77 research outputs found

    Erratum to: 36th International Symposium on Intensive Care and Emergency Medicine

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    [This corrects the article DOI: 10.1186/s13054-016-1208-6.]

    A922 Sequential measurement of 1 hour creatinine clearance (1-CRCL) in critically ill patients at risk of acute kidney injury (AKI)

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    A synthesis of evidence for policy from behavioural science during COVID-19

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    Scientific evidence regularly guides policy decisions1, with behavioural science increasingly part of this process2. In April 2020, an influential paper3 proposed 19 policy recommendations (‘claims’) detailing how evidence from behavioural science could contribute to efforts to reduce impacts and end the COVID-19 pandemic. Here we assess 747 pandemic-related research articles that empirically investigated those claims. We report the scale of evidence and whether evidence supports them to indicate applicability for policymaking. Two independent teams, involving 72 reviewers, found evidence for 18 of 19 claims, with both teams finding evidence supporting 16 (89%) of those 18 claims. The strongest evidence supported claims that anticipated culture, polarization and misinformation would be associated with policy effectiveness. Claims suggesting trusted leaders and positive social norms increased adherence to behavioural interventions also had strong empirical support, as did appealing to social consensus or bipartisan agreement. Targeted language in messaging yielded mixed effects and there were no effects for highlighting individual benefits or protecting others. No available evidence existed to assess any distinct differences in effects between using the terms ‘physical distancing’ and ‘social distancing’. Analysis of 463 papers containing data showed generally large samples; 418 involved human participants with a mean of 16,848 (median of 1,699). That statistical power underscored improved suitability of behavioural science research for informing policy decisions. Furthermore, by implementing a standardized approach to evidence selection and synthesis, we amplify broader implications for advancing scientific evidence in policy formulation and prioritization

    OPTIMAL PRE-POSITIONING OF BULK FUEL RESOURCES

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    The Navy-Marine Corps Team as informed by A Design for Maintaining Maritime Superiority 2.0 and the 38th Commandant of the Marine Corps’ Commandant’s Planning Guidance (CPG) is planning to conduct distributed maritime operations and expeditionary advanced base operations. These highly distributed and mobile operations require new material and operational solutions for the storage and distribution of bulk fuel to sustain forces in the area of responsibility. The challenge of conducting distributed operations in contested environments disrupts the employment of current Combat Logistics Force platforms. This study investigates the bulk fuel cache (BFC) concept of minimally manned or unmanned pre-positioned bulk fuel storage systems as an alternative method for sustaining forward deployed operations in contested environments. This study considers a facility location model with stochastic demand and dynamic location to establish a baseline of operating considerations and concepts for the integration of BFCs into the naval logistics enterprise. This study explores BFC quantity, capacity, location, and dynamic movement for optimal sustainment of a distributed maritime force and informs future planning and acquisitions efforts.Major, United States Marine CorpsApproved for public release. distribution is unlimite

    There is music in repetition: Looped segments of speech and nonspeech induce the perception of music in a time-dependent manner

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    While many techniques are known to music creators, the technique of repetition is one of the most commonly deployed. The mechanism by which repetition is effective as a music-making tool, however, is unknown. Building on the speech-to-song illusion (Deutsch, Henthorn, & Lapidis in Journal of the Acoustical Society of America, 129(4), 2245-2252, 2011), we explore a phenomenon in which perception of musical attributes are elicited from repeated, or looped, auditory material usually perceived as nonmusical such as speech and environmental sounds. We assessed whether this effect holds true for speech stimuli of different lengths; nonspeech sounds (water dripping); and speech signals decomposed into their rhythmic and spectral components. Participants listened to looped stimuli (from 700 to 4,000 ms) and provided continuous as well as discrete perceptual ratings. We show that the regularizing effect of repetition generalizes to nonspeech auditory material and is strongest for shorter clip lengths in the speech and environmental cases. We also find that deconstructed pitch and rhythmic speech components independently elicit a regularizing effect, though the effect across segment duration is different than that for intact speech and environmental sounds. Taken together, these experiments suggest repetition may invoke active internal mechanisms that bias perception toward musical structure

    Rapid timing of musical aesthetic judgments

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    In recent years, psychological models of perception have undergone reevaluation due to a broadening of focus toward understanding not only how observers perceive stimuli but also how they subjectively evaluate stimuli. Here, we investigated the time course of such aesthetic evaluations using a gating paradigm. In a series of experiments, participants heard excerpts of classical, jazz, and electronica music. Excerpts were of different durations (250 ms, 500 ms, 750 ms, 1,000 ms, 2,000 ms, 10,000 ms) or note values (eighth note, quarter note, half note, dotted-half note, whole note, and entire 10,000 ms excerpt). After each excerpt, participants rated how much they liked the excerpt on a 9-point Likert scale. In Experiment 1, listeners made accurate aesthetic judgments within 750 ms for classical and jazz pieces, while electronic pieces were judged within 500 ms. When translated into note values (Experiment 2), electronica and jazz clips were judged more quickly than classical. In Experiment 3, we manipulated the familiarity of the musical excerpts. Unfamiliar clips were judged more quickly (500 ms) than familiar clips (750 ms), but there was overall higher accuracy for familiar pieces. Finally, we investigated listeners’ aesthetic judgments continuously over the time course of more naturalistic (60 s) excerpts: Within 3 s, listeners’ judgments differed between most- and least-liked pieces. We suggest that such rapid aesthetic judgments represent initial gut-level decisions that are made quickly, but that even these initial judgments are influenced by characteristics such as genre and familiarity
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