OS PÁSSAROS NA POESIA DE LARA: O MELANCÓLICO EXERCÍCIO DO SUBLIME

A poeta gaúcha Lara de Lemos constrói uma obra que se caracteriza pela palavra concisa, a “palavravara”, e pela preocupação solidária com a humanidade, desde Poço das águas vivas (1957), até publicações mais recentes, como Antologia poética (2002). É possível acompanhar sua trajetória por meio da metáfora dos pássaros, que conduz o leitor a pensar sobre as relações entre forma poética, realidade e absoluto. Lara de Lemos ensina que a poesia é uma ponte entre o aqui e o agora e a impermanência

Detection of all four dengue serotypes in Aedes aegypti female mosquitoes collected in a rural area in Colombia

The Aedes aegypti vector for dengue virus (DENV) has been reported in urban and periurban areas. The information about DENV circulation in mosquitoes in Colombian rural areas is limited, so we aimed to evaluate the presence of DENV in Ae. aegypti females caught in rural locations of two Colombian municipalities, Anapoima and La Mesa. Mosquitoes from 497 rural households in 44 different rural settlements were collected. Pools of about 20 Ae. aegypti females were processed for DENV serotype detection. DENV in mosquitoes was detected in 74% of the analysed settlements with a pool positivity rate of 62%. The estimated individual mosquito infection rate was 4.12% and the minimum infection rate was 33.3/1,000 mosquitoes. All four serotypes were detected; the most frequent being DENV-2 (50%) and DENV-1 (35%). Two-three serotypes were detected simultaneously in separate pools. This is the first report on the co-occurrence of natural DENV infection of mosquitoes in Colombian rural areas. The findings are important for understanding dengue transmission and planning control strategies. A potential latent virus reservoir in rural areas could spill over to urban areas during population movements. Detecting DENV in wild-caught adult mosquitoes should be included in the development of dengue epidemic forecasting models

Los pájaros en la poesía de Lara de Lemos: el melancólico ejercicio de lo sublime

La poeta gaúcha20 Lara de Lemos construye una obra que se caracteriza por la palabra concisa, la «palavravara», y por la preocupación solidaria con la humanidad, desde Poço das águas vivas (1957) hasta publicaciones más recientes como Antologia poética (2002). Se puede acompañar su trayectoria por medio de la metáfora de los pájaros, que lleva al lector a pensar en las relaciones entre forma poética, realidad y absoluto. Lara de Lemos enseña que la poesía es un puente entre el aquí y el ahora y la no [email protected] south brazilian poet Lara de Lemos constructs a literary composition whith points out the specific qualities of the concise word, the «palavravara», and the solidary preocupation with humanity, since Poço das águas vivas (1957) until more recent publications, such as Antologia poética (2002). It is posible to follow her trajectory through the metaphor of the birds, which leads the reader to think of the relations between poetic form, reality and absolute. Lara de Lemos teachs that poetry is a bridge between the here and now and the impermanency.La poétesse gaúcha Lara de Lemos a écrit une oeuvre qui est caracterisée par la parole concise, la «palavravara», et par son souci solidaire vers l’humanité, dès Poço das águas vivas (1957) jusqu’à des publications plus récentes comme Antologia poética (2002). On peut considérer sa trajectoire par milieu de la métaphore des oiseaux, qui amène le lecteur à penser à les rapports entre la forme poétique, la réalité et l’absolu. Lara de Lemos nous apprend que la poésie est un pont entre l’ici, le présent et la non-permanence