British Romanticism and the Global Climate

As a result of developments in the meteorological and geological sciences, the Romantic period saw the gradual emergence of attempts to understand the climate as a dynamic global system that could potentially be affected by human activity. This chapter examines textual responses to climate disruption cause by the Laki eruption of 1783 and the Tambora eruption of 1815. During the Laki haze, writers such as Horace Walpole, Gilbert White, and William Cowper found in Milton a powerful way of understanding the entanglements of culture and climate at a time of national and global crisis. Apocalyptic discourse continued to resonate during the Tambora crisis, as is evident in eyewitness accounts of the eruption, in the utopian predictions of John Barrow and Eleanor Anne Porden, and in the grim speculations of Byron’s ‘Darkness’. Romantic writing offers a powerful analogue for thinking about climate change in the Anthropocene

Ethereal women: Climate and gender from realism to the modernist novel

This chapter examines Charlotte Brontë’s Villette (1853), Dorothy Richardson’s Pilgrimage (1915–1938) and selections of non-fiction writing by Virginia Woolf published between 1919 and 1925. It argues that the fluid psychology we traditionally associate with twentieth-century experiments in literary form begins with the impact of nineteenth-century climate science on realist fiction. The atmospheric modes of female consciousness and ethereal embodiment that women’s presumed sensitivity to climate engenders in novels like Jane Eyre and Bleak House, thus give rise to later, feminist engagements with female authorship such as Richardson’s and Woolf’s. Taking May Sinclair’s pioneering use of the term ‘stream of consciousness’ to describe Pilgrimage in 1918 as a pivot point, the essay connects Richardson’s acknowledged debt to Villette with the climatic underpinnings that inform Woolf’s responses to both of these novels as well as her famous definition of modern fiction as ‘an incessant shower of innumerable atoms’

Climate and History in the Anthropocene: Realist Narrative and the Framing of Time

This chapter is prompted by recent calls by historians and other scholars for new understandings of history in the Anthropocene; it asks what this might mean for literary realism, invested as it is in the depiction of the passing of time. History in the Anthropocene renders redundant the human-historical, individual-universal dialectic that has long been the hallmark of the realist novel. Following Ian Baucom, this chapter looks to Walter Benjamin’s conceptualisation of history for clues to a new form of literary realism. For Benjamin, a true understanding of history demands the recognition of the 'image' of history, a recognition occurring in a moment of 'arrest' or stoppage in the flow of time and of thought. This chapter speculates on the emergence in the Anthropocene of a literary realism that performs just such an arrest, taking its reader beyond conventional understandings of (human) history and time