Addressing Tempo Estimation Octave Errors in Electronic Music by Incorporating Style Information Extracted From Wikipedia

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Masked Conditional Neural Networks for sound classification

The remarkable success of deep convolutional neural networks in image-related applications has led to their adoption also for sound processing. Typically the input is a time–frequency representation such as a spectrogram, and in some cases this is treated as a two-dimensional image. However, spectrogram properties are very different to those of natural images. Instead of an object occupying a contiguous region in a natural image, frequencies of a sound are scattered about the frequency axis of a spectrogram in a pattern unique to that particular sound. Applying conventional convolution neural networks has therefore required extensive hand-tuning, and presented the need to find an architecture better suited to the time–frequency properties of audio. We introduce the ConditionaL Neural Network (CLNN)1 and its extension, the Masked ConditionaL Neural Network (MCLNN) designed to exploit the nature of sound in a time–frequency representation. The CLNN is, broadly speaking, linear across frequencies but non-linear across time: it conditions its inference at a particular time based on preceding and succeeding time slices, and the MCLNN use a controlled systematic sparseness that embeds a filterbank-like behavior within the network. Additionally, the MCLNN automates the concurrent exploration of several feature combinations analogous to hand-crafting the optimum combination of features for a recognition task. We have applied the MCLNN to the problem of music genre classification, and environmental sound recognition on several music (Ballroom, GTZAN, ISMIR2004, and Homburg), and environmental sound (Urbansound8K, ESC-10, and ESC-50) datasets. The classification accuracy of the MCLNN surpasses neural networks based architectures including state-of-the-art Convolutional Neural Networks and several hand-crafted attempts

Interacting Attention-gated Recurrent Networks for Recommendation

Capturing the temporal dynamics of user preferences over items is important for recommendation. Existing methods mainly assume that all time steps in user-item interaction history are equally relevant to recommendation, which however does not apply in real-world scenarios where user-item interactions can often happen accidentally. More importantly, they learn user and item dynamics separately, thus failing to capture their joint effects on user-item interactions. To better model user and item dynamics, we present the Interacting Attention-gated Recurrent Network (IARN) which adopts the attention model to measure the relevance of each time step. In particular, we propose a novel attention scheme to learn the attention scores of user and item history in an interacting way, thus to account for the dependencies between user and item dynamics in shaping user-item interactions. By doing so, IARN can selectively memorize different time steps of a user's history when predicting her preferences over different items. Our model can therefore provide meaningful interpretations for recommendation results, which could be further enhanced by auxiliary features. Extensive validation on real-world datasets shows that IARN consistently outperforms state-of-the-art methods.Comment: Accepted by ACM International Conference on Information and Knowledge Management (CIKM), 201

Potential Passenger Flow Prediction: A Novel Study for Urban Transportation Development

Recently, practical applications for passenger flow prediction have brought many benefits to urban transportation development. With the development of urbanization, a real-world demand from transportation managers is to construct a new metro station in one city area that never planned before. Authorities are interested in the picture of the future volume of commuters before constructing a new station, and estimate how would it affect other areas. In this paper, this specific problem is termed as potential passenger flow (PPF) prediction, which is a novel and important study connected with urban computing and intelligent transportation systems. For example, an accurate PPF predictor can provide invaluable knowledge to designers, such as the advice of station scales and influences on other areas, etc. To address this problem, we propose a multi-view localized correlation learning method. The core idea of our strategy is to learn the passenger flow correlations between the target areas and their localized areas with adaptive-weight. To improve the prediction accuracy, other domain knowledge is involved via a multi-view learning process. We conduct intensive experiments to evaluate the effectiveness of our method with real-world official transportation datasets. The results demonstrate that our method can achieve excellent performance compared with other available baselines. Besides, our method can provide an effective solution to the cold-start problem in the recommender system as well, which proved by its outperformed experimental results

