Paper as Object

The formulation of my thesis rests upon the proposition of paper as object. Paper, a three-dimensional plastic material, can be made to act as form as well as surface. By macerating bits of cotton or linen cloth a fine paper pulp can be produced. This paper pulp can then be cast into molds, sheets or be hand manipulated. Color, texture, thickness and strength can be controlled by the artist. It has been my concern to develop a personal image by using the material of rag paper pulp. The work in this exhibit concerns itself with exaggerated edges (deckles) which serve as a symbol of traditionally hand-made paper. The paper is cast extremely thick and thus contains many layers fused together. This is a subtle expression of one of the primary concerns of the image, that is, the image of layering. &nbsp;</p

Strange Attractors

Catalog for the exhibition Strange Attractors held at the Seton Hall University Walsh Gallery, January 16 - March 8, 2019. Curated by Taney Roniger and Jeanne Brasile

Cell Mates

Catalog for the exhibition Cell Mates held at the Seton Hall University Walsh Gallery, June 3 - July 18, 2013. Curated by Jeanne Brasile and Lisbeth Murray. Includes the essays The Art of Science and the Science of Art by Jeanne Brasile and Incubating Hybrid Art by Lisbeth Murray. Includes color illustrations

Acanthaster planci Outbreak: Decline in Coral Health, Coral Size Structure Modification and Consequences for Obligate Decapod Assemblages

Although benthic motile invertebrate communities encompass the vast majority of coral reef diversity, their response to habitat modification has been poorly studied. A variety of benthic species, particularly decapods, provide benefits to their coral host enabling them to cope with environmental stressors, and as a result benefit the overall diversity of coral-associated species. However, little is known about how invertebrate assemblages associated with corals will be affected by global perturbations, (either directly or indirectly via their coral host) or their consequences for ecosystem resilience. Analysis of a ten year dataset reveals that the greatest perturbation at Moorea over this time was an outbreak of the corallivorous sea star Acanthaster planci from 2006 to 2009 impacting habitat health, availability and size structure of Pocillopora spp. populations and highlights a positive relationship between coral head size and survival. We then present the results of a mensurative study in 2009 conducted at the end of the perturbation (A. planci outbreak) describing how coral-decapod communities change with percent coral mortality for a selected coral species, Pocillopora eydouxi. The loss of coral tissue as a consequence of A. planci consumption led to an increase in rarefied total species diversity, but caused drastic modifications in community composition driven by a shift from coral obligate to non-obligate decapod species. Our study highlights that larger corals left with live tissue in 2009, formed a restricted habitat where coral obligate decapods, including mutualists, could subsist. We conclude that the size structure of Pocillopora populations at the time of an A. planci outbreak may greatly condition the magnitude of coral mortality as well as the persistence of local populations of obligate decapods

Design and baseline characteristics of the finerenone in reducing cardiovascular mortality and morbidity in diabetic kidney disease trial

Background: Among people with diabetes, those with kidney disease have exceptionally high rates of cardiovascular (CV) morbidity and mortality and progression of their underlying kidney disease. Finerenone is a novel, nonsteroidal, selective mineralocorticoid receptor antagonist that has shown to reduce albuminuria in type 2 diabetes (T2D) patients with chronic kidney disease (CKD) while revealing only a low risk of hyperkalemia. However, the effect of finerenone on CV and renal outcomes has not yet been investigated in long-term trials. Patients and Methods: The Finerenone in Reducing CV Mortality and Morbidity in Diabetic Kidney Disease (FIGARO-DKD) trial aims to assess the efficacy and safety of finerenone compared to placebo at reducing clinically important CV and renal outcomes in T2D patients with CKD. FIGARO-DKD is a randomized, double-blind, placebo-controlled, parallel-group, event-driven trial running in 47 countries with an expected duration of approximately 6 years. FIGARO-DKD randomized 7,437 patients with an estimated glomerular filtration rate >= 25 mL/min/1.73 m(2) and albuminuria (urinary albumin-to-creatinine ratio >= 30 to <= 5,000 mg/g). The study has at least 90% power to detect a 20% reduction in the risk of the primary outcome (overall two-sided significance level alpha = 0.05), the composite of time to first occurrence of CV death, nonfatal myocardial infarction, nonfatal stroke, or hospitalization for heart failure. Conclusions: FIGARO-DKD will determine whether an optimally treated cohort of T2D patients with CKD at high risk of CV and renal events will experience cardiorenal benefits with the addition of finerenone to their treatment regimen. Trial Registration: EudraCT number: 2015-000950-39; ClinicalTrials.gov identifier: NCT02545049

Discovery and functional prioritization of Parkinson's disease candidate genes from large-scale whole exome sequencing.

