The Pine Needle, Winter 1948

Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view. Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus. The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While past student publications relied on euphemisms for alcohol and dating on campus, The Needle openly promoted the sexualization of co-eds and the use of drugs, tobacco, and alcohol by students who experienced war. The issue includes photographs of eight female UMaine students as pin-up girls wearing one and two-piece bathing suits. The women\u27s faces are obscured by round compositional shapes, and male readers are invited by the editorial staff to attempt to identify all eight. The contest winner was announced in the Easter 1949 issue as a fellow who: ...had a wealth of similar material to compare with what we had printed, for he is no mean picture taker himself. He has known the girls well through the last few years for he is the janitor at the Elms and at Balentine Hall. The unsigned cover illustration of this issue is an invisible woman, hands on hips, wearing bikini or French Bathing Suit, glasses, heels, and lipstick. The headline reads: Le numéro de la baigneus Française. The illustration sets the tone of the winter issue which lampoons bikinis, introduced in July 1946, and the women who wear them

The Pine Needle, May 1947

Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view. Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus. The Needle reflected an edginess and rebellion not found in previous student publications. While past student publications relied on euphemisms for alcohol and dating on campus, The Needle openly promoted the sexualization of co-eds and the use of drugs, tobacco, and alcohol by students who experienced war. In response to Alumni complaints that The Needle was ...filled with sex and drinking, the University Publications Committee instituted stricter controls. In this issue, the editorial staff announce that starting in Fall 1947, the publication would publish only four issues of the magazine each year—Fall, Christmas, Spring, and Graduation among other changes. Cover art for this issue is an unsigned ink illustration of chatting university students lined up outside a shop bearing a sign that reads Jifty Cleaners-Dyers. Signs in the shop window reads We Specialize in Grass Stains. 24 Hour Service

The Pine Needle, vol. 2, no. 1

Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view. Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus. In the late 1940s, The Needle continued emphasizing alcohol and tobacco use as well as the sexualization of co-eds with the addition of lampooning women who were influenced to mimic Hollywood pin-ups, as well as those who rejected men\u27s sexual advances. This issue features the only cover utilizing a photograph. The shot is of the crowded stands at the football field during Homecoming weekend. The subtitle reads Homecoming Issue November \u2747

The Pine Needle, April 1947

Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view. Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returni to campus. The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While past student publications relied on euphemisms for alcohol and dating on campus, The Needle overtly sexualized co-eds and discussed the use of drugs, tobacco, and alcohol by students who experienced war. Cover art for this issue is an unsigned ink illustration of three students seated in a lecture hall taking an exam