Automatic transcription of polyphonic music exploiting temporal evolution

PhDAutomatic music transcription is the process of converting an audio recording into a symbolic representation using musical notation. It has numerous applications in music information retrieval, computational musicology, and the creation of interactive systems. Even for expert musicians, transcribing polyphonic pieces of music is not a trivial task, and while the problem of automatic pitch estimation for monophonic signals is considered to be solved, the creation of an automated system able to transcribe polyphonic music without setting restrictions on the degree of polyphony and the instrument type still remains open. In this thesis, research on automatic transcription is performed by explicitly incorporating information on the temporal evolution of sounds. First efforts address the problem by focusing on signal processing techniques and by proposing audio features utilising temporal characteristics. Techniques for note onset and offset detection are also utilised for improving transcription performance. Subsequent approaches propose transcription models based on shift-invariant probabilistic latent component analysis (SI-PLCA), modeling the temporal evolution of notes in a multiple-instrument case and supporting frequency modulations in produced notes. Datasets and annotations for transcription research have also been created during this work. Proposed systems have been privately as well as publicly evaluated within the Music Information Retrieval Evaluation eXchange (MIREX) framework. Proposed systems have been shown to outperform several state-of-the-art transcription approaches. Developed techniques have also been employed for other tasks related to music technology, such as for key modulation detection, temperament estimation, and automatic piano tutoring. Finally, proposed music transcription models have also been utilized in a wider context, namely for modeling acoustic scenes

Music feature extraction and analysis through Python

En l'era digital, plataformes com Spotify s'han convertit en els principals canals de consum de música, ampliant les possibilitats per analitzar i entendre la música a través de les dades. Aquest projecte es centra en un examen exhaustiu d'un conjunt de dades obtingut de Spotify, utilitzant Python com a eina per a l'extracció i anàlisi de dades. L'objectiu principal es centra en la creació d'aquest conjunt de dades, emfatitzant una àmplia varietat de cançons de diversos subgèneres. La intenció és representar tant el panorama musical més tendenciós i popular com els nínxols, alineant-se amb el concepte de distribució de Cua Llarga, terme popularitzat com a "Long Tail" en anglès, que destaca el potencial de mercat de productes de nínxols amb menor popularitat. A través de l'anàlisi, es posen de manifest patrons en l'evolució de les característiques musicals al llarg de les dècades passades. Canvis en característiques com l'energia, el volum, la capacitat de ball, el positivisme que desprèn una cançó i la seva correlació amb la popularitat sorgeixen del conjunt de dades. Paral·lelament a aquesta anàlisi, es concep un sistema de recomanació musical basat en el contingut del conjunt de dades creat. L'objectiu és connectar cançons, especialment les menys conegudes, amb possibles oients. Aquest projecte ofereix perspectives beneficioses per a entusiastes de la música, científics de dades i professionals de la indústria. Les metodologies implementades i l'anàlisi realitzat presenten un punt de convergència de la ciència de dades i la indústria de la música en el context digital actualEn la era digital, plataformas como Spotify se han convertido en los principales canales de consumo de música, ampliando las posibilidades para analizar y entender la música a través de los datos. Este proyecto se centra en un examen exhaustivo de un conjunto de datos obtenido de Spotify, utilizando Python como herramienta para la extracción y análisis de datos. El objetivo principal se centra en la creación de este conjunto de datos, enfatizando una amplia variedad de canciones de diversos subgéneros. La intención es representar tanto el panorama musical más tendencioso y popular como los nichos, alineándose con el concepto de distribución de Cola Larga, término popularizado como Long Tail en inglés, que destaca el potencial de mercado de productos de nichos con menor popularidad. A través del análisis, se evidencian patrones en la evolución de las características musicales a lo largo de las décadas pasadas. Cambios en características como la energía, el volumen, la capacidad de baile, el positivismo que desprende una canción y su correlación con la popularidad surgen del conjunto de datos. Paralelamente a este análisis, se concibe un sistema de recomendación musical basado en el contenido del conjunto de datos creado. El objetivo es conectar canciones, especialmente las menos conocidas, con posibles oyentes. Este proyecto ofrece perspectivas beneficiosas para entusiastas de la música, científicos de datos y profesionales de la industria. Las metodologías implementadas y el análisis realizado presentan un punto de convergencia de la ciencia de datos y la industria de la música en el contexto digital actualIn the digital era, platforms like Spotify have become the primary channels of music consumption, broadening the possibilities for analyzing and understanding music through data. This project focuses on a comprehensive examination of a dataset sourced from Spotify, with Python as the tool for data extraction and analysis. The primary objective centers around the creation of this dataset, emphasizing a diverse range of songs from various subgenres. The intention is to represent both mainstream and niche musical landscapes, aligning with the Long Tail distribution concept, which highlights the market potential of less popular niche products. Through analysis, patterns in the evolution of musical features over past decades become evident. Shifts in features such as energy, loudness, danceability, and valence and their correlation with popularity emerge from the dataset. Parallel to this analysis is the conceptualization of a music recommendation system based on the content of the data set. The aim is to connect tracks, especially lesser-known ones, with potential listeners. This project provides insights beneficial for music enthusiasts, data scientists, and industry professionals. The methodologies and analyses present a convergence of data science and the music industry in today's digital contex

Audio source separation for music in low-latency and high-latency scenarios

Aquesta tesi proposa mètodes per tractar les limitacions de les tècniques existents de separació de fonts musicals en condicions de baixa i alta latència. En primer lloc, ens centrem en els mètodes amb un baix cost computacional i baixa latència. Proposem l'ús de la regularització de Tikhonov com a mètode de descomposició de l'espectre en el context de baixa latència. El comparem amb les tècniques existents en tasques d'estimació i seguiment dels tons, que són passos crucials en molts mètodes de separació. A continuació utilitzem i avaluem el mètode de descomposició de l'espectre en tasques de separació de veu cantada, baix i percussió. En segon lloc, proposem diversos mètodes d'alta latència que milloren la separació de la veu cantada, gràcies al modelatge de components específics, com la respiració i les consonants. Finalment, explorem l'ús de correlacions temporals i anotacions manuals per millorar la separació dels instruments de percussió i dels senyals musicals polifònics complexes.Esta tesis propone métodos para tratar las limitaciones de las técnicas existentes de separación de fuentes musicales en condiciones de baja y alta latencia. En primer lugar, nos centramos en los métodos con un bajo coste computacional y baja latencia. Proponemos el uso de la regularización de Tikhonov como método de descomposición del espectro en el contexto de baja latencia. Lo comparamos con las técnicas existentes en tareas de estimación y seguimiento de los tonos, que son pasos cruciales en muchos métodos de separación. A continuación utilizamos y evaluamos el método de descomposición del espectro en tareas de separación de voz cantada, bajo y percusión. En segundo lugar, proponemos varios métodos de alta latencia que mejoran la separación de la voz cantada, gracias al modelado de componentes que a menudo no se toman en cuenta, como la respiración y las consonantes. Finalmente, exploramos el uso de correlaciones temporales y anotaciones manuales para mejorar la separación de los instrumentos de percusión y señales musicales polifónicas complejas.This thesis proposes specific methods to address the limitations of current music source separation methods in low-latency and high-latency scenarios. First, we focus on methods with low computational cost and low latency. We propose the use of Tikhonov regularization as a method for spectrum decomposition in the low-latency context. We compare it to existing techniques in pitch estimation and tracking tasks, crucial steps in many separation methods. We then use the proposed spectrum decomposition method in low-latency separation tasks targeting singing voice, bass and drums. Second, we propose several high-latency methods that improve the separation of singing voice by modeling components that are often not accounted for, such as breathiness and consonants. Finally, we explore using temporal correlations and human annotations to enhance the separation of drums and complex polyphonic music signals