudad Juárez: el auge de una ciudad fronteriza a partir de 1848, Ciudad de México, Fondo de Cultura Económica, 1982.Palacios, ALFREDO: "El arte comunitario: origen y evolución de las prácticas artísticas colaborativas". En Arteterapia. Papeles de arteterapia y educación artística para la inclusión social, vol. 4 (Madrid)(mayo 2009) pp. 197-211.Ranciére, JACQUES: El espectador emancipado, Buenos Aires, Manantial, 2010.Ranciére, JACQUES: El reparto de lo sensible. Estética y política, Santiago de Chile, LOM, 2009.Rosas, CAROLINA: "La reivindicación de la ciudad por el arte urbano: Ciudad Juárez, Chihuahua, México". En Arte y Ciudad, Revista de investigación (Madrid), nº3 (abril 2013), pp. 59-70.Todorov, TZVETAN: Los abusos de la memoria, Barcelona, Paidós, 2000

Household consumption and VAT revenue in Poland

Purpose: Examine dependencies between the size and the structure of directional household expenditure on consumption and the amount of VAT tax revenue for the state budget in Poland, in connection with the explanation of fluctuations of households’ VAT contributions per capita. Design/methodology/approach: The study used the following methods: literature review, methods applied in descriptive statistics, linear models of multiple regression, factor analysis using the method of main components, and a single-factor variance analysis (ANOVA). Detailed analyses were conducted based on own calculations using analytical software SPSS (Predictive Solutions), Statistica and MS Excel calculation sheet. Findings: Our results show: 1) household consumption, understood as incurring expenses to purchase goods and services which takes place in the economy of a state, is the principal creator of state budget revenue based on VAT; 2) the level of VAT revenue from household consumption depends on the financial resources at the households’ disposal, the way they spend them and the structure of such expenditure; 3) households are very diverse internally, while the size and structure of their purchases varies in time and is determined by many factors; 4) a diversified rate of VAT on particular goods and services purchased by households has a major impact on the level of state budget revenue from VAT returns; 5) financial transfers to households, which express a variety of social policy instruments applied by the state, including the pro-family policy, result in the increase of the state revenue from VAT; the effectiveness of such transfers – both for the realisation of state policy, as well as the increase of its tax revenue – can be stimulated by the appropriate matrix of VAT rates; 6) the limited availability or the lack of particular statistical data regarding the VAT burden on household expenditure, and the structure of state budget revenue based on VAT in the cross-section of tax rates, decreases analytical potential and the possibilities of drawing conclusions. Practical Implications: The conclusions drawn from the conducted analyses and research can be useful for the state when selecting the tools which not only will allow for the increase of its budgetary revenues, but also the effective realization of the aims of its social policy. Originality/value: Extending the research on VAT with the analysis of the tax potential of households’ purchasing decisions with the inclusion of the VAT matrix as well as the fiscal and non-fiscal objectives of state policy. The proposed methodological path allows for its popularisation with the use of panel data.peer-reviewe

The potential of painting: unlocking Disenfranchised Grief for people living with dementia

As part of the “Creative Well” programme at Betsi Cadwaladr University Health Board (BCUHN) North Wales, artist/researchers Megan Wyatt and Susan Liggett qualitatively investigated how painting can access a means of communication for people living with Dementia. In a workshop setting within a gallery environment at Ruthin Crafts Centre, participants living with dementia were facilitated on a one to one basis the opportunity to paint alongside the artist/researchers. The participants were from a wellestablished art group called “Lost in Art” that is managed by Denbighshire Arts Service. During the workshops, a number of experiences were articulated. These included experiences of illness, crisis and loss. They were captured through observations, interviews, visual art and video to contribute to new understandings and models of engagement through art for people living with dementia and their carers. Focusing on theory and practice in arts based research and the social sciences, this paper investigates the potential of painting to unlock experiences such as disenfranchised grief for people living with dementia. The conclusions do not measure how and if participants felt disenfranchised grief but rather provide an alternative to augment the body of knowledge surrounding how people living with dementia can communicate feelings of disenfranchised grief through painting. Objective: In this presentation I aim to outline the main findings from the above paper that is to be published in an academic journal later in the year on Illness Crisis and Loss published by Sage

Crafting organization

The recent shift in attention away from organization studies as science has allowed for consideration of new ways of thinking about both organization and organizing and has led to several recent attempts to \u27bring down\u27 organizational theorizing. In this paper, we extend calls for organization to be represented as a creative process by considering organization as craft. Organizational craft, we argue, is attractive, accessible, malleable, reproducible, and marketable. It is also a tangible way of considering organization studies with irreverence. We draw on the hierarchy of distinctions among fine art, decorative art, and craft to suggest that understanding the organization of craft assists in complicating our understanding of marginality. We illustrate our argument by drawing on the case of a contemporary Australian craftworks and marketplace known initially as the Meat Market Craft Centre (\u27MMCC\u27) and then, until its recent closure, as Metro! &Dagger; Stella Minahan was a board member and then the Chief Executive Officer of the Metro! Craft Centre.<br /