BACKGROUND: Whole-exome sequencing (WES) has been successful in identifying genes that cause familial Parkinson's disease (PD). However, until now this approach has not been deployed to study large cohorts of unrelated participants. To discover rare PD susceptibility variants, we performed WES in 1148 unrelated cases and 503 control participants. Candidate genes were subsequently validated for functions relevant to PD based on parallel RNA-interference (RNAi) screens in human cell culture and Drosophila and C. elegans models. RESULTS: Assuming autosomal recessive inheritance, we identify 27 genes that have homozygous or compound heterozygous loss-of-function variants in PD cases. Definitive replication and confirmation of these findings were hindered by potential heterogeneity and by the rarity of the implicated alleles. We therefore looked for potential genetic interactions with established PD mechanisms. Following RNAi-mediated knockdown, 15 of the genes modulated mitochondrial dynamics in human neuronal cultures and four candidates enhanced α-synuclein-induced neurodegeneration in Drosophila. Based on complementary analyses in independent human datasets, five functionally validated genes-GPATCH2L, UHRF1BP1L, PTPRH, ARSB, and VPS13C-also showed evidence consistent with genetic replication. CONCLUSIONS: By integrating human genetic and functional evidence, we identify several PD susceptibility gene candidates for further investigation. Our approach highlights a powerful experimental strategy with broad applicability for future studies of disorders with complex genetic etiologies

The Hothouse Archives

The ICI Berlin in conjunction with the Max Planck Institute for the History of Science is pleased to announce an exhibition by visual artist and theorist Suzanne Anker. The Hothouse Archives brings together two groups of photographs that picture the blurring of boundaries between nature and culture. The first suite of pictures, &#8216;Coral Seed Bank&#8217; (2007) capture fragments of brain corals suspended in tanks located at the Mote Marine Laboratory at Summerland Key, Florida. The morphology of coral, similar to the convolutions in the brain, create vital connections between all parts of the organism. The vivid colors are a natural wonder, rendering this stationary carnivore as a masquerading plant. In the second suite of photographs, &#8216;Laboratory Life&#8217;  several layers of images are superimposed on top of one another in the form of a palimpsest. Images garnered from scientific laboratories form the technological base layer. An image of a transparent garden is then transferred as a top layer. The chance provoke questions concerning our enchantment with both nature and technology. Suzanne Anker (www.geneculture.org) has exhibited her work at the J. P. Getty Museum, the Kunsthaus Meran, the Phillips Collection, the Institute for Art and Urban Resources in NY among others. She has been a guest curator at the New York Academy of Sciences as well as the author of many texts concerning the implications of the bio-technological revolution on culture and society. She currently teaches at the School of Visual Arts in NYC, where she is Chair of the Fine Arts Department.Suzanne Anker, The Hothouse Archives, exhibition, ICI Berlin, 19 February 2009 <https://doi.org/10.25620/e090219

Science and society neuroculture

Neuroscience addresses questions that, if resolved, will reveal aspects of our individuality. Therefore neuroscientific knowledge is not solely constrained within laboratories, but readily captures the attention of the public at large. Ideas, concepts and images in neuroscience widely circulate in culture and are portrayed in literature, film, works of art, the mass media and commercial products, therefore shaping social values and consumer practices. The interaction between art and science offers an opportunity to make the scientific community and the public aware of the social and ethical implications of the scientific advances in neuroscience

Fundamentally Human: Contemporary Art and Neuroscience

Fundamentally Human: Contemporary Art and Neuroscience exhibition brings the work of seven contemporary artists to the fore, whose work addresses aspects of the neurological sciences. Curated by BFA Fine Arts Department Chair of the School of Visual Arts in New York Suzanne Anker, the exhibition includes works by the artists Suzanne Anker (USA), Andrew Carnie (UK), Rona Pondick (USA), Michael Joaquin Grey (USA), Michael Rees (USA), Frank Gillette (USA) and Leonel Moura (Portugal).Each interdisciplinary artist essentially employs new technologies ranging from robotics, 3-D scanning, Photoshop, rapid prototyping, microscopy and computational video. All are concerned with the mysteries and unity of nature and its processes, the transmission of knowledge and beliefs, and the reveries of human metaphors of being in time.As the artists incorporate such metaphors invoked by matter, perception and memory, their discrete personifications are framed within a symbolic narrative.This exhibition which combines science and art; invites us to view art through a scientific perspective and help us understand and question the strong connection between contemporary art and neuroscience