Distribution and Activity Patterns of Large Carnivores and Their Implications for Human–Carnivore Conflict Management in Namibia

Human–wildlife conflicts (HWCs) are increasing globally and contributing to the decline of wildlife species. In sub-Saharan African countries such as Namibia, most of the suitable land has been or is currently being converted to crop and livestock production to support income or subsistence agriculture. These changes in land use often incur increased levels of HWCs because of crop and livestock depredation by native species. To quantify livestock predation risks posed by carnivores in Namibia, we deployed 30 trail cameras on a 6,500-ha farm in the Khomas region of Namibia from May to July 2018. We developed occupancy models to make inferences about the factors influencing presence and temporal activity patterns of 2 carnivore species. We found that livestock were most at risk from predation by black-backed jackals (Canis mesomelas) at night in agricultural areas and from brown hyenas (Parahyaena brunnea) at night in riparian habitats. Our results suggest that farmers can reduce HWC risks by implementing animal husbandry practices to include protecting livestock at night using methods such as nighttime corrals and livestock guarding dogs (C. lupus familiaris), or herders. Increasing livestock producer access to funding (i.e., individual donations or governmental agencies) to implement improved animal husbandry practices could reduce HWCs

Coming to the fore: The audibility of women’s sexual pleasure in popular music and the sexual revolution

This paper examines the genre of tracks centred around the mid-1960s to the mid-1970s which include aural representations of female sexual pleasure. The two most important tracks, and the ones on which this paper focuses, are Jane Birkin and Serge Gainsbourg ‘Je t’aime . . . moi non plus’ and Donna Summer ‘Love To Love You Baby’. The paper argues that this new audibility of female sexual pleasure related to the transformation in the understanding of female orgasm associated with Alfred Kinsey and with William Masters and Virginia Johnson, the American sexologists who radically changed Western understandings of sexual behaviour in the 1950s and 1960s. More broadly, the paper argues for a link between the so-called sexual revolution of the late 1960s and 1970s and the popularity of tracks in which sounds identified as female sexual pleasure were upfront in the musical